Songs with titles starting with “To.” A selection from popular tracks across generations!
When it comes to songs that start with “To,” what songs come to mind for you?
There are plenty of classic tracks titled “Tokyo,” and you can probably think of many song titles that begin with words like “Time” (Toki) or “Friend” (Tomo) as well.
In this article, we’ll introduce lots of songs that start with “To.”
Use this as a handy guide not only for song-title shiritori, but also when you’re stuck choosing songs for karaoke shiritori, where you link the last letter of each song title to the next.
All right, let’s dive in!
- A compilation of Vocaloid songs with titles that start with “To”
- Songs whose titles start with “Do” – Solo Karaoke / Song-Title Shiritori
- Masterpieces with titles that start with 'A'
- Introducing popular J-pop songs that start with “Ta”!
- Songs with titles that start with “Tsu.” Introducing famous tracks from the Showa to Reiwa eras!
- Songs with titles that start with “te.” Perfect for shiritori karaoke or song-title shiritori!
- [Karaoke] A roundup of songs that are easy for women to sing!
- A roundup of songs that start with “U.” Perfect for shiritori or picking tracks at karaoke!
- Even karaoke beginners can relax! Easy-to-sing songs for men
- Songs with titles that start with “wo.” Useful as hints for karaoke and shiritori!
- A roundup of songs that start with “ku.” Perfect for shiritori or picking karaoke tracks!
- Summary of Vocaloid songs with titles starting with 'Ta'
- Songs with titles that start with 'de'. Perfect as hints for karaoke or shiritori!
Songs with titles that start with “To.” Introducing hits beloved across generations! (71–80)
TwinkleStartChou Tokimeki♡Sendenbu
Cho Tokimeki♡Sendenbu’s “Twinkle Start” is set for release in 2025, and it feels like a song that gently speaks of hope for the future.
Its relaxed tempo is striking, and it evokes an image of earnestly reaching out to each listener’s heart.
The lyrics, which depict how one wants to spend time with someone special, are also memorable, conveying a sense of savoring happiness.
The song is featured in a Pokecolo Twin commercial starring group members Hiyori Sakai and Aki Sugata.
It expresses the excitement of the moment when the two’s story begins.
aconiteUtsu P
An aggressive yet beautiful duet where a heavy metal sound fuses exquisitely with the clarity of synthesized vocals.
Created by Utsu-P and released in November 2025, the track features a call-and-response structure between two voices: Miyamai Moka from Synthesizer V 2 AI and Bon Soyogi from the project involving voice actor Yuki Kaji, each showcasing a distinct character.
Over roaring low-end guitar riffs and high-velocity drums, lyrics themed around highly poisonous plants oscillate between sweetness and peril—truly breathtaking.
The loud, driving soundscape expresses an inner urge for self-destruction and twisted emotions in turmoil.
Utsu-P has previously released albums such as “Akuasobi” and “RENAISSANCE,” and this song follows in that lineage.
Recommended for those carrying a sense of lingering gloom or anyone who wants to be shaken by intense music!
The grass is greener next door.Penthouse
This is a song by Penthouse, written as the theme for ABEMA’s romance reality show “The Grass Is Greener Next Door -Chapter TOKYO-.” Released digitally in November 2025 as their fourth digital single of the year, the track’s appeal lies in its palpable tension that mirrors the show’s drama of conflict and choice.
It portrays the wavering psyche in love between reason and emotion through a tight beat and the intensity of twin vocals.
A perfect fit for a thrilling, fast-unfolding love story!
Songs with titles that start with “To.” Introducing picks from popular hits across a wide range of eras! (81–90)
Please let me pass.Touyama Nao
Sung by Nao Toyama, this is the opening theme for the TV anime Kakuriyo no Yadomeshi II.
Released in November 2025, the song was written and composed by Masayoshi Oishi.
It’s a fast-paced pop tune with a Japanese flair that musically depicts human connections and a sense of belonging, set in the otherworld of Kakuriyo.
A lively, celebratory anisong!
Winter Phantasm ManiaKyūso Nekokami
The glittering festivity overflowing in the city in December, and the loneliness and impatience everyone carries behind it.
This song by Kyuso Nekokami captures those conflicting emotions with a driving, melodic punk sound.
Included as the ninth track on their December 2017 album “New Wave,” it portrays a protagonist wandering through a winter city, humorously yet poignantly pushing forward through the happiness-filled atmosphere around them.
In Seiya Yamasaki’s lyrics, there’s a blend of self-deprecating irony toward not quite riding the end-of-year high, and the strength to keep running with a smile anyway—something that’s instantly relatable.
It’s a track that gently stays by the side of anyone who, under the dazzling illuminations, looks back on the year with complicated feelings.
I’m in love with Tuntuntun Sahūr.Zabyan
This insanely catchy track is defined by the memorable, repetitive ring of “tun-tun.” It’s a piece by Zabyan that exploded through short-form videos on YouTube and TikTok.
While portraying the feelings of a girl in love, its meme-style nonsensical wordplay and a BPM of 124 trigger a loop in your head.
After its release on major streaming platforms in October 2025, karaoke distribution on JOYSOUND and DAM kicked off right away.
With its easy-to-remember repeated phrases and rhythm, it’s a crowd-pleaser across generations.
Its structure also makes it perfect for simple choreography and impressions, so it’s guaranteed to become a go-to for party performances!
End-of-year hydrangea double suicideIchikawa Yukino
Set against the tense moments before the New Year’s Eve bells toll, this work portrays the resolve of a woman who has chosen to stay by someone’s side.
Sung by Yukino Ichikawa to previously unpublished lyrics by Yū Aku, the song appears on the album “Utaonna III: Shōwa Kayō Collection & Yū Aku Works,” released in October 2018.
In July 2019, it was also paired on a single commemorating her first headlining run at the Shin-Kabukiza theater.
The scene-setting—right down to the proper noun Ajisai-sō—deepens the narrative amid the cold year-end air, while Kohei Kō’s shadowed melody and Megumi Wakakusa’s orchestral arrangement heighten the vocal contours.
When you want to look inward at the year’s end, why not immerse yourself in its profound lyrical world?