Songs with titles that start with “Ri”
The second letter in the ra-gyo is “ri.”
When you play shiritori, it often ends up being the first prompt you have to think of, doesn’t it?
So, what songs with titles that start with “ri” come to mind for you?
In this article, we’ll introduce songs whose titles begin with “ri.”
The ra-gyo can be a tricky row to find words from, but even among them, “ri” actually has lots of words that make great song titles, like “ringo” (apple), “ryuusei” (shooting star), and “riaru” (real).
Be sure to check out the article, and if you find a favorite, give it a listen—or try singing it yourself!
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- Compilation of Vocaloid songs with titles starting with 'Ra'
- A compilation of Vocaloid songs whose titles start with ‘Re’
Songs with titles that start with 'Ri' (391–400)
About fluidsOzawa Kenji
It’s a single released in 2017.
Because it was his first CD release in 19 years, it generated a lot of buzz.
Throughout the track, vividly resonant strings stand out, along with a variety of percussion sounds that leave a strong impression.
While it has a refreshing feel, it also carries a mysterious atmosphere that suggests a sense of weightlessness and instability.
The way the song incorporates accents that catch the listener’s ear is, I believe, one of Kenji Ozawa’s charms.
Meteor BebopOzawa Kenji
This song was included as the B-side on the single “Tsuukai Ukiuki Dori,” released in 1995.
At the time of that B-side release, the title was “Nagareboshi Bebop,” but in later releases such as on albums, the title was changed to “Ryūsei Bebop.” The piano sound is soothing, and the melody has a certain excitement to it, making it a very pleasant number to listen to.
It’s hard to spot a shooting star, isn’t it? This track captures the fleeting nature of shooting stars as well as the beauty of the night sky.
Songs with titles beginning with “Ri” (401–410)
Wharf of TransienceYamauchi Keisuke
Released in 2016, “Ruten no Hatoba” was also performed at the 67th NHK Kohaku Uta Gassen, so many of you have probably heard it.
Although it’s an upbeat, refreshing enka in a major key, Yamauchi’s vocals bring out the fullest charm of its clumsy, stubborn protagonist tinged with a certain pathos.
While the song spans a wide range, the overall pitch sits on the lower side, which can be reassuring for those who struggle with high notes.
That said, naturally, some practice is required to master the quintessential enka techniques.
In particular, the final line of the chorus is easy to go off pitch, so be sure to sing it repeatedly until you get used to it.
international studentOkazaki Taiiku
This song, which humorously sings about international student experiences while using mondegreen-style lyrics, is a collaboration between Taiiku Okazaki and MONKEY MAJIK.
It’s a very sophisticated track where the English and Japanese lyrics feel like parallel worlds, yet it’s simply catchy and gets everyone hyped—an amazing combination.
If you play it around a campfire or at a BBQ, it’ll lift the mood for no reason at all.
And while you’re at it, grill a 100% beef patty and make a big hamburger!
When the lilacs bloomOkamoto Atsurō
Atsuro Okamoto’s “Lilacs in Bloom” is a classic that beautifully sings of nostalgia for days gone by through the lilac, a harbinger of spring.
Its melody, carried on a faint fragrance, quietly resonates in the listener’s heart.
Released in 1951, the song remains one of Okamoto’s signature works, beloved by many.
Wrapped in the “subtle scent of dreams” that drifts on nights when lilacs bloom, one can sink into distant memories.
It’s recommended for older adults who wish to spend such a gentle spring evening.
We hope you enjoy a heartwarming moment while listening to the nostalgic singing voice.
Cape TappiShimakura Chiyoko
The single “Tappi Misaki,” released by Chiyoko Shimakura in 1971, is a particularly memorable song in her long career.
Its appeal lies in the unique world it creates through elements of traditional Japanese music, including the Tsugaru shamisen, the emotionally rich lyrics by Miyuki Ishimoto, and Shimakura’s deep, resonant vocals.
The work portrays a Japanese landscape where poignancy and beauty intersect, stirring the hearts of listeners.
It is especially recommended for fans of enka or for moments when you want to contemplate Japan’s beautiful scenery.
Shimakura’s expressive singing is sure to deeply move listeners of any generation.
Why not punish both sides?Kawatani Enon, chan MARI
At the time of their major-label debut, they were described as hip-hop progressive, a mixed-gender four-piece band whose pop sensibilities shone through their original and complex arrangements.
Gesu no Kiwami Otome’s vocalist-guitarist Enon Kawatani and keyboardist Chan MARI are both artists from Kyushu.
From their songwriting method—where Kawatani’s sense-rich chord progressions and melodies are shaped by Chan MARI, who has perfect pitch—came striking songs such as “Watashi Igai Watashi Janai no” and “Ryoseibai de Ii Janai.” In today’s diverse J-pop scene, they stand out as particularly distinctive, both of them truly brilliant musicians.
