Vocaloid songs that start with 'Ka'
The Vocaloid scene just keeps getting more and more exciting!
In addition to offline events held every year like “Magical Mirai,” the online event “The VOCALOID Collection,” commonly known as VocaColle, becomes a major topic of conversation every time it’s held.
There’s even a new term for younger Vocaloid fans: the “Vocaloid-native generation.”
It wouldn’t be an exaggeration to say that the world of synthesized vocals has taken root as a music genre in its own right.
Now then, what I’m going to introduce this time is Vocaloid songs that start with the letter “Ka” (か)!
I hope you discover some new music you’ll love!
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Vocaloid songs starting with 'Ka' (21–30)
kaki (persimmon)namiguru
Similar-looking kanji are about to trigger a Gestalt collapse! This is an intellectually playful techno track that toys with character shapes and phonetic resonance.
It’s a song by Vocaloid producer Namiguru, released in November 2025.
By stringing together kanji that seem indistinguishable at first glance—like “柿” and “杮”—and having Rei Adachi read them in a matter-of-fact tone, the track takes on an addictive quality that, combined with its sound and melody, creates a curious groove.
Once you listen, you’ll find it impossible to escape its loop before you know it.
Kaikai KitanEVE
This song was pre-released on October 3, 2020, and serves as the opening theme for the first season of the TV anime Jujutsu Kaisen.
I think many people often sing Eve’s songs, but all of them have a very wide vocal range, don’t they? By the way, Kaikai Kitan spans from F2 to D5, which made me think, “Can you really sing that low?”—I was surprised too.
It’s a song that’s challenging in the low notes of the A section and the high notes of the chorus.
In the A section, try to let the voice come out slowly from the vocal folds and avoid making it too muffled.
From the B section, it starts to sound more song-like with higher notes, but if you push too hard, your voice will collapse.
Aim to project your falsetto strongly and focus on explosiveness! The chorus is also demanding in terms of breathing, so it might be good to decide in advance where you’ll take breaths.
For songs where breathing is tricky like this, instead of singing everything at 100%, it helps to pace yourself and take small, solid breaths in the brief moments you have!
Possession Rite Nara Modified in the Shibu-ya WardSLAVE V-V-R
This work brings the thrill of a rhythm game through irregular time signatures.
SLAVE.V-V-R’s “Kamitsukuri Nara Kaizō SHIBU-YA-ku de” was released in November 2025.
It presents a worldview that collides the urban space of Shibuya with ritualistic imagery.
The propulsion generated by meter switches and inverted accents is carried by LeuR’s clear vocals, giving the complex structure a strong through-line.
Their knack for freely severing and splicing words and beats truly shines.
clear skiesOrangestar
Orangestar’s “Kaisei” gently expands with scenes of summer mornings and slipping through back alleys.
It portrays someone trying to move forward while carrying the pain of parting, and IA’s transparent vocals convey those feelings directly.
The soaring high notes evoke a clear, cloudless sky, while the more conversational phrases conjure up a fresh yet bittersweet moment of youth.
In terms of performance, it’s approachable for beginner bands: the guitar work shines with cutting and power chords, paired with a four-on-the-floor bass line.
The drums also make it easy to lock into the rhythmic core, and the more you synchronize with the breezily unfolding guitar solo, the more you can feel the song’s sense of breadth.
I want to become a kaiju.Sakuzyo
A work that fully portrays destructive impulses and the drive to challenge—worthy of crowning the highest difficulty in rhythm games.
An original song by Sakuzyo written for “Championship 2025 at the Proseka Thanksgiving.” Released in October 2025.
Set to an intense sound, it hurls at you a yearning for a kaiju that destroys everything, the loss of the past and its accompanying void, and a heartfelt desire to leave a mark.
Centered on hard-hitting rhythmic development, the sonic landscape unfolds as the very pinnacle of game music.
Let yourself be swallowed by this wave of sound!
migrating (back upstream)/making a return migrationSatō Naiko
I keep wandering through the city at night like a pelagic fish.
This track by Noriko Sato was released in November 2025.
A duet by Kaai Yuki and Wakana, it features an evocative sound design that drifts like a water’s surface.
Lo-fi electronic tones and watery sounds weave a downer-pop soundscape that mirrors the narrator’s inner conflict as they ask themselves, “Should I just stop trying to resurface?” It’s a perfect song for nights spent drifting along the boundary between oblivion and awakening.
Cal Teto 1st Anniversary Thank-You SongMakishiukyou
This is the piece that crowns the conclusion of the “Karuteto” series, which Makishiukyō spent a full year delivering! Many of you may have felt deeply moved listening to this grand culmination.
The sound unfolds like a kaleidoscope—from enka to folk music, jazz, and even death metal—like a musical world tour.
Its playful melodies will bring a smile to your face, and you might even shed a tear at the very end.
It’s a treasure-like track packed with countless expressions of “thank you.”