Songs with titles that start with “Sa”: a roundup you can use for shiritori or karaoke
What songs come to mind with titles that start with “Sa”? In this article, we’ll introduce songs whose titles begin with “Sa,” which are handy for games like song-title shiritori or karaoke with letter restrictions.
When you think of “sa,” many people picture sakura (cherry blossoms) that bloom beautifully in spring—and along with that, there are countless songs that have “sakura” in their titles.
Starting with the power word “sakura,” we’ve gathered a variety of songs whose titles begin with “sa.” Be sure to check them out and use them in different situations!
- A compilation of Vocaloid songs with titles that start with 'Sa'
- Masterpieces with titles that start with 'A'
- Songs with titles that start with “Su.” A collection of tracks useful for shiritori.
- Songs that start with “se”. Use them as references for shiritori or choosing tracks for karaoke!
- A roundup of songs that start with “So.” Perfect for word-chain games or picking karaoke tracks!
- A roundup of songs with titles starting with “Re.” Great for karaoke shiritori too!
- Songs that start with the letter “Shi.” Perfect for shiritori or karaoke!
- Songs with titles that start with “Za.” Great for karaoke and shiritori!
- A compilation of Vocaloid songs with titles that start with 'Su'
- A roundup of Vocaloid songs with titles starting with “Shi”
- Songs with titles that start with a number. Useful for karaoke or playlist selection.
- A big roundup of Vocaloid songs starting with 'So'! From mega-hits to hidden gems, all introduced at once
- Recommended for cherry-blossom viewing season! Classic sakura songs and spring tunes
Songs whose titles start with “Sa”: A roundup you can use for shiritori and karaoke (341–350)
Saiyan BloodBejīta (Horikawa Ryō)

It’s a legendary track among fans that hurls the very soul of a solitary warrior right at you.
Ryo Horikawa’s powerful shouts fully convey the unshakable pride and blazing fighting spirit of a warrior race.
The song is included on the album “Dragon Ball Kai SONG COLLECTION,” released in November 2009.
In the anime Dragon Ball Kai, it was used as an insert song in Episode 41.
Listen to it when you’re pushing past your limits or heading into a battle you absolutely can’t lose—it’ll make strength surge up from deep within.
We have arrived!! The Ginyu Force!!Yamazaki Yo

It’s a uniquely catchy track from the anime Dragon Ball Kai that makes you want to strike a pose along with it.
It’s included on the album Dragon Ball Kai Song Collection.
The lyrics are striking, with self-proclaimed elite warriors—“the greatest in the universe”—announcing themselves one after another.
Their charm—brimming with confidence yet somehow comical—is brilliantly expressed over a rock sound.
Listen to it before taking on a challenge, and you might find yourself feeling as confident as they are.
Love Song of SadoHosokawa Takashi

This is a signature song by Takashi Hosokawa, renowned for his overwhelming vocal power honed through folk music.
Released in December 1991 as his 39th single, it won the Oricon Long Seller Award and was performed at the NHK Kōhaku Uta Gassen the following year.
The song is set on Sado Island, expressing a deepening longing for a lover across the sea, sung with rich emotion.
Though so close, they remain out of reach—an aching frustration.
You can almost see the protagonist projecting their helpless feelings of love onto the waves crashing against the rugged shore and the birds flying across the sky.
Hosokawa’s own lyricism, brimming with poetic sensibility, blends beautifully with the folk-inspired phrasing inherited from his mentor, moving listeners to the core.
It’s a song that draws you into its bittersweet world—perfect for moments of travel-inspired reverie or nights when you’re thinking of someone far away.
Sada Misaki (Cape Sada)Toba Ichirō

A powerful paean to Sada Misaki in Ehime Prefecture by Ichiro Toba, a “man of the sea” with a background as a former fisherman.
The image of fishermen pursuing their dreams in the harsh Bungo Channel is vividly portrayed through Toba’s soul-stirring vocals.
It seems to boldly proclaim that the pride of those who live at Japan’s westernmost edge is so noble that even Mount Fuji, the nation’s highest peak, would pay it respect.
This song will set the hearts of all who love their hometowns ablaze—not only those connected to Ehime.
A masterpiece infused with the majestic scenery of Sada Misaki and the indomitable spirit of the people who live there.
Feeling super duper great!denpagumi.inc

Packed with call-and-response parts that make you want to shout along, you can practically see the sense of unity at a live show.
This track is a single released by Dempagumi.inc in November 2016, and it gained huge popularity as the opening theme for the TV anime The Disastrous Life of Saiki K.
It reached No.
5 on the Oricon Weekly Singles Chart.
This song gives you an invincible power to overcome any hardship, so it’s perfect for times when you’re feeling low on motivation.
Give it a listen, and you’ll be in top form in no time!
Oh, sake!Yoshi Ikuzo

Men in their 60s are the generation that experienced the dawn of kayōkyoku, rock, and folk music, and they can also be said to be very familiar with enka.
In particular, many have deep knowledge of modern enka, which differs from those based on traditional folk songs.
The song I recommend is Yosh Ikuzo’s “Sake yo.” As an enka piece, it is very easy to sing, with no kobushi that require complex pitch ornamentations.
The vocal range is also not wide—mid1 C# to mid2 F—so even men in their 60s, an age when projecting the voice can become difficult, should be able to sing it comfortably.
SignTakemura Nobukazu

Released in 2001 by Nobukazu Takemura, a leading figure in Japan’s electronica scene, Sign is a landmark album where avant-garde experimentation and pop sensibilities blend with exquisite balance.
Created in collaboration with a visual artist, the work unfolds like a sonic kaleidoscope, with finely chopped beats and countless electronic tones sparkling in constant motion.
Though it contains no lyrics, the title—meaning “sign” or “omen”—and the tracklist evoke a narrative of setting out toward a new world.
Experimental yet tinged with nostalgia, its carefully woven melodies let you fully savor Takemura’s singular, one-of-a-kind sound.


