A roundup of songs for men in their 30s to sing [’90s–’00s tracks]
Many men in their 30s may find themselves unsure about what songs to sing when they go to karaoke with a woman.
In this article, we’ll introduce a selection of songs we’d love for such men to sing! We’ve chosen tracks from the late 1990s to the 2000s—songs that will likely feel nostalgic for people in their 30s and are also popular with women—so please use this as a guide for your song choices.
This time, we focused on ballad-style songs, so sing them smoothly and coolly.
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Songs 30-something men should sing: A roundup of 90s–00s tracks (21–30)
In the Morning of DeterminationAqua Timez
This song resonates with lyrics full of kindness and empathy.
Without hiding its own naivety, it gently conveys the desire to live life in one’s own way, carried by a warm, soothing melody.
It tenderly embraces everyday doubts and inner conflicts, as well as the ache of not being able to speak one’s true feelings, resulting in a track that stands by every listener.
Released by Aqua Timez in July 2006, it drew attention as the theme song for the animated film Brave Story.
It was also used in Sapporo Beer’s New Year Sports Special: Hakone Ekiden commercial, and has been loved by many.
This is a song you’ll want to hear when your heart is wavering or when you’re facing an important decision.
It’s also easy to follow the melody for karaoke, allowing you to sing it with heartfelt emotion.
Endless road19
The folk duo 19, who gained popularity with their orthodox musical style.
While they’re categorized as a folk duo, their sound is actually closer to rock, and they even have songs with a rough, rock-like arrangement.
Among them, the one I particularly recommend is Hatenonai Michi (Endless Road).
There’s a single high note near the end of the chorus, but it’s not so high that you need to use mixed voice; if you sing it in the right key, you should be able to handle it without trouble.
Definitely consider adding it to your repertoire.
If I sing to the sky175R
175R is a rock band that made its major debut in 2003.
They announced a hiatus in 2010, but resumed activities in 2016 and continue to perform at many festivals and play live shows.
When you think of 175R, many people probably think first of this song, Sora ni Utaeba.
The song overall gives the impression of having many long tones, which really bring out vocalist SHOGO’s higher register.
The vocal range spans an octave and a half from F3 to B4, which might feel a bit high for male singers.
That said, the song starts mostly in the lower range, so as long as you can handle the rapid, wordy line at the end of the chorus, it’s a very satisfying song to sing.
It builds even more toward the end with call-and-response parts, so definitely give it a try when you want to hype things up at karaoke.
Hold me, señoritaYamashita Tomohisa
Tomohisa Yamashita, known by his nickname Yamapi, was a member of the idol group NEWS from 2003 to 2011.
In 2006, Yamapi released his long-awaited debut solo single, Daite Señorita, which was used as the theme song for the TBS drama Kurosagi.
The song’s intro is cool and memorable.
As an idol song, its vocal range is relatively narrow, making it easy to sing even for those who aren’t confident with high notes.
The opening of the first verse is quite low, so it may be tricky to hit the pitches, but if you sing carefully, you’ll be fine.
There’s also a simple choreography in the chorus, so try enjoying it while keeping the rhythm.
astronomical observationBUMP OF CHICKEN
A true masterpiece among masterpieces, with a raw guitar sound and a heart-stirring melody that shine with timeless brilliance—as if the restless rush of youth were rendered directly into sound! Even in the 2020s, BUMP OF CHICKEN’s early signature song “Tentai Kansoku” remains immensely popular and is a karaoke staple.
Motoo Fujiwara’s vocals, still tinged with the youthful blue of his early twenties at the time, are moving no matter when you listen, and overall the pitch sits on the lower side, making it approachable even for those who struggle with high notes.
The pitch movement is somewhat dramatic, and the A-melody in particular demands quite low notes, so try to consciously bring out a sultry nuance like Fujiwara’s without letting it become too flat.
Theory of the Mindful HeartRADWIMPS
Yūshinron, RADWIMPS’s fourth major-label single, is one of their early signature songs and a beloved classic among fans.
Some people now in their 30s may have first discovered the band—who were then rising as a cutting-edge young act—through this track.
The song is memorable for its catchy chorus and lyrics with a distinctive worldview, but the part to watch out for when singing it at karaoke is the fast, rap-like delivery.
Practice to keep your rhythm steady, and try to avoid sounding too flat or mechanical as you sing.
Artificial flowers laughACIDMAN
ACIDMAN’s major-label debut song “Zōka ga Warau” (“Artificial Flowers Laugh”).
Released at the exceptional price of 300 yen, it became a nationwide hit thanks to its buzz and solid musicality.
If you’re a man who likes bands from the late 30s era, you’ve probably heard it at least once.
The singable point of this track is its simple vocal line that you can deliver roughly without any problem.
Because the chorus feels like it’s about to surge but never quite does, the overall range is surprisingly narrow.
There’s no vibrato or operatic-style shouts either, so simply singing with a rough, raspy tone like in the original will be more than enough to make it work.