Tatsuro Yamashita’s Most Popular Karaoke Songs Ranking [2026]

Christmas EveYamashita Tatsuro1rank/position

Nana Eikura stars in Tatsuro Yamashita’s “Christmas Eve” special movie-version PV

Tatsuro Yamashita’s classic “Christmas Eve.” It’s no exaggeration to say this piece represents not only Yamashita himself but also Japan’s quintessential Christmas song.

While the track features vocals that lean heavily on the off-beat, giving it a Western pop feel, it’s surprisingly easy to sing because the embellishments associated with Black music, such as vocal riffs and ad-libs, are kept to a minimum.

The vocal range is mid1 E to mid2 G#, so although it skews slightly low, the overall range is narrow; if you choose a suitable key, you shouldn’t struggle vocally.

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Ryo

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RIDE ON TIMEYamashita Tatsuro2rank/position

Ride On Time - Tatsuro Yamashita

When we think of the ’80s, it was the era when city pop really took off.

Many classic songs were produced, but one I especially recommend for karaoke is Tatsuro Yamashita’s “Ride On Time.” It’s one of the few tracks performed by a full band, and because of that, even as a city pop song, it has a distinctive sense of drive and speed.

The lyrics are also upbeat and refreshing, which is another highlight.

Try singing it when you want to lift your spirits or liven up the atmosphere.

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yamamoto

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Sync Of SummerYamashita Tatsuro3rank/position

Tatsuro Yamashita “Sync Of Summer”

The 53rd single, “Sync Of Summer,” was written specifically as the CM song for Kirin’s “Gogo no Kocha” (Afternoon Tea).

Its summer-evoking lyrics and ensemble feel refreshing while also stirring a touch of sentimentality.

The finely rising and falling melody can make it easy to slip off pitch, but since the vocal range is narrow and the key isn’t that high, it should be relatively easy to sing at karaoke.

However, without dynamics the song can feel flat, so if you want to stay close to the original, be mindful of expressive contrasts when you sing.

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Hoshino Takashi

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Goodbye, Summer DaysYamashita Tatsuro4rank/position

Tatsuro Yamashita “Goodbye Summer Days”

Sayonara Natsu no Hi, the 21st single in total, was featured in a corporate image commercial for Dai-ichi Life.

It was the lead single from the 10th album Artisan, and is also known as the first single on which Tatsuro Yamashita performed all the instruments by himself.

With its relaxed tempo and minimal melodic movement, it should be easy to sing even for those who aren’t confident in their singing.

While the key is high, the vocal range required isn’t wide, making it a heartfelt number that’s relatively easy to tackle at karaoke.

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Hoshino Takashi

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Onomatopoeia ISLANDYamashita Tatsuro5rank/position

Tatsuro Yamashita “Onomatopoeia ISLAND” Pokémon Concierge Collaboration Music Video

A heartwarming number by Tatsuro Yamashita that fuses the glittering allure and refined sensibility of city pop.

Released for streaming in September 2025, it was selected as the theme song for the Netflix series “Pokémon Concierge.” The lyrics gently wrap the listener in the joy of finding a cherished presence long sought after.

Onomatopoeic expressions are sprinkled throughout, vividly painting the scenery of an island paradise.

The stop-motion music video featuring 16 Pokémon is also a must-see.

When your heart feels a little tired, this song is sure to soothe you.

Glass BoyYamashita Tatsuro6rank/position

Glass Boy – KinKi Kids (Full)

Tatsuro Yamashita’s “Glass Boy” is flavored with a Spanish-style exotic touch and is a perfect karaoke song for a refreshing, mature singer.

Released in July 1997 as KinKi Kids’ debut single, the song became a major hit.

Morning GloryYamashita Tatsuro7rank/position

Originally written for Mariya Takeuchi’s album “Miss M,” the song “MORNING GLORY” was later arranged by Tatsuro Yamashita himself.

Unusually for the time, the lyrics were also penned by Yamashita, and the light, shuffling beat gives it a refreshing feel.

Although the song is challenging due to its wide vocal range and intricate melodic movement, the lower register doesn’t appear often, so for karaoke, it’s best to set a higher key that matches your own range.

Also, to avoid slipping out of the bouncy rhythm, we recommend listening closely to the ensemble while you sing.

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Hoshino Takashi

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