RAG MusicKARAOKE
Lovely karaoke song

[Recommended for women in their 30s] Japanese hit songs that hype up karaoke

Among women in their 30s, many probably find themselves with plenty of chances to go to karaoke—like girls’ nights with childhood friends you haven’t seen in a while, class reunions, or the third after-party at a wedding.

In this article, we’ll introduce easy-to-sing, crowd-pleasing song recommendations for women in their 30s who are unsure what to pick at karaoke, including tracks you listened to as a kid, hits from your teenage years, and recent songs.

Let’s look back on those nostalgic days you spent together and enjoy a great time with the songs that hold your memories!

[Recommended for women in their 30s] Japanese hit songs that liven up karaoke (21–30)

Cutie HoneyKōda Kumi

It’s a song included on Kumi Koda’s 11th single, “LOVE & HONEY,” released in 2004.

It is a re-cut of “Cutie Honey,” which had been included only on the limited first edition of her third album, “feel my mind,” and it was chosen as the theme song for the Japanese film Cutie Honey.

It’s an anime song everyone knows that really hypes up a crowd when sung with a sexy, husky voice like Kumi Koda’s.

I can’t stay a daydreaming girlAikawa Nanase

I Can't Stay a Dreaming Girl – Nanase Aikawa (Full)
I can't stay a daydreaming girlAikawa Nanase

It was released in 1995 as Nanase Aikawa’s debut single.

Tetsurō Oda handled the lyrics, composition, and production, and the song was used in the “SUPER NOVA RACING” commercial and as the ending theme for the Fuji TV drama “V no Honō.” With this song, she made her first appearance at the 47th NHK Kōhaku Uta Gassen.

It’s a rock-style track that lets you sing your heart out and blow off stress.

[Recommended for women in their 30s] Japanese hit songs that will hype up a karaoke session (31–40)

Chocolate DiscoPerfume

[Official Music Video] Perfume “Chocolate Disco”
Chocolate DiscoPerfume

It’s a track included on Perfume’s fourth single, “Fan Service [sweet],” released in 2007.

The single came out on Valentine’s Day, and a version performed by pianist Marasy was used in a Toyota Aqua commercial.

It’s a highly popular song that’s become a Valentine’s Day staple, and it’s a fun tune you can sing and dance to.

YELLOW YELLOW HAPPYPocket Biscuits

It was released in 1996 as Pocket Biscuits’ second single.

The song became a long-running hit, sold over a million copies, and turned into Pocket Biscuits’ biggest success.

The composition was done by Pappara Kawai of Bakufu Slump, who also produced the track.

It’s a song that showcases Chiaki’s remarkable vocal ability.

LOVE MachineMōningu Musume.

Morning Musume. 'LOVE Machine' (MV)
LOVE MachineMōningu Musume.

It was released in 1999 as Morning Musume’s seventh single.

As the group’s first million-selling track, it set a new record at the time by topping the Oricon Karaoke Chart for 17 consecutive weeks.

It became Morning Musume’s biggest hit.

With its distinctive dance and a chorus everyone can get excited about together, it remains a highly popular song even today.

Queen of KabukichoShiina Ringo

There must be many people who were obsessed with Ringo Sheena when she burst onto the scene like a comet in the ’90s! “Queen of Kabukicho” is her second single, released in 1998.

Its provocative lyrics and overwhelming vocal power leave a powerful aftertaste long after you listen.

It’s hard to believe she was still a teenager, given the alluring maturity she exudes! She’s an artist beloved not only by those of that generation, but also by today’s youth.

God Knows…Hirano Aya

God knows… “The Melancholy of Haruhi Suzumiya” [Suzumiya Haruhi no Yūutsu] Kadokawa-licensed MAD [Bass Performance]
God Knows…Hirano Aya

As an insert song from the anime The Melancholy of Haruhi Suzumiya, this is the track Haruhi and the others perform during the cultural festival live show.

It’s a fast-paced band sound and a genuine rock number, so it might be challenging at first glance, but with practice I think it’s quite singable.

The “A” section’s laid-back timing (the held-back feel) is very important, so be careful not to slip off the beat.

The “B” section progresses without much change in range, but keep your eyebrows lifted to prevent your pitch from dropping.

Also, the chorus goes into higher notes with an image of an emotional outburst—if you project your voice energetically into the distance, you should be able to sing without straining your throat!