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Wonderful Music Rankings

Wednesday Campanella Popular Song Rankings [2026]

Wednesday Campanella is known for songs that, while possessing a unique worldview, still feel pop—like Momotaro, which reinterprets a classic folktale in a modern way, and Ra, born from a tie-up with Nissin Curry Meshi.

The crisp electronic sounds are a pleasure to the ears.

This time, we’ll introduce some of their popular tracks in a ranking format.

Wednesday Campanella Popular Songs Ranking [2026] (21–30)

DiabloSuiyōbi no Campanella29rank/position

You can fully feel Kom_I’s love for baths in “Diablo,” released in April 2015.

The title “Diablo” is said to be a play on the English word “dear,” the Japanese word for bath (furo), and the Spanish word for “devil,” diablo.

At first glance, it might not seem related to baths, but Kom_I’s affection for bathing seeps through right away.

The song is also used as the opening theme for the NHK variety show “Sando no Ofuro Itadakimasu,” featuring the hugely popular comedy duo Sandwichman—and Kom_I herself serves as the show’s narrator.

It’s a highly recommended track for bath lovers.

MitsukoSuiyōbi no Campanella30rank/position

A track included in the 2014 release “Cinema Jack.” The song was inspired by Sion Sono’s film “Guilty of Romance.” Most of the visuals are composed of stop-motion photographs, and the imagery draws you in before you know it.

Wednesday Campanella Popular Songs Ranking [2026] (31–40)

MedusaSuiyōbi no Campanella31rank/position

A track included on the fifth album Zipangu, released in 2015.

Inspired by Medusa—the monster from Greek mythology whose hair was turned into snakes—the song features striking phrases that evoke Medusa, such as references to hair and stone.

In contrast to its theme, the light, urban arrangement lends it a coolness that makes it enjoyable even without understanding the lyrics.

Kom_I’s voice, both languid and commanding, creates a sense of transparency, resulting in a superb pop tune with a distinctive, floating feel.

Ikkyu-sanSuiyōbi no Campanella32rank/position

Dance music “Ikkyu-san” captivates with its funky bassline.

It’s a single released on January 19, 2017.

The puns sprinkled throughout the lyrics are incredibly catchy and stick in your head.

What made this song especially talked about was its music video.

The story, amazingly, features a town girl who falls in love at first sight with a bomber named IKKYU.

You won’t want to miss KOM_I playing a double role as both the town girl and a police officer! The music video was directed by Yuichi Kodama, just like “RA,” which was released in 2015.

Sen no RikyūSuiyōbi no Campanella33rank/position

Wednesday Campanella “Sen no Rikyū”
Sen no RikyūSuiyōbi no Campanella

Sen no Rikyū, who etched his name in history as the foremost master of the tea ceremony during the Azuchi–Momoyama period.

This is “Sen no Rikyū,” a song that narrates his life while singing about various kinds of tea knowledge.

It’s one of the tracks included on the mini-album “Take Me to Onigashima,” released in November 2014.

The song kicks off at high tension with Kom_I’s cool rap over an intro marked by striking piano and string tones.

Midway through, you’ll hear a rapid-fire introduction to different teas—some names you may never have heard before.

It’s a track that lets you casually learn both tea lore and the life of Sen no Rikyū.

ButterflySuiyōbi no Campanella34rank/position

In this commercial, Uta introduces got2b’s hair color, clearly conveying what kind of look you can achieve.

The content straightforwardly depicts the change in hair color, and from the joyful and surprised expressions of people whose hair has changed, you can sense positive emotions.

The song that further accentuates the lightness of the visuals is Wednesday Campanella’s “Butterfly.” While the track conveys a distinctive sense of floating, the powerful vocals layered on top impart a feeling of strength, as if pushing you forward.

OshichiSuiyōbi no Campanella35rank/position

Wednesday Campanella “Oshichi”
OshichiSuiyōbi no Campanella

It appears to be themed around Yaoya Oshichi, a figure believed to have actually existed in the Edo period.

Given that her biography includes being executed for the crime of arson, the piece combines a melody that evokes a sense of traditional Japanese aesthetics with lyrics filled with Edo-style expressions, resulting in a song that conveys an eerie atmosphere.