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Masterpieces by Spitz: A list of recommended popular songs and signature tracks

Let me introduce songs by Spitz, one of Japan’s most iconic national rock bands.

Spitz is a four-member band that has been active since 1987, and they’ve continued with the original lineup since their formation.

The band originally grew out of a group that Masamune Kusano, the vocalist and guitarist, played in during his student days.

Interestingly, that earlier band was a punk rock band, quite different from what they’re known for now.

They also have roots in heavier genres like metal.

Given their strong association with gentle, ballad-like songs such as “Robinson” and “Sora mo Toberu Hazu” (“I Should Be Able to Fly in the Sky”), that might come as a bit of a surprise.

With that, please enjoy Spitz’s music—where the quiet leaves a strong impression precisely because of the intensity they keep beneath the surface.

Spitz’s classic songs: A list of recommended popular and signature tracks (111–120)

Soulmatesupittsu

Released on November 27, 1997, this was the 17th single and a song that took on new challenges, such as incorporating breakbeats.

Since many previous titles had been in katakana, this title was chosen because it sounded reminiscent of enka.

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Fragments of a planetsupittsu

Spitz – A Fragment of the Planet [Lyrics Romaji] spitz – hoshino kakera
Fragments of a planetsupittsu

This song portrays a fantastical worldview and deep affection.

Masamune Kusano wrote and composed it, and it was released in September 1992 as the title track of Spitz’s album “Pieces of the Planet.” The edgy, grunge-influenced guitar is striking, conveying the essence of Spitz as a rock band.

The lyrics, influenced by sci-fi and dreams, poetically explore the boundary between love and fantasy, reality and dreams.

It has a depth that invites individual interpretation, making it a recommended piece for those with a delicate sensibility.

Why not savor it slowly while appreciating the history of a song that has been loved for many years?

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Touch and changesupittsu

This piece was created during the period when, following their breakthrough with songs like “Nagisa” and “Scarlet,” they shifted from a pop-oriented approach back to their original rock-leaning style.

Produced by Seiji Kameda, the track—lyrics aside—still exudes that unmistakable Spitz quality, even within its twisted, hard-edged sound.

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pickled plumsupittsu

They’re a skilled male band that has kept producing hits since the ’90s music scene.

The vocalist is Masamune Kusano.

It’s a relatively older song, but its downbeat tone is striking.

If you delve into the lyrics, you might even feel an indescribable sense of melancholy.

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beast trailsupittsu

Spitz – Kemonomichi [Lyrics, Romaji] spitz – kemonomichi
beast trailsupittsu

It’s included on the album “Mikazuki Rock.” It’s a rock number that closes out the album.

When you feel like there’s no path ahead, like this is the end for you, it tells you, “Hey, there’s still a way,” and makes you want to give it another try.

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close friendssupittsu

close friendssupittsu

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This song was released as the coupling track to “Unmei no Hito” (“The One of Destiny”).

Its opening is the most striking, describing how being told “you two are always so close, that’s nice” somehow makes the singer feel blue.

It likely reflects the frustration of a boy stuck in a just-friends relationship, and can be taken as a song about unrequited love.

A superb masterpiece right from the beginning.

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dream-chasersupittsu

Selected as the theme song for the film “Platonic Sex,” it was released as their 24th single on October 11, 2001, following the decision to issue it as a single.

While Spitz’s rock music usually has a refreshing feel, this track gives a much heavier rock impression.

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shooting starsupittsu