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Wednesday Campanella Popular Song Rankings [2026]

Wednesday Campanella is known for songs that, while possessing a unique worldview, still feel pop—like Momotaro, which reinterprets a classic folktale in a modern way, and Ra, born from a tie-up with Nissin Curry Meshi.

The crisp electronic sounds are a pleasure to the ears.

This time, we’ll introduce some of their popular tracks in a ranking format.

Wednesday Campanella Popular Songs Ranking [2026] (31–40)

Sen no RikyūSuiyōbi no Campanella31rank/position

Wednesday Campanella “Sen no Rikyū”
Sen no RikyūSuiyōbi no Campanella

Sen no Rikyū, who etched his name in history as the foremost master of the tea ceremony during the Azuchi–Momoyama period.

This is “Sen no Rikyū,” a song that narrates his life while singing about various kinds of tea knowledge.

It’s one of the tracks included on the mini-album “Take Me to Onigashima,” released in November 2014.

The song kicks off at high tension with Kom_I’s cool rap over an intro marked by striking piano and string tones.

Midway through, you’ll hear a rapid-fire introduction to different teas—some names you may never have heard before.

It’s a track that lets you casually learn both tea lore and the life of Sen no Rikyū.

Four Heavenly KingsSuiyōbi no Campanella32rank/position

An energetic track that fuses the dynamism of the city with creative allure.

It’s packed with Wednesday Campanella’s bold new challenge.

Released in April 2024, the song was also chosen as the tie-in for the opening movie of Harajuku’s new complex, Harakado.

Its electronic sound and playful lyrics blend perfectly, drawing listeners in.

Ideal for those seeking creative inspiration or a sophisticated urban vibe.

It’s also recommended when you want to discover a new side of yourself or boost your motivation.

ButterflySuiyōbi no Campanella33rank/position

In this commercial, Uta introduces got2b’s hair color, clearly conveying what kind of look you can achieve.

The content straightforwardly depicts the change in hair color, and from the joyful and surprised expressions of people whose hair has changed, you can sense positive emotions.

The song that further accentuates the lightness of the visuals is Wednesday Campanella’s “Butterfly.” While the track conveys a distinctive sense of floating, the powerful vocals layered on top impart a feeling of strength, as if pushing you forward.

OshichiSuiyōbi no Campanella34rank/position

Wednesday Campanella “Oshichi”
OshichiSuiyōbi no Campanella

It appears to be themed around Yaoya Oshichi, a figure believed to have actually existed in the Edo period.

Given that her biography includes being executed for the crime of arson, the piece combines a melody that evokes a sense of traditional Japanese aesthetics with lyrics filled with Edo-style expressions, resulting in a song that conveys an eerie atmosphere.

Princess KaguyaSuiyōbi no Campanella35rank/position

When you think of the moon, many of you might be reminded of the folktale The Tale of the Bamboo Cutter (Princess Kaguya), right? For those people, I recommend the song Kaguya-hime released by Wednesday Campanella in 2018.

It beautifully captures the fantastical world of Kaguya-hime, while also delivering that distinctly Wednesday Campanella, slightly mysterious vibe that’s irresistible.

There are no rabbits or mochi-pounding scenes, but it might be nice to enjoy moon viewing with a stylish, slightly unusual track like this.

The music video is also well worth watching, so be sure to check it out.

AliceSuiyōbi no Campanella36rank/position

WEDNESDAY CAMPANELLA “Alice”
AliceSuiyōbi no Campanella

With an intro where crisp synthesizer hits ring out refreshingly, this is “Alice,” released on October 27, 2021.

In September of the same year, KOM_I, who had served as the vocalist until then, announced her departure, and the second lead and vocalist, Utaha, joined the group.

“Alice” was the first release under the new lineup.

From its sound to the lyrical worldview, the track offers a charm that feels distinctly different from Wednesday Campanella’s previous work.

The song takes inspiration from Alice in Wonderland, likening the world that entered the COVID-19 pandemic to stumbling into a strange realm where everything you see has suddenly transformed.

It’s a song that makes you want to cherish the small, everyday happinesses you once took for granted.

IncaSuiyōbi no Campanella37rank/position

This is a song included in “Take Me to Onigashima.” You might think it’s about the Inca Empire, but then it sings about potato varieties like “Inca no Mezame” and even mentions mapo glass noodles—its lyrics are quite mysterious.

The music video was shot in the city at night and has a style that’s very characteristic of Wednesday Campanella.

Uran-chanSuiyōbi no Campanella38rank/position

Wednesday Campanella “Uran-chan” 2016-06-04
Uran-chanSuiyōbi no Campanella

Included on the album “Zipangu.” A track that stands out as even more unconventional within Wednesday Campanella’s already offbeat catalog, featuring a uniquely hybridized sound where cool cyber tones fuse with Japanese-style elements, and where hardly any straightforward lyrics are laid over it.

Based on the lyrics, the title “Uran-chan” likely refers to Uran, the sister of Astro Boy, a robot character from Tetsuwan Atom (Astro Boy).

King KamehamehaSuiyōbi no Campanella39rank/position

It’s a very unique song in Wednesday Campanella’s style, interpreting Kamehameha, the great king of Hawaii, with their signature surreal touch.

The idea that someone long revered as a king is now treated no differently from any ordinary middle-aged man is really interesting and makes for great buzz.

Song of YellowSuiyōbi no Campanella40rank/position

Wednesday Campanella is a musical unit consisting of vocalist KOM_I, composer Hidefumi Kenmochi, and Dir.F, who handles everything else.

When they first formed, they drew attention with quirky lyrics themed around fairy tales and historical figures.

After successfully performing at the Budokan in 2017, their music has gradually evolved in a more sophisticated direction.