Heart-touching, tear-jerking masterpieces from the Showa era
When you think of tear-jerking songs from the Showa era, timeless classics come to mind, don’t they?
In this article, we’ve gathered moving masterpieces from the Showa period, including Showa kayō (pop), New Music, folk songs, and more.
Many of these songs have a relaxed tempo, letting you really listen to the lyrics—one of the charms of Showa music.
Each genre and artist has its own distinct flavor, yet they all have a gentle, lingering impact.
We’ll spotlight not only the standard classics and farewell songs, but also some uniquely moving tracks with a different edge.
Now, let’s listen to the tear-jerking masterpieces of the Showa era.
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Moving, Tear-Jerking Masterpieces from the Showa Era (21–30)
Twilight, My LoveOhashi Junko
Released in 1978, this song was written by Yū Aku with music by Kyōhei Tsutsumi—the golden duo of the Shōwa era—and is counted among Junko Ohashi’s signature tracks.
The fact that it has been covered by numerous singers since its release shows just how beloved it is.
In the lyrics, after depicting the happiness of a summer spent together, the couple suddenly can no longer be together and must bear their fate; by the time winter comes, they are separated.
The lyrics end by describing an exchange of letters, suggesting a poignant human drama in which, despite their mutual feelings, they were forced to part.
Sonnet of the Clownsadamasashi
This is the 17th single by singer-songwriter Masashi Sada, whose sentimental vocals have earned him wide popularity and whose light, witty banter at live shows is also a key to his appeal.
The song was used as the theme for the film “Fly, Icarus’ Wings,” which is based on the true story of Toru Kurihara, a performer who tried to bring joy to children as a clown but tragically passed away during a show.
It has become a staple at his concerts and is one of his signature tracks.
Carried by a heartrending melody that conveys the conviction of an entertainer, the song still has the power to move many listeners to tears even today.
It’s a masterpiece that epitomizes Sada’s hallmark blend of wistfulness and catchiness.
Love is overŌyō Fifi
This is the 18th single by Taiwanese singer Fifi Ouyang, whose Japanese debut song “Ame no Midosuji,” released as a cover of The Ventures, suddenly became a million seller.
Originally issued as the B-side to her 17th single “Uwasa no Disco Queen,” it was later released as a single in its own right and became one of her signature numbers.
The lyrics, which depict the complex emotions of a woman, and her soulful vocals, together with the heartrending melody, truly move the heart.
It remains a timeless classic, beloved as a karaoke standard even today.
In Search of Love and DeathAoyama Kazuko
Released in the year 19764 and winner of the Japan Record Award, this is Kazuko Aoyama’s signature song.
The lyrics feature two people named Miko and Mako.
“Miko” refers to Michiko Ōshima, and “Mako” to Minoru Kōno.
It’s based on a true love message told from the perspective of Michiko Ōshima, who suffered from a rare disease and passed away at a young age.
Her apologies for not overcoming the illness and the repeated declarations—such as “Even if I disappear from this world, our love will not be lost”—are truly heart-rending.
Goodbye to sorrowanzenchitai
This is the ninth single by Anzen Chitai, a five-member rock band formed in Hokkaido centered on vocalist Koji Tamaki, whose overwhelming vocal prowess is recognized even by professional musicians.
Lauded as the culmination of the band’s pursuit of genreless, universal melody, the song pairs an emotional band sound with bittersweet, poignant lyrics that truly resonate.
The arrangement showcases a perfect fusion of lyrics and melody, creating a nostalgic atmosphere that could only arise in a Japanese-language song.
It’s a refreshing yet sentimental rock tune that remains unfaded even as the times change.
Lapis-Lazuli EarthMatsuda Seiko
A song by Seiko Matsuda, a singer-songwriter known as the very embodiment of a top idol in J-POP history, who continues to be highly active today.
Included on her 13th album “SUPREME,” this track was never released as a single, yet it is counted among her signature songs.
Its lyrics depict the beauty of the world we live in, reminding us—especially in our era, where issues like war and environmental destruction persist—to think about the future.
With its majestic arrangement and her crystalline vocals evoking the Earth’s beauty, this number carries a universal theme and a heartfelt wish.
Song of the Yoito-makeMiwA Akihiro
A singer-songwriter who has been active in numerous fields—actor, stage director, TV personality, voice actor, commentator, narrator—and whose glamorous looks give them a unique presence: this is the fourth single by Akihiro Miwa.
The song was released under their former stage name, Akihiro Maruyama, and its arrangement, which blends power with a sense of melancholy, leaves a strong impression.
“Yoitomake” is an old call used on construction sites, and knowing its origin may give you a different image when you listen.
It’s a number that became a huge hit in the 1960s, made possible by Akihiro Miwa’s intense, almost fearsome vocal delivery and expressive power.