Japanese karaoke songs that get teenage boys hyped
Karaoke could be called the quintessential pastime for teens.
We’ve gathered Japanese songs that teen boys can use to get the crowd going at karaoke!
From the latest hits to timeless classics still sung today.
Master them all and you might just become the hero of your class!
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Japanese karaoke songs that hype up teen boys (31–40)
Bitter VacationMrs. GREEN APPLE

Mrs.
GREEN APPLE is known for having many high tones.
When asked to name an artist with a high voice, many people probably picture the vocalist, Motoki Omori.
Although Mrs.
GREEN APPLE is strongly associated with high notes, there are no high-pitched parts in Bitter Vacation.
Compared to typical songs, it’s about average, but for a Mrs.
track, the vocal range is quite narrow.
In particular, there is no use of mixed voice or falsetto at all, so even men who can’t sing high notes can perform it without any problem.
Run, SAKAMOTOVaundy

“Run, SAKAMOTO,” which is drawing attention as the theme song for the popular anime SAKAMOTO DAYS, is a new track by the acclaimed singer-songwriter Vaundy, featuring a strong rock flavor.
Despite its intense sound, the overall vocal range isn’t particularly high.
There is a key change to watch out for, but there aren’t any sections with drastic pitch jumps that alternate repeatedly between falsetto and chest voice.
As a contemporary hit, it’s relatively easy to sing.
Knock Knockpirafu seijin

Pilaf Seijin is a rapper who draws attention—for better or worse—in the MC battle scene.
While he tends to attract a lot of haters in battles, his recorded music has been quite successful, racking up over a million plays, which is rare in hip-hop.
Among his tracks, the one I especially recommend is “Knock Knock.” It’s delivered in a style that sits between rapping and singing, and it’s performed within a narrow vocal range throughout all parts.
It’s a big hit with teens and up, so definitely consider adding it to your repertoire.
Team friendsChiba Yūki

KOH, also known as Yuki Chiba, scored an explosive hit with his classic “Team Tomodachi.” If you’re a head, you definitely know it, and even if you’re not, you’ve probably heard it at least once on TikTok or Instagram.
Centered on trap, the track doesn’t feature any complex flows.
Its laid-back flow rolls on steadily, so even people who struggle with fastest-rap styles or flows like bonbero’s can sing it without any problem.
It absolutely kills at karaoke, so grab your guy friends, throw your arms over each other’s shoulders, and sing it together.
Oni BanquetTomonari Sora

Soraseki Sora’s hit song “Oni no Utage.” This track went viral on TikTok and Instagram and gained nationwide popularity.
If you’re a man in your teens or twenties, you’ve probably heard it at least once.
The most singable aspect of the song is, above all, its simple vocal line.
It’s not a narrow-range piece—in fact, the pitch moves up and down quite a bit—but conversely, there aren’t any other major hurdles.
Since there are no advanced vocal techniques like runs or shouts, solid basic singing ability is more than enough to perform it.
Japanese karaoke songs that hype up teenage boys (41–50)
Bunny GirlAKASAKI

You can’t go a day without hearing the song “Bunny Girl” on platforms like TikTok and Instagram.
It’s a signature track by the young singer-songwriter AKASAKI, known for its light, breezy melody.
In contrast to its bright and airy feel, the song’s vocal line is crafted with a very narrow range.
Because the pitch movement is very gentle, anyone can sing it in chest voice.
Even men with very low voices should be able to sing it without issue in the right key, so considering how well it’s received, it’s definitely worth adding to your repertoire.
REACHING FOR THE SKYMAN WITH A MISSION

MAN WITH A MISSION is a rock band that continues to attract fans with their sharp sound.
They’re a mid-career rock band, but since they’re still active on the front lines, many teenage boys are probably familiar with them.
Among their songs, the one I particularly recommend is REACHING FOR THE SKY.
Although it features an exhilarating melody, it surprisingly has a narrow vocal range; aside from the sustained long note at the end of the chorus, there aren’t even any mid-to-high notes.
The vocal line works fine even when sung roughly, making it a perfect pick for teenage boys whose voices may still be unstable.


