[Hilarious] Rhythm Gags That Kill at Parties and Performances
If you had to perform a comedy bit for a party piece or stage act, what would you do?
Many people probably think that rhythm-based routines might get the crowd more excited than standard sketches, manzai, or one-liner gags.
It’s true—rhythm comedy can really bring the venue together, especially when you get the audience clapping along or singing!
In this article, we’ll introduce plenty of recommended rhythm-based comedy routines.
We’ve picked a mixed lineup of classics and the latest buzzworthy acts—old and new—so feel free to use it as a reference!
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[Hilarious] Rhythm Gags That Kill at Parties and Performances (41–50)
SAGAHanawa
Mr.
Hanawa, in recent years the TV show where you cheer on your son as he pursues judo has become hugely popular.
We were moved to tears time and again by your passionate parent-child bond.
Your signature bit “SAGA” is the original song routine that transforms the weak points of your home prefecture, Saga, into self-deprecating comedy.
If you can’t play the guitar, find someone who can accompany you and give it a try.
The subject doesn’t have to be Saga—you can use your own hometown or prefecture, or common tropes about Osaka or Tokyo.
The key to crafting the material is to always look at your subject with a spirit of respect!
Child of a karate practitionerCro Cop
This is a rhythm-based comedy bit themed around a karate practitioner by the duo Kurokoppu, whose name is derived from the fighter Mirko “Cro Cop.” It’s said that Araki, one of the members, is a combat sports fan, so everything from the duo’s name to their material is related to fighting.
In this routine, they repeatedly sing a song with a melody reminiscent of a children’s tune, and with each repetition the choreography increases—starting with an upper-level punch, then a mid-level punch, and then a “hell thrust.” The choreography oddly syncs with the melody’s rhythm, which gradually makes it funnier.
In the latter half, words unrelated to combat sports—like Soran Bushi and Murofushi—start popping up one after another, plunging things into chaos.
Another key point is that, like the members of Kurokoppu themselves, it’s performed by a pair: one of them gradually gets exhausted, which adds to the humor.
Stop it.Solo debut’s
One of the bits from the solo debut features everyday happenings that commonly occur at school, unfolding in a rhythmic way.
It starts with stopping the mischief from the seat behind, and from getting tongue-tied, a rhythm begins to emerge.
Using “Yamecho” as the basic phrase, it expands into various situations.
By mixing in English and playing with pacing, the variations on “Yamecho” skillfully draw laughs.
It all wraps up with a bold turn using a harisen, ending with a forced cutoff where no words can come out, delivering the punchline.
wellKazuyuki Sakuma
Kazuyuki Sakuma, the champion of the 2011 R-1 Grand Prix.
His rhythm bit about a well is also highly recommended.
It features a unique song that expresses the feelings of a well.
It’s also known for being performed by the well monster played by Kazuyuki Sakuma in episode 5 of the drama “The Hero Yoshihiko and the Key of the Evil Spirit.” I’d love for you to give it a try—ideally with cosplay to match.
By the way, the melody used is from the game Romancing SaGa 3.
Guitar SamuraiHata Youku
Mr.
Hata Yōku, who became a nationwide sensation with his catchphrase “Too bad!!” Many of you probably watched “Enta no Kamisama” and “Quiz! Hexagon!!” every week without fail.
These days, he’s also active as a talent known for his love of camping.
His signature routine, the “Guitar Samurai,” is still a template that brings huge laughs even now.
He starts by giving a little praise and talking the target up, then delivers the punchline by saying, “But because [such-and-such], too bad!!” At casual, anything-goes parties, try using your boss at work or a senior at your club as the subject to liven up the atmosphere!
Romantic Rock-Paper-ScissorsHirocho Nishimura
Hirocho Nishimura is someone you’ve been seeing everywhere lately.
For some reason, his high-energy “Romantic Rock-Paper-Scissors” makes you want to imitate it.
His movements are distinctive and reminiscent of Matsuinji from Pekopa.
The basic idea is to perform romantic bits to the rhythm of “What shall we make with rock, paper, scissors?” The go-to gag is making both hands scissors and saying, “I found cute you,” and using both hands as paper with “I won’t let you go anymore” is guaranteed to bring down the house.
It’s perfect for people who don’t get nervous in front of others and are naturally high-energy.
By the way, in the same 15th class of Tokyo NSC as Nishimura are Okazu Club and Onigoe Tomahawk—quite a lineup of distinctive personalities!
We’ve started serving cold Chinese-style noodles.AMEMIYA
AMEMIYA is a solo comedian who’s made his mark on numerous comedy shows like Arabikidan and GodTongue.
His signature bit, “We’ve started serving Hiyashi Chuka,” is brilliantly crafted, and he’s even performed parody covers where he swaps out “Hiyashi Chuka” for other themes.
If you can play guitar, it’s a routine you should definitely try.
You can sing it as is, or replace the “Hiyashi Chuka” part with an inside joke everyone knows—either way, it’s sure to bring the house down as a hilarious performance!