Timeless classics only! Showa-era hit songs perfect for acoustic sing-alongs
When you hear “solo acoustic performance,” many people probably picture Showa-era folk songs.
In recent years, thanks to the influence of social media and streaming services, many beloved classics have seen a revival, making it easier for people of all generations to enjoy timeless songs.
This time, we’re introducing a selection of Showa-era tracks that are perfect for solo acoustic performances.
Each song features the warm, resonant tones of the acoustic guitar that truly touch the heart—so be sure to find your new favorite!
Nothing but timeless classics! Showa-era hit songs recommended for acoustic self-accompaniment (1–10)
Kanda Riverkaguya hime
A signature work by Kaguya-hime that portrays the days of poor yet happy youth and a poignant farewell.
Released in September 1973, this folk song sold an impressive 1.6 million copies.
The lyrics, which depict the lives and emotions of impoverished students, are expressed in the “four-and-a-half tatami folk” style that symbolized youth culture at the time.
Its portrayal of pure love in conflict with societal values resonates deeply with listeners.
Covered by many artists, it remains a timeless classic cherished across generations.
Accompanied by the gentle sound of a folk guitar, it offers a moving vocal performance.
It’s the perfect song for moments when you want to feel the quiet happiness of everyday life spent with someone special.
Let’s get married.yoshida takurou
It is known as a song that significantly changed the status of folk music in the Japanese music scene.
Released as a single on January 21, 1972, it refreshed the prevailing image of protest songs and presented a new form of folk music through colorful wording and distinctive arrangements.
Through this song, Takuro Yoshida helped make folk music widely accepted as pop music among young people.
Against the backdrop of the late 1960s, when love marriages were becoming more common, the release portrayed an assertive proposal from a man to a woman—an approach that was remarkably innovative for its time.
With the resonant tone of the acoustic guitar that pierces the heart, it can be called a timeless masterpiece cherished across generations.
Wandering Love SongNagabuchi Tsuyoshi
Known as one of the iconic songs representing the Showa era, this was the artist’s second single overall.
Its melancholy melody and sentimental lyrics resonate deeply with listeners.
Tsuyoshi Nagabuchi’s powerful yet delicate vocals blend beautifully with the acoustic guitar.
Released in October 1978, the song drew attention as Nagabuchi’s re-debut work.
The promotional campaign—touring the country with just a guitar case in hand—was unusual for the time and became a talking point.
With its relaxed tempo and relatively narrow vocal range, it’s also recommended for those who want to try singing and playing guitar.
Lingering Snowiruka
A signature song by Iruka that portrays a farewell in the falling snow.
Beneath its understated lyrics lies a poignant emotion that resonates with many listeners.
Released in 1975, it became a massive hit and cemented Iruka’s status as a singer.
Packed with the charm of folk music, this piece features a pleasantly warm acoustic guitar sound and a melody that’s easy to enjoy across generations.
It’s a song you’ll want to listen to as spring approaches, and it’s an easy pick for karaoke.
Perfect for anyone who wants to sing a classic folk tune.
Strawberry Statement Once Againbanban
Banban’s songs, which reflect the feelings of young people and the spirit of the times, have continued to be loved by many.
This single, released in 1975, became a massive hit, even reaching No.
1 on the Oricon charts.
Characterized by a simple yet heartwarming arrangement centered on acoustic guitar, it has a gentle tone that deeply resonates with listeners.
Written and composed by Yumi Matsutoya, the lyrics depict the love and youth of young people against the backdrop of the student movements, striking a chord across generations.
It’s an unfading Showa-era classic, perfect for a relaxed, intimate guitar-and-vocal performance.
So sad I can’t bear itZa Fōku Kurusedāzu
A song by The Folk Crusaders, affectionately known as “Fōkuru.” Its lyrics, which portray deep human sorrow and helplessness, really sink into the heart.
Said to be imbued with a sense of loss, the piece was released in March 1968 and reached No.
6 on the Oricon weekly chart.
It drew renewed attention when Kotringo’s cover was used as the opening theme for the 2016 animated film In This Corner of the World.
With universal themes that listeners can relate to through their own experiences—such as heartbreak or the collapse of a dream—this song gently stays by your side when you want to convey your feelings to someone.
River of Ten Thousand MilesCHAGE and ASKA
It’s a masterpiece whose acoustic guitar tone resonates deep in the heart.
The lyrics, depicting the scene of waiting across a deep, cold river for a beloved far away, leave a strong impression.
Released in September 1980 as CHAGE and ASKA’s third single, it has since been included on various albums.
Its distinctive style sits between folk and enka, featuring a melody rich with Asian flavor.
Their performance at a station before the Tohoku Shinkansen opened, on the TBS music program “The Best Ten,” remains memorable for many viewers.
While the melody line is simple and easy to sing, maintaining pitch during the fast-paced chorus can be a bit challenging.
The wistful atmosphere is pleasing, making it a song that feels great to sing at karaoke.