Wednesday Campanella's masterpieces and popular songs
Starting their activities in 2012, Wednesday Campanella has been releasing sophisticated tracks with a unique atmosphere.
If you’ve known Wednesday Campanella since back then, you might have thought of it as KOM_I’s solo project, since she handled vocals.
In fact, though, it was a music unit with Hidefumi Kenmochi producing the songs and Dir.F handling direction.
In 2021, KOM_I left the group, and Utaha joined as the second vocalist, continuing their activities.
In this article, we’ll introduce their popular songs all at once—from their debut to the present!
Their catalog is full of addictive tracks, from the lyrics to the melodies, so take this opportunity to give them a thorough listen.
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Wednesday Campanella’s best and popular songs (41–50)
King KamehamehaSuiyōbi no Campanella
The music video, featuring a playful golden turtle dancing joyfully to the song, is entirely rendered in CG and brimming with energy.
The way it depicts a minor crisis with humor-filled lyrics also makes it a track that fully showcases Wednesday Campanella’s unique worldview!
Tchaikovsky Interlude – Ramos –Suiyōbi no Campanella
Included on “Take Me to Onigashima.” It features a refreshing sound grounded in house music, but the standout element is the bold reverse-playback trick used in the latter half.
It’s actually the song “Mothra” by Wednesday Campanella played in reverse, and its uncanny atmosphere is truly striking.
Fittingly, the music video also employs reverse-playback tricks.
TsuchinokoSuiyōbi no Campanella
A track included on the major first EP “UMA,” released in 2016.
As you know, UMA is an abbreviation for Unidentified Mysterious Animal, but in fact it’s a coined term.
This song takes as its theme one of the most famous UMAs: the Tsuchinoko.
DraculaSuiyōbi no Campanella
It’s a song included on “Take Me to Onigashima.” It’s about four minutes long, composed with a gentle melody throughout, and it feels pleasant to listen to.
In the music video, KOM_I plays a maid for a family of vampires, creating a mysterious worldview.
In the end, the twist is that KOM_I becomes a vampire as well.
NapoleonSuiyōbi no Campanella
A track included on ‘Triathlon.’ Rather than the usual playful, humorous vibe, it’s been crafted into a stylish song with a distinctly urban atmosphere.
The music video is also more subdued than usual, showcasing a cooler side.
PhoenixSuiyōbi no Campanella
A song released in 2016.
The exotic sound pairs well with the piano-based backing, resulting in a track that has a different vibe from their previous works.
Although the video is a live performance, the sensational show—unlike that of any existing artist—overwhelms viewers as expected.
MatildaSuiyōbi no Campanella
An early song by Wednesday Campanella.
Would it be appropriate to describe its distinctive sound as ethnically tinged electronica? Like their other tracks, it’s rich in wordplay, but instead of rapping, this song features melodic singing.
The lyric video—where a bandage printed with the lyrics is wrapped around a face and then unwound—is also surreal.