[Enka 7th Generation] A Collection of Easy-to-Sing Songs by Yuto Tatsumi [2026]

music writerKOH-1
Started working as a music writer as a side job while employed at a record shop, and for over 18 years I’ve contributed to music magazines, disc guide books, mooks, and web media. As a writer my main field is Western music, but as a listener for over 35 years, I always try to keep my curiosity alive with the motto “I like what I like.” I have experience playing in bands, where I was a bassist who handled songwriting and composition. Instruments I’ve played include bass, guitar, and piano. I began studying English in my mid-40s and continue to do so today.

Born in 1998 in Osaka Prefecture, Yuto Tatsumi is a leading figure among the young enka singers of the Reiwa era, often referred to as the “seventh generation of enka.”

His 2018 debut single, “Shitamachi Junjo,” won the Best New Artist Award at the 60th Japan Record Awards.

Combined with the vocal skills he’s honed since his teens and his good looks, his princely aura is part of his appeal.

Tatsumi’s repertoire spans not only classic enka but also kayōkyoku and pop, making his songs popular choices for karaoke.

This article focuses on songs that are relatively easy to sing at karaoke, so please take this opportunity to check them out!

[Enka 7th Generation] A Collection of Tatsumi Yuto’s Easy-to-Sing Songs [2026] (11–20)

Be a lion.tatsumi yūto

Be a lion.

Be a lion.tatsumi yūto

This is a song that lets you fully enjoy the appeal of Yuto Tatsumi as a manly enka singer, even though he’s also strongly associated with the image of a sweet-faced “prince” of the enka world.

Shishi ni Nare is the B-side to his 2021 single Sasowarete Eden.

While the title track follows a kayōkyoku style, as mentioned, Shishi ni Nare is classic, straight-ahead enka.

It’s in a major key with the feel of powerful, masculine enka, set in a relatively low key, and it incorporates fundamental enka techniques throughout.

For beginners to enka, it’s a great entry point—you might try practicing with this song.

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In conclusion

While proudly carrying himself as a young enka singer, Tatsumi continues to pursue a free-spirited path unbound by enka—and his popularity stems not only from his sweet looks but, above all, from his solid skill as a vocalist.

Many of the songs introduced this time are in the kayōkyoku style, making them easier to sing even for those unfamiliar with enka.

But once you get used to it, please do try tackling Tatsumi’s classic, straight-down-the-line enka as well!