A roundup of songs with titles starting with “Re.” Great for karaoke shiritori too!
How many songs that start with “Re” can you think of?
It’s surprisingly hard to recall them on the spot, isn’t it?
In this article, we’ve put together song titles that start with “Re,” focusing mainly on J-POP.
There’s even a karaoke shiritori game, so some of you may want to know songs evenly across all kana or add to your repertoire.
Feel free to use this as a reference.
You might even find yourself thinking, “Oh right, there was that song too,” and feel a touch of nostalgia.
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A roundup of songs with titles starting with “re.” Great for karaoke shiritori, too! (21–30)
Reguluskururi

Featuring Ayaka Tatono of Homecomings as a guest, this work captivates with the layering of Kishida’s singing voice and clear, transparent vocals.
The chamber music-like sound, employing French horn and bassoon, brings a gentle warmth to the heart.
Released in October 2025 as the second installment of a four-month consecutive project, it was also included on the album “Twelve Fleeting Yet Beautiful Variations.” It’s a song you’ll want to savor slowly with a warm drink in hand.
Rei-chan’s Karaage—Too Melodious—Fortune LoveMinami no Minami

This is a work by Minamino Minami, a Vocaloid producer who enjoys immense support in the novelty-song community, with its music video released in December 2025.
A provisional video originally debuted for the August event that same year, VOCACOLE 2025 Summer ex, and from there the visuals were dramatically upgraded with help from a popular illustrator before its official release.
Its charm lies in chaotic lyrics crammed with love for fried chicken and an unpredictable song structure.
Perfect for when you’re feeling down or just want to empty your head and laugh.
A roundup of songs with titles starting with “Re.” Perfect for karaoke shiritori too! (31–40)
LADY NEDYSHERBETS

This is a band formed around Kenichi Asai, formerly of BLANKEY JET CITY.
They launched in 1996, and their appeal lies in a sharp yet dreamlike sound that absorbs alternative and psychedelic elements.
Their 1999 release, SIBERIA, has long been cherished as a work that distills their cold, uncompromising aesthetic.
They went on a hiatus called “hibernation” in 2002, but returned in 2005.
Since then, they have continued activity intermittently, pursuing a sound that only these four members can create.
ready-madeAdo

It’s an exhilarating number that channels a rebellious spirit against being boxed in by society’s norms and stereotypes, sung over a swinging beat! Ado’s voice is endlessly shape-shifting—ranging from gravelly lows to raspy shouts—revealing new facets with every listen.
Produced by Vocaloid creator Surii and released digitally in December 2020, the track perfectly matches the sharp sensibilities Ado had in her early major-label era.
It was also selected as the ending theme for the news program AbemaPrime in February 2021, and the unexpected pairing became a hot topic.
Later, it took the opening spot on the album “Kyogen,” marking it as a key work.
When you’re worn out by society’s rules or want to reclaim your true self, give it a listen—you’re sure to feel a refreshing catharsis.
RaiseChili Beans.

Chili Beans.
are a three-piece band that met at Voice Music School—an academy that has produced many artists—and have been gaining attention for their self-produced, free-form expression.
This track, included on their 4th EP “for you,” released in August 2023, was chosen as the ending theme for the TV anime ONE PIECE.
As Moto describes it, it carries the image of pushing forward toward an unseen dream together with your companions; its forward-looking worldview gives you a strong push when you’re stuck on exams or assignments.
With a structure that opens up into the chorus from a low-centered beat, it’s a perfect number for background music when you want to boost your concentration.
Give it a listen on nights when you want to do your best at your own pace.
RAINSEKAI NO OWARI

Released in July 2017, it was the theme song for the film “Mary and The Witch’s Flower”! I think it’s a SEKAOWA-style ballad with a gentle, swaying feel.
The overall vocal range is D#3–F#4, which isn’t too high, so I recommend singing in a calm, storytelling manner.
If you use diaphragmatic breathing, take in plenty of air, and push a block of breath forward as you sing, it should give a gentle impression.
The trick is to let your voice out slowly! For the higher notes, make your voice a bit sharper and release it quickly to make it easier to hit the pitch.
Try singing as if you’re imitating Fukase.
replicaVaundy

Vaundy, a multitalented artist who handles everything from songwriting and composition to artwork, enjoys overwhelming support especially among younger generations.
Released in November 2023, this title track from his second album “replica” is a crucial song that closes Disc 1 of the expansive two-disc, 35-track release.
The lyrics confront the struggle with quotation and déjà vu in the creative process head-on, yet still convey a determination to keep creating.
It’s a track we especially recommend to those involved in making things or anyone reflecting on their own sense of self.


