Wednesday Campanella's masterpieces and popular songs
Starting their activities in 2012, Wednesday Campanella has been releasing sophisticated tracks with a unique atmosphere.
If you’ve known Wednesday Campanella since back then, you might have thought of it as KOM_I’s solo project, since she handled vocals.
In fact, though, it was a music unit with Hidefumi Kenmochi producing the songs and Dir.F handling direction.
In 2021, KOM_I left the group, and Utaha joined as the second vocalist, continuing their activities.
In this article, we’ll introduce their popular songs all at once—from their debut to the present!
Their catalog is full of addictive tracks, from the lyrics to the melodies, so take this opportunity to give them a thorough listen.
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Wednesday Campanella’s Best and Popular Songs (31–40)
ButterflySuiyōbi no Campanella
In this commercial, Uta introduces got2b’s hair color, clearly conveying what kind of look you can achieve.
The content straightforwardly depicts the change in hair color, and from the joyful and surprised expressions of people whose hair has changed, you can sense positive emotions.
The song that further accentuates the lightness of the visuals is Wednesday Campanella’s “Butterfly.” While the track conveys a distinctive sense of floating, the powerful vocals layered on top impart a feeling of strength, as if pushing you forward.
ChateaubriandSuiyōbi no Campanella
The music unit Wednesday Campanella has gained popularity for its unique musical style.
Known as a unit with unwavering musical identity, they continue to turn out hits with their cute yet sophisticated techno sound.
Among their tracks, a particularly recommended one is Chateau Briand.
The structure features rap in the beginning and vocals in the chorus, and since both sit in the mid range, even those with a limited vocal range can sing it comfortably.
If the sustained mid-to-high notes near the end of the chorus are challenging, it’s recommended to adjust the key to accommodate that section.
OshichiSuiyōbi no Campanella
It appears to be themed around Yaoya Oshichi, a figure believed to have actually existed in the Edo period.
Given that her biography includes being executed for the crime of arson, the piece combines a melody that evokes a sense of traditional Japanese aesthetics with lyrics filled with Edo-style expressions, resulting in a song that conveys an eerie atmosphere.
IncaSuiyōbi no Campanella
This is a song included in “Take Me to Onigashima.” You might think it’s about the Inca Empire, but then it sings about potato varieties like “Inca no Mezame” and even mentions mapo glass noodles—its lyrics are quite mysterious.
The music video was shot in the city at night and has a style that’s very characteristic of Wednesday Campanella.
Uran-chanSuiyōbi no Campanella
Included on the album “Zipangu.” A track that stands out as even more unconventional within Wednesday Campanella’s already offbeat catalog, featuring a uniquely hybridized sound where cool cyber tones fuse with Japanese-style elements, and where hardly any straightforward lyrics are laid over it.
Based on the lyrics, the title “Uran-chan” likely refers to Uran, the sister of Astro Boy, a robot character from Tetsuwan Atom (Astro Boy).
Wednesday Campanella’s best and popular songs (41–50)
King KamehamehaSuiyōbi no Campanella
The music video, featuring a playful golden turtle dancing joyfully to the song, is entirely rendered in CG and brimming with energy.
The way it depicts a minor crisis with humor-filled lyrics also makes it a track that fully showcases Wednesday Campanella’s unique worldview!
Tchaikovsky Interlude – Ramos –Suiyōbi no Campanella
Included on “Take Me to Onigashima.” It features a refreshing sound grounded in house music, but the standout element is the bold reverse-playback trick used in the latter half.
It’s actually the song “Mothra” by Wednesday Campanella played in reverse, and its uncanny atmosphere is truly striking.
Fittingly, the music video also employs reverse-playback tricks.