A roundup of songs for men in their 30s to sing [’90s–’00s tracks]
Many men in their 30s may find themselves unsure about what songs to sing when they go to karaoke with a woman.
In this article, we’ll introduce a selection of songs we’d love for such men to sing! We’ve chosen tracks from the late 1990s to the 2000s—songs that will likely feel nostalgic for people in their 30s and are also popular with women—so please use this as a guide for your song choices.
This time, we focused on ballad-style songs, so sing them smoothly and coolly.
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- Songs for Women in Their 30s to Sing: A Collection from the 90s to 00s
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- A must-see for Gen Z men! Easy-to-sing songs by male artists for karaoke
- Recommended for men in their 30s: Karaoke songs that were a hit back in the day
Songs 30-something men should sing: A roundup of 90s–00s tracks (21–30)
DepartureFUNKY MONKEY BABYS
FUNKY MONKEY BABYS’ seventh single, “Tabidachi” (“Departure”).
Released in 2008, it didn’t become an explosive hit, but it still enjoyed moderate success: it was chosen as the theme song for the film “Bokutachi to Chuzaishan no 700 Nichi Sensō” (The 700 Days’ War: Us and the Police Officer) and reached No.
10 on the Oricon weekly chart.
Men in their early 30s may find it familiar.
In short, the song features a fairly simple, uniform vocal line with very gentle pitch movement.
However, it contains a fair number of long notes and the overall range is somewhat high, so it’s necessary to set the key so you can sustain long tones at a relatively high pitch.
Song of JoyMONGOL800
MONGOL800 is a band from Okinawa.
While they have numerous hit songs such as “Chiisana Koi no Uta,” I’d like to recommend a slightly more niche track here: “Yorokobi no Uta.” Unlike most of their songs, this one features a reggae-style rhythm with distinctive off-beats on the 2 and 4.
The vocals are calm and somewhat languid, and since there aren’t many long sustained notes, it should be easy to sing even for those who aren’t confident in their vocal power or lung capacity.
Songs men in their 30s should sing: A collection from the ’90s–’00s (31–40)
Be kind to othersTHE BLUE HEARTS
This song has no intro and starts singing right from the beginning.
The first note is E4, a mid-range pitch, so if you take a good breath and prepare before the song starts, you’ll likely produce a steady voice.
It begins without the backing band, so practice repeatedly to align the timing of the lyrics with the point where the band comes in.
Once you get past that, strong drums kick in, and if you listen closely to the backing track while you sing, you’ll be able to ride the groove.
The average pitch used in this song is C4, so overall it’s not high.
If you clearly separate each phrase and take a breath each time, it should make it easier to keep the rhythm.
The call-and-response parts in the song are energizing, so sing them with gusto! To avoid straining your throat, try projecting your voice as if you’re aiming into the distance.
You’ll likely find your voice comes out comfortably!
The beauties of nature — flowers, birds, wind, and the moon (a poetic expression appreciating nature’s elegance)Ketsumeishi
Ketsumeishi is a music group that sparked a hip-hop boom in the overground scene in the 2000s.
Known for many songs about love and friendship, they’re recognized as a hip-hop group that won over a broad mainstream audience with approachable rap.
Among their tracks, “Kachou Fuugetsu” is particularly easy to sing.
The rap elements are relatively subdued, and the song as a whole is arranged with a melody that has a somewhat Okinawan folk vibe.
The vocal range is narrow and the vocal lines are simple, but there are many sustained notes in the chorus, so you need to pay attention to vocal power and key adjustments.
TSUNAMISazan Ōrusutāzu
Known as a masterpiece that likens the pain of heartbreak to a tsunami, this work is a moving love song celebrated as one of Southern All Stars’ signature pieces.
It’s a gem of a ballad that expresses the sorrow of losing someone dear through a grand melody, fully showcasing Keisuke Kuwata’s exceptional songwriting and composing talent.
Released in January 2000, it topped the Oricon weekly charts and won the Japan Record Award the same year.
It was also selected as the theme song for the popular segment “Mirai Nikki III” on the TV program “U-nan no Hontoko!,” becoming a classic beloved across generations.
As a heartwarming song that offers comfort to those carrying the pain of losing someone special, it’s also highly recommended for karaoke.
choB-DASH
This track is a major single by B-DASH.
It’s meant to be enjoyed by ear, and if you actually look at the lyrics, the English and Japanese are all jumbled.
But that’s B-DASH’s signature—its English-like vibe makes it really cool.
The vocal range is D#3 to A#4, with the highest note being a high A#; it’s on the higher side, but most of the song sits around D4.
Since it’s a short song, it might be fun to just go with the flow and sing it without worrying about the lyrics! Give it a try!
GO!!!FLOW
GO!!! by FLOW, one of their signature songs and the opening theme for the anime NARUTO.
With its driving momentum, it’s a staple in their live shows and feels very band-oriented.
The song structure builds excitement—verse (A) to pre-chorus (B) to chorus—making it a very satisfying listen.
The vocal range, D#3 to B4, is accessible for the average male singer, but be cautious: the pitch rises slightly at the start of the B section, so avoid forcing your voice and straining your throat.
At a brisk tempo of 135 BPM, it’s highly rhythmic, and the chorus features FLOW’s signature rap.
Since FLOW has two vocalists, try trading lines with a partner or getting the crowd involved when you sing it!