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ZARD Karaoke Popular Song Ranking [2026]

ZARD has remained popular even after the passing of vocalist Izumi Sakai.When their old songs are used in commercials or you hear them regularly, it really shows how widely loved the band is.Here are some of ZARD’s most popular karaoke songs.

ZARD Karaoke Popular Songs Ranking [2026] (21–30)

Kick off your high heelsZARD22rank/position

The song “Hai Heel Nugisutete,” which was chosen as the ending theme for the late-night show “OIOI Tokyo Style Room’s.” It’s a track included on the 6th album “forever you,” and its intro featuring a wistful guitar riff leaves a strong impression.

Because there aren’t large jumps in pitch and the key isn’t particularly high, it’s recommended even for those who aren’t very confident singers.

Also, since the vocal range is narrow, even if the original key doesn’t suit your voice, adjusting your device settings will make it easier to sing—so give it a try.

Hoshino Takashi
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Even if you break tomorrowZARD23rank/position

The song “Even If You Break Tomorrow,” included on the 9th album Wings of Time.

It’s a self-cover of a track originally provided to WANDS, and the intro creates impact as it progresses from a dreamy sound into a rock ensemble.

Because the vocals in the A and B sections are delivered in a markedly subdued tone, the chorus seems high in pitch; however, the overall key is low, so you may find it surprisingly easy to sing.

With its relaxed tempo that lets you sing calmly, it’s a number that conveys a sense of melancholy.

Hoshino Takashi
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Embracing sleepless nightsZARD24rank/position

ZARD’s fourth single overall, released in August 1992.

This is another big hit from the Heisei era, isn’t it? As for the theme of this piece—“harmonies”—the song doesn’t feature particularly prominent choral arrangements, but from the pre-chorus into the chorus there’s a very effective use of backing vocals, and I think the presence or absence of these makes a completely different impression of the song.

In terms of arrangement, it’s a song that adds an upper harmony to the lead vocal—what you might call an ‘above-harmony’—but even if you sing it in unison with the lead, it still feels like you can capture the original song’s vibe quite well.

Kei Takahata
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