Discover new songs! A collection of tracks whose titles start with “Wa”
How many songs that start with “wa” are there among your favorites?
In this article, we’ll introduce songs whose titles begin with “wa” — handy for song-title shiritori or karaoke with letter restrictions.
Among songs that start with “wa,” there are plenty with words like “watashi” (I/me) and “warau” (to laugh) in their titles.
You might even find some in your favorite songs or your go-to playlist!
We’ve gathered a mix of old and new tracks, so feel free to listen, sing along, and use them for word games, too.
- A compilation of Vocaloid songs with titles starting with 'Wa'
- Songs with titles that start with “wo.” Useful as hints for karaoke and shiritori!
- A compilation of Vocaloid songs with titles that start with 'wo' (を)
- A roundup of songs that start with “U.” Perfect for shiritori or picking tracks at karaoke!
- Songs whose titles start with “Do” – Solo Karaoke / Song-Title Shiritori
- Songs that start with 'Vu'. For shiritori, karaoke, and playlist selection.
- Songs with titles that start with “Ha.” Lots that evoke the seasons!
- Songs with titles that start with a number. Useful for karaoke or playlist selection.
- Songs with titles that start with “Na.” A hint for shiritori!
- A roundup of songs with titles that start with “N” [There are actually more than you’d expect!!]
- Songs with titles starting with “No” (Perfect for karaoke and shiritori!)
- Songs with titles that start with 'de'. Perfect as hints for karaoke or shiritori!
- Songs with titles that start with “ba.” Useful hints for karaoke or shiritori!
Discover new songs! A collection of tracks with titles starting with “Wa” (61–70)
Planet LoopNayutan Seijin
Its trademark is a simple yet ear-catching intro phrase.
The guitar lines are easy but catchy—an arrangement beginners will appreciate.
The bass mostly sticks to root notes, but be careful to mute cleanly during the accent hits, or the track will lose its tight feel.
The drums use a basic pattern of four-on-the-floor kick with offbeat hi-hats, but since the tempo is fast, it’s best to start practicing slowly.
The original vocal key is quite high, so if it’s tough, try lowering it by an octave or make other adjustments and give it a go.
See you again at the Lost and Found!inoutsu wa SA
“Ino Utsu” is a song by SA, released in August 2025.
It took 2nd place in the Rookie Ranking at Vocalo Collection 2025 Summer and won the Yamaha Sound Crossing Shibuya Award.
The song conveys the urgency of fading memories and the poignant longing for someone dear, drawing you into lyrics where optimism and loneliness intersect.
Its innovative sound arrangement blends elements of electronica with a driving sense of speed.
It’s perfect for moments when you want to look back on memories with friends.
Once AgainEsaki Fumitake
A short piano piece from the live-action film, composed by Fumitake Ezaki.
Positioned mid-way through the soundtrack, this work lasts just over a minute, yet it quietly depicts the film’s motifs of “reunion” and “return” with gentle piano melodies and restrained reverberation.
Included in the album Five Centimeters per Second Original Soundtrack, which comprises 31 tracks.
Why not experience this score that expresses the accumulation of time and memory through sound?
Waltz for ShinoEsaki Fumitake
A delicate waltz-form piano miniature included on the soundtrack of the live-action film adaptation of 5 Centimeters per Second.
Composed by Fumitake Ezaki, it is one of the score pieces whose triple-meter lilt and restrained harmonies quietly mirror the protagonists’ missed connections and the reverberation of their memories.
Within its brief span of roughly 30 seconds, the condensed lyricism fulfills its role as cue music that breathes with the film, accompanying those moments when faint light and tranquil scenes linger in the heart.
One-Room ChristmasCARAMEL CANDiD
On Christmas night, spending time alone in a studio apartment.
This song, which revisits the distance between who I am now and the memories of the tree I once gathered around with my family as a child, delicately portrays the loneliness felt all the more in a festive season and the unextinguished longing for warmth.
The clear, high-toned vocals resonate as if awakening the bells and lights from memory, highlighting a lyrical world where sweetness and bitterness coexist.
Released digitally by the four-piece band CARAMEL CANDiD in October 2024, the track was later included on their October 2025 album, “A Place with Neither Heaven nor Hell.” Year-end parties and dazzling celebrations are great, but when you want to quietly look back on the year, this is a song that gently keeps you company for a Christmas spent alone.
forgotten itemGRAPEVINE
Puddles reflecting the sun, a sweat-drenched past, holiday lights in December—though the lyrics are dotted with such vivid scenes, a somehow bittersweet and distant memory rises to the surface in this GRAPEVINE number.
The song appears as the fourth track on their 19th album, Far From That Road, released in May 2025, with lyrics by Kazumasa Tanaka and music by drummer Toru Kamei.
The jangly guitars layered with strings gently cradle a nostalgia for something lost in adulthood.
It’s a perfect song for the year’s end, when you find yourself looking back and longing for “those days.”
I am not a robot.piinata
This is a track that shines with an ironic worldview, built around the familiar internet security check phrase, “I am not a robot.” Created by Pīnata and released in October 2025, it uses EDM sounds and Kasane Teto’s vocals to vividly portray a message laced with satire toward internet culture and mechanical authentication systems.
It reflects the true feelings and façades of those of us living in a digital society.
Be sure to experience these waves of sound for yourself!