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Timeless classics only! Showa-era hit songs perfect for acoustic sing-alongs

When you hear “solo acoustic performance,” many people probably picture Showa-era folk songs.

In recent years, thanks to the influence of social media and streaming services, many beloved classics have seen a revival, making it easier for people of all generations to enjoy timeless songs.

This time, we’re introducing a selection of Showa-era tracks that are perfect for solo acoustic performances.

Each song features the warm, resonant tones of the acoustic guitar that truly touch the heart—so be sure to find your new favorite!

Nothing but timeless classics! Showa-era hit songs (21–30) recommended for solo singing with guitar/piano accompaniment

The morning I had forgottenYamamoto Junko

The July 1971 single by the folk group Akai Tori is like a mental landscape that gently reflects the youth of those days.

Skillfully blending the essences of folk and pop, Junko Yamamoto’s clear, translucent vocals and the beautiful harmonies soothe the listener’s heart.

Rofu Yamagami’s poetic lyrics quietly evoke memories of days gone by, while Kunihiko Murai’s melody tenderly accompanies them.

Included on the album Akai Tori II, this piece features a calm arrangement that conveys the freshness of a morning breeze.

It’s a recommended song for moments when you want to pause amid a busy life to reflect on yourself, or when you feel like immersing yourself in cherished memories.

Flying to IstanbulShōno Mayoyo

This is a classic song that portrays the fragility of love, woven from an urbane melody rich with exotic flair and a polished vocal performance.

While symbolically expressing a brief encounter and parting, its exotic atmosphere resonates deeply.

It artfully depicts the feelings of a heartbroken woman through the motif of a journey to a foreign land, with Kyōhei Tsutsumi’s composition and Tetsuya Chiaki’s lyrics in superb harmony.

Released in April 1978 as Mayoyo Shōno’s fifth single, it won the Nakayama Shimpei Award at the 20th Japan Record Awards and also secured a spot in that year’s 29th NHK Kōhaku Uta Gassen.

This piece is recommended for those who wish to face the end of love with hope, and for those who cherish the feelings they keep close to their heart.

In conclusion

How was it? This time, we introduced some classic Showa-era songs that are perfect for acoustic self-accompanied performances.

Unlike the Reiwa era, which is overflowing with cutting-edge musicality and sound, these tracks all have a warm, nostalgic feel.

We hope you’ll listen while imagining the atmosphere of the Showa period.