Songs with titles starting with “To.” A selection from popular tracks across generations!
When it comes to songs that start with “To,” what songs come to mind for you?
There are plenty of classic tracks titled “Tokyo,” and you can probably think of many song titles that begin with words like “Time” (Toki) or “Friend” (Tomo) as well.
In this article, we’ll introduce lots of songs that start with “To.”
Use this as a handy guide not only for song-title shiritori, but also when you’re stuck choosing songs for karaoke shiritori, where you link the last letter of each song title to the next.
All right, let’s dive in!
- A compilation of Vocaloid songs with titles that start with “To”
- Songs whose titles start with “Do” – Solo Karaoke / Song-Title Shiritori
- Masterpieces with titles that start with 'A'
- Introducing popular J-pop songs that start with “Ta”!
- Songs with titles that start with “Tsu.” Introducing famous tracks from the Showa to Reiwa eras!
- Songs with titles that start with “te.” Perfect for shiritori karaoke or song-title shiritori!
- [Karaoke] A roundup of songs that are easy for women to sing!
- A roundup of songs that start with “U.” Perfect for shiritori or picking tracks at karaoke!
- Even karaoke beginners can relax! Easy-to-sing songs for men
- Songs with titles that start with “wo.” Useful as hints for karaoke and shiritori!
- A roundup of songs that start with “ku.” Perfect for shiritori or picking karaoke tracks!
- Summary of Vocaloid songs with titles starting with 'Ta'
- Songs with titles that start with 'de'. Perfect as hints for karaoke or shiritori!
Songs with titles that start with “To.” Introducing hits beloved across generations! (71–80)
While listening to a distant train whistleArisu
It’s a timeless classic that still holds a special place as a defining song of the 1970s folk-rock scene.
From the intro through the first verse, it uses a textbook canon progression; the slash chords create a stepwise descending bass line that poignantly colors the imagery of departures and farewells.
While looking back on days when nothing seemed to go right, the protagonist’s struggle to move forward with a renewed resolve toward music overlaps beautifully with the cyclical nature of the canon progression, leaving a lingering, profound afterglow.
Released in September 1976 as a single cut from the album “ALICE V.” It’s a song that gently gives you a push when you feel lost in the pursuit of your dreams.
younger boykyandīzu
A parody song by the “Nyandies” set to the melody of the Candies’ classic ‘Toshishita no Otokonoko,’ singing about classic cat behaviors.
It’s packed with relatable moments that even people who don’t own cats would recognize, like wanting to climb into cardboard boxes or chasing a robot vacuum.
Another highlight is how vividly you can picture each scene being sung, which really conveys the cats’ cuteness.
It feels like lyrics only someone who observes cats regularly could write—an affectionate, heartfelt parody.
Let yourself go with the flow of timeTeresa Ten
Her 16th single, “Toki no Nagare ni Mi o Makase,” released in February 1986, is a landmark of Showa-era kayōkyoku that deftly incorporates a canon progression.
With lyrics by Toyohisa Araki and music by Takashi Miki, the song stands out for being written in a major key, in contrast to its predecessors “Tsunogai” and “Aijin,” which portrayed heartache in a minor mode.
The chord progression in the A section employs a variant of the classic canon progression, and its smooth motion from tonic to subdominant harmonizes beautifully with the lyrics’ theme of surrendering to fate.
It reached No.
6 on the Oricon Weekly chart and No.
1 on cable radio, won the Gold Award at the 28th Japan Record Awards, and achieved the unprecedented feat of taking the Grand Prix for three consecutive years at the 19th Japan Cable Radio Awards.
Hikari TowaORANGE RANGE
This song was released in October 2025 and was created as the theme song for the film “Strawberry Moon: A Love with Six Months to Live.” ORANGE RANGE, who were hugely popular in the Heisei era, are back with a tearjerking Range for the Reiwa era! “Towano Hikari” is an emotional ballad following in the footsteps of “Hana” and “Love Parade.” The overall vocal range isn’t too high, making it easy to sing with feeling, so I highly recommend it.
Also, since ORANGE RANGE has three vocalists with divided parts, splitting the parts among singers is guaranteed to be fun! Speaking of Range’s ballads, I always love RYO’s part that comes in at the very end.
I’d love to hear that section sung with a cool, rich voice! Be careful not to strain your throat—lift your facial muscles and use plenty of breath.
Protect the Lightsupittsu
It has been selected as the opening theme song for the anime SPY×FAMILY Season 3.
Spitz doesn’t usually have the image of doing anime themes, and it seems this is their first anime.
The gentle tone and melody line slip right into your heart.
Since vocalist Kusano’s voice has a transparent mixed voice quality, you might feel the song is high when you listen, but the actual range is D#3 to A#4, so it’s not excessively high.
However, it can be challenging if you try to force the sound out.
It’s easier if you aim for a light, head-resonant approach.
The ending sits around G#4… I recommend singing it with a humming-like feel without pushing yourself.
Tonight the Streets Are OursSHANK
It’s not just about momentum—this is a track brimming with expansiveness and exhilaration.
Featured on the December 2013 album “Baitfish Attitude,” this song is a cover of an original by British singer-songwriter Richard Hawley, rearranged brilliantly by SHANK into a melodic hardcore style.
Carrying a message of fearless feeling and the sense that tonight this town is ours, Shohei Ihara’s clear, soaring vocals deliver it with power.
Among an album packed with intense melodic hardcore, this track brings a positive sense of release.
Its breezy rhythm makes you want to race through the city, and it’s full of the kind of appeal that makes you want to sing along with everyone at a live show.
reasonable; natural; proper; fault; especiallyyuzu
Released in August 2025, this is a rock ballad chosen as the theme song for the TV anime “Pokémon: Episode Mega Evolution,” powerfully singing about the meaning of life and the resolve to live! The Japanese flavor you feel right from the intro is a great touch too.
Since it’s by Yuzu, the vocal range is fairly wide at F3–B4.
However, there aren’t any excessively high notes, so as long as your timing is on point, it’s a song you can sing entirely in chest voice.
Avoid straining your throat—lift your soft palate and keep the breath flowing steadily.
When you make a surprised face, do you feel the space opening toward the back of your mouth? That’s your soft palate.
Momentum matters, so take a solid breath and project your voice without hesitation! It’s also recommended to ride the rhythm and sing with higher energy to boost the vibe.