Vocaloid songs that start with 'Ka'
The Vocaloid scene just keeps getting more and more exciting!
In addition to offline events held every year like “Magical Mirai,” the online event “The VOCALOID Collection,” commonly known as VocaColle, becomes a major topic of conversation every time it’s held.
There’s even a new term for younger Vocaloid fans: the “Vocaloid-native generation.”
It wouldn’t be an exaggeration to say that the world of synthesized vocals has taken root as a music genre in its own right.
Now then, what I’m going to introduce this time is Vocaloid songs that start with the letter “Ka” (か)!
I hope you discover some new music you’ll love!
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Vocaloid songs starting with “Ka” (91–100)
「 」5:55
Despite what could be called a simple song structure, before you know it, you find yourself unable to escape its world.
It’s a track by Vocaloid producer 5:55 a.m., released in July 2024.
The lyrics, which are quite difficult to understand as language, are said to represent “a society where you can’t tell what anyone’s saying.” In response to that, Miku gives half-hearted replies—that’s the premise.
The music video features a clever trick: when YouTube is in dark mode, it looks as if Miku is resting her hand on the black frame around the thumbnail.
It’s a work where subtle ideas shine.
karmaATOLS
Be sure to experience the intoxicating electric sound! This track by ATOLS, a Vocaloid producer whose unique musicality captivates fans, was released in 2022.
You’ll be drawn in by the contrast between the heavy low-end pressure and the catchy melodies and upper-layer synth phrases.
The worldview of the lyrics and the title featuring the word “Gō” (karmic burden/karma) also seem to be expressed through the song’s tone.
Listening on earphones or headphones might let you immerse yourself even deeper into “Karma.”
Vocaloid songs starting with “Ka” (101–110)
Sorry I’m not a godAliey:S
Released in August 2024, this work by Aliey:S portrays the struggle of confronting one’s own limits and the conflict of failing to meet others’ expectations.
Its dreamy synth sound is distinctive, and the bittersweet atmosphere and Hatsune Miku’s matter-of-fact vocals grip your heart.
Many listeners will likely relate to lyrics that lay bare one’s weakness and imperfections.
Give it a listen when you’re troubled or when you want to face yourself.
CasinoAzari
Released on July 14, 2021, the track “Casino” has a dark, immersive allure.
The eerie, persistent new synth sound paired with noisy vocal work is striking.
Before you know it, you’ll want to keep it on repeat.
That’s how unforgettable it is—be sure to add it to your playlist! Azari’s works often have this kind of atmosphere, so definitely check out their other tracks as well.
Shadow ExorcismEnami Jun
A dramatic, Japanese-style Vocaloid song that expands the Onmyoji-inspired world.
Created by Vocaloid producer Enami Jun and released in February 2024, it features a weighty melody and a grand sound that incorporates traditional Japanese instruments.
KAITO’s rich voice further heightens the solemn atmosphere.
The lyrics, themed around exorcism and grudges, evoke vivid, mystical scenes.
It’s a perfect track for fans of Japanese-style dark fantasy.
▙▒▒FILEIN
The work “▙▒▒,” which has been attracting attention for its unique structure and storytelling, is apparently pronounced “Yume.” It’s a piece posted by FILEIN, a Vocaloid producer whose profile remains largely shrouded in mystery.
The intro is structured like a spoken monologue, and from there the melody gradually accelerates.
Parts of the lyrics are intentionally unintelligible, and a novel appears within the music video, drawing you into a chain of mysteries that leads to even more questions.
Absolute strongest biasFLG4
An incredibly addictive number that hooks you with its brisk pace and irresistibly satisfying melody line.
It’s a track by FLG4, the music duo of Vooli and Big Brother (temp.), released in 2020.
The song voices the frustration of a life that just won’t go right, making it highly relatable.
And beyond being undeniably cool, it also has a touch of cuteness.
The downbeat vibe in the middle of the song—transitioning from the instrumental break into the C-melody part—is absolutely sublime.