Hikaru Utada’s Commercial Song and Popular Tracks Rankings [2026]
Since her sensational debut, singer-songwriter Hikaru Utada has continued to be admired for her powerful vocals and unforgettable melodies.
Her songs are also frequently featured in commercials.
This time, we’ll introduce a ranking of some of the most popular Hikaru Utada CM songs.
- Hikaru Utada’s Most Popular Songs Ranking [2026]
- [February 2026] Summary of Trending Latest Commercial Songs
- [Daihatsu Commercial] Popular CM Songs. Historical/All-time CM Songs [2026]
- Utada Hikaru’s Most Moving Songs and Popular Tracks Ranking [2026]
- Utada Hikaru Cheer Songs and Popular Tracks Ranking [2026]
- Hikaru Utada’s famous and popular songs
- Ayumi Hamasaki’s Commercial Songs and Popular Tracks Ranking [2026]
- Karaoke Ranking of Popular Hikaru Utada Songs [2026]
- Hikaru Utada’s Tearjerker Songs, Cry-Inducing Tracks, and Popular Hits Ranking [2026]
- Utada Hikaru’s Christmas Songs: Popular Track Ranking [2026]
- Hikaru Utada Wedding Songs and Popular Tracks Ranking [2026]
- Catchy Commercial Jingles and Ad Songs Featured on YouTube Shorts
- Hikaru Utada’s Graduation Songs, Entrance Ceremony Songs, and Popular Song Rankings [2026]
Hikaru Utada CM Songs and Popular Tracks Ranking [2026] (1–10)
ElectricityUtada Hikaru8rank/position

A commercial imbued with a message wishing for a world where people can support one another.
Singer-songwriter Hikaru Utada created the CM song “Electricity” and also appears in the ad.
Her rhythmic vocals unfold over a lively, electro-based beat.
The warm melody perfectly matches the commercial’s theme of conveying gratitude to those we cherish.
With rich synth tones, the song’s lyrics—sprinkled with mysterious phrases—linger in the ear.
Fight The BluesUtada Hikaru9rank/position

It was featured as a theme song for news programs and in music commercials.
The synthesizers are beautiful, and the lyrics, written from a female perspective, portray a strong woman.
It conveys a strong impression of “I can’t lose,” making it a song that gives you a push when you feel like you’re about to be defeated and frustrated, or when you’re standing still.
Keep Tryin’Utada Hikaru10rank/position

Released in 2006 as Hikaru Utada’s 16th single.
The song was used in a LISMO! commercial and was distributed for free as a full ringtone download as part of a campaign.
It also drew attention because the impersonation entertainer Miracle Hikaru appeared as an extra in the music video.
Utada Hikaru’s Commercial Songs and Popular Tracks Ranking [2026] (11–20)
Kiss & CryUtada Hikaru11rank/position

As part of the FREEDOM-PROJECT, this is one of the commercials that aired between 2006 and 2008.
The animation, created with Katsuhiro Otomo—known as the author of Akira—was used, and many viewers likely paid close attention to its animation style and story.
Even now, watching it is exciting—it’s a captivating commercial.
The BGM features Hikaru Utada’s 2007 release “Kiss & Cry,” a love song with strikingly unique lyrics that even include the words “Nissin Cup Noodles!”
LettersUtada Hikaru12rank/position

It was released in 2002 as Hikaru Utada’s 11th single.
The song was used in the NTT DoCoMo “FOMA” commercial featuring Hikaru Utada, and it drew attention for featuring Char and GLAY’s HISASHI on acoustic guitar.
Mine or YoursUtada Hikaru13rank/position

Hikaru Utada’s “Mine or Yours,” released in 2025, is a track that conveys relaxation with a gentle groove.
Its slow tempo is layered with vocals that ride slightly behind the beat—almost to the point of feeling off-kilter—further emphasizing the laid-back feel.
The lyrics depict casual, everyday moments to express relaxation, evoking the simple joys found in an easygoing daily life.
The song was featured in a commercial for Ayataka green tea, portraying relaxed everyday scenes and showing how Ayataka supports that sense of calm.
Stay GoldUtada Hikaru14rank/position

Hikaru Utada’s 20th single, released in 2008.
It was written specifically for a Kao “ASIENCE” commercial, and the repeating piano motif feels heartbreakingly poignant.
The arrangement is a must-hear.
Utada herself has described it as a particularly feminine song, and I think its mystical, oriental atmosphere suits the ASIENCE image perfectly.
At the same time, there’s an innocent, almost “boyish” quality somewhere in it that really draws you in.
It’s a quintessential Utada track, with a depth that slowly seeps through.


