[2026 Edition] Tear-Jerking! A Roundup of the Best New Western Pop Ballads
No matter the era, magnificent ballads with heart-wrenching melodies and sound continue to move countless music fans.
Across genre preferences, most people can quickly think of one or two ballad songs they count among their favorites.
Among such ballads, this time we’re focusing on “tear-jerking ballads,” delivering a selection that includes the latest popular tracks as well as hidden gem ballads tucked away on albums.
Even if you don’t understand the lyrics, these songs are moving enough to make you cry—but this review also touches on the lyrical content, so be sure to use it as a reference.
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[2026 Edition] Tearjerkers! A Curated List of the Latest Recommended Western Ballads (11–20)
I’ll Never Know WhyJessie J

Jessie J, a singer-songwriter from London whose powerful vocals continue to captivate audiences around the world.
Best known for global hits like “Price Tag,” she released her much-anticipated album “Don’t Tease Me with a Good Time” in November 2025.
“I’ll Never Know Why,” a track from the album, is a tear-jerking piano ballad that pours out unbreakable longing and regret for a late best friend.
The song drew major attention after her passionate performance at the Royal Variety Performance in November 2025, and it showcases Jessie J’s delicate breathwork and profound sorrow in a way that hits you right in the heart.
If you’re looking for stirring music to listen to alone on a quiet night, this is a must-check.
The Day That I DieLewis Capaldi

After a long hiatus, Scottish singer-songwriter Lewis Capaldi made his comeback in November 2025 with the EP “Survive.” This song is one of its tracks and serves as the closing number.
It delivers an earnest message to the family he would leave behind after his death, with heartfelt thoughts addressed to his mother, father, sister, and friends, conveyed through his husky vocals.
Beginning with a quiet piano, the arrangement gradually layers in strings and drums, transforming an intimate confession into a sweeping prayer—an exceptional structure.
Capaldi has said it’s a song he wrote about the lowest period of his life, and the days he spent confronting his mental health have crystallized into a ballad that could be called the crowning achievement of his career.
People Always ChangeCeleste

Celeste, the standard-bearer of British soul who was selected for BBC Sound of 2020 and also won the BRIT Awards’ Rising Star, has released her long-awaited second album, “Woman Of Faces,” in November 2025—four years after her UK No.1 debut, “Not Your Muse.” The sixth track, a piano ballad, features a striking descending piano motif inspired by Philip Glass’s minimalism, and quietly contrasts the people who change with the self that cannot.
It gives voice to the pain of being the only one left in the same place while lovers and friends move forward.
Reflecting her own feelings from the post-pandemic period of stagnation, the song serves as the emotional core of the album.
It’s perfect for late-night solitude, when you want to face the depths of your heart.
oh to be lovedJVKE

Singer-songwriter Jake, who scored a global mega-hit with “golden hour.” If you use TikTok, you’ve probably heard his music at least once.
The piece he released in August 2025 is this ballad.
It’s a non-album single co-produced with his older brother, where a beautiful piano arpeggio blends movingly with Jake’s delicate vocals.
Taking the universal theme of “being loved,” he sings with a calm yet emotional touch, and the sound is both grand and intimate.
Released alongside his Asia tour, the track drew plenty of buzz, and it’s perfect for those quiet nights when you want to sink into your thoughts.
AlmostLewis Capaldi

Released in October 2025 as an advance single from the EP “Survive,” this song is a moving ballad by Lewis Capaldi, who returned from a hiatus to depict the space between the pain of a breakup and the process of healing.
The unstable state of mind that keeps telling itself “I’m almost okay” is carefully conveyed through an arrangement built around piano, with added depth from strings and a full band.
The dynamic leap from the restrained verses into the soaring chorus is breathtaking.
His trademark stadium-scale melodies pair with a vocal delivery that deliberately lets the voice fray, leaving traces of emotional noise, communicating a determination to move forward while still carrying loss.
True to his openness about mental health, it’s a song whose refusal to hide vulnerability resonates with a hopeful tone.


