[Latest & Classic] A Special Feature on Rock Vocaloid Songs [VOCAROCK]
There are various coined terms in the Vocaloid scene, and among them, Vocaloid rock songs are written as “VOCAROCK.” In this article, I’ve put together a selection of popular VOCAROCK tracks.
From timeless classics to newer releases, it’s a well-rounded lineup.
So I can confidently say it’ll resonate with both rock fans and Vocaloid fans! If you read through to the end, you might just catch a glimpse of the history of rock in the Vocaloid world.
Be sure to find your new favorite track!
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[Latest & Classic] Rock Vocaloid Song Collection [VOCAROCK] (51–60)
orange noiseumikaze taiyō
For those nights when you end up denying yourself.
Crafted by Vocaloid producer Umikaze Taiyo, this piece is a Miku song released in January 2026.
Riding on a light, stylish piano rock sound, it sings of an earnest longing for approval.
The pain deep within the heart and the muddied emotions—evoked through the vivid words “orange” and “noise”—pierce the chest.
It’s a rock tune that stays close to anyone who longs to be loved.
Asian giant hornetUtsu P
It’s an ultra-aggressive loud rock track driven by a brutally low-tuned guitar.
Created by Vocaloid producer Utsu-P, it was released in August 2025.
The thunderous low-end sound and Miku’s vocals—mixing shouts and growls—are insanely cool.
The message, which bares its fangs at an unfair society and intrusive others while warning anyone who tries to invade one’s territory, is cathartic for the listener, too.
When you want to blast away your daily frustrations at full volume, definitely give it a listen!
ArtifactbuzzG
This is a moving anthem crafted by buzzG as the official theme song for HATSUNE MIKU EXPO 2025 ASIA.
It’s a rock track that embodies the tour’s concept of “connecting people across places and time,” slated for release in October 2025.
The song gives voice to a deep love for music that could only have been born because Hatsune Miku exists.
Its lyrics, which affirm pain, prayer, and ambiguity, resonate in the chest, overlapping with one’s inner wavering.
I especially hope people who’ve been supported by Vocaloid music will give it a listen!
Transparent Elegyn-buna
An emotional Vocalo-rock track that portrays a heartrending farewell between “me” and “you.” It’s a work by n-buna, who is also active as the composer for the band Yorushika, released in 2013.
There are feelings that swell with time, aren’t there? The lyrical message tightens something deep in your chest.
The trembling quality of the vocals is irresistible, too.
The guitar tones and drum rhythms—distinctively n-buna and a bit different from a classic pop-rock approach—also leave a strong impression.
[Latest & Classic] Rock Vocaloid Song Collection [VOCAROCK] (61–70)
Goodbye, evening glow—come again, me.adachi kasuka
A Vocaloid rock track that pierces the heart with a deep sense of impatience.
Created by Vocaloid producer Adachi Kasuka and released in January 2026.
Riding on an emotional band sound, it portrays self-loathing and a restless sense of inferiority.
The clear singing voice of the synthesized singer Chisei renders these negative emotions dramatically, shaking the listener to the core.
When you’re alone at dusk and feel yourself sinking, surrendering to this sound might just lighten your heart.
Aituguchiri
This is a highly literary Vocaloid song inspired by Ryunosuke Akutagawa’s classic “The Spider’s Thread.” Released in October 2025 as the title track of the single “Aitu / Keening and Lies,” it is part of the collaborative series Aoisoki Library.
Set in Paradise and Hell, the piece vividly portrays themes of salvation and ethics.
KAITO’s calm vocals serve as the narrator, unfolding a story that brings the protagonist’s inner conflict and worldly desires into sharp relief.
The retro-tinged guitar rock sound is another highlight.
It might be best enjoyed while reading “The Spider’s Thread.”
JourneyDECO*27
It’s a feverish rock number that stirs your sense of adventure.
The song, released in 2022, is by DECO*27, a hugely popular Vocaloid producer behind numerous hits.
It was featured as the 2nd anniversary song for the mobile game “Project SEKAI COLORFUL STAGE! feat.
Hatsune Miku,” and became a hot topic.
The exhilarating melody lines hit right where you want them to, making you think, “That’s so DECO*27!” The way the sonic accents shift by section—now catchy, now wistful, now weighty and resonant—is also fantastic.
If you’re familiar with the units in Proseka, you’ll likely catch the references—be sure to pay attention to the lyrics as you listen.