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A compilation of Western songs with titles that start with 'S'

When it comes to songs with titles that start with “S,” do any come to mind?

We don’t usually pay attention to the first letter of a song title, so it might not be easy to think of examples right away.

However, there are plenty of English words that start with “S,” like “Start,” “Shake,” “Season,” and “Save.”

In this article, I’ll introduce many songs with titles beginning with “S,” regardless of era or genre.

You might discover something new by grouping songs in a way you haven’t considered before!

A Collection of Western Songs with Titles Starting with “S” (71–80)

Storm WarningsFlorence Road

Florence Road – Storm Warnings (lyric video)
Storm WarningsFlorence Road

Florence Road is a four-piece indie rock band from Wicklow, Ireland.

After signing with Warner Records in 2024, they’ve been rapidly rising, supporting tours for artists like Olivia Rodrigo and Wolf Alice.

Released in November 2025, this track stands out for its metaphorical lyrics that liken the breakdown of a relationship to a “storm warning.” The dynamic leap from a quiet verse to an explosion of distorted guitars, paired with vocalist Lily Aron’s emotionally charged delivery, is deeply affecting.

While the song reflects on the regret of having missed warning signs in the past, the chorus remains catchy and sing-along ready—sure to ignite live shows.

It’s a must-listen for anyone grappling with the struggles of youth or who loves the fusion of indie rock and grunge-pop.

Slamming KeysG Jones & Eprom

A long-awaited collaboration from G Jones and Eprom, two artists at the forefront of the underground bass scene.

Released in November 2025, this track serves as the lead single from their forthcoming collaborative EP, “Disk Utility.” Stuttering elements reminiscent of distorted key strikes intersect freely with glitch-treated breakbeats, resulting in a piece that marries the duo’s hallmark precision sound design with untamed energy.

The sonic space woven by surging sub-bass and metallic percussion is nothing short of controlled chaos.

A must-listen for anyone seeking experimental club sounds.

She GoesGirl Group

A girl group formed in Liverpool with members from the UK and Norway.

In June 2025, they dropped the EP “Think They’re Looking, Let’s Perform,” and their new single is quintessentially theirs: a danceable pop track with a feminist lens.

It captures the complex feelings toward “that girl” spotted in town—admiration and jealousy, identification and desire—through cheekily catchy melodies and conversational lyrics.

Their sound blends punk-born urgency with indie-pop suppleness, sure to hit the spot for fans of Wet Leg and Charli XCX.

Released in November 2025, this track has become a signature song that marks where they are now, riding the momentum of their Reading & Leeds appearance.

A compilation of Western songs with titles starting with 'S' (81–90)

ShowbizHayley Williams

Hayley Williams – Showbiz (Official Visualizer)
ShowbizHayley Williams

Hayley Williams, who enjoys worldwide popularity as the frontwoman of Paramore, self-released her third solo album, “Ego Death at a Bachelorette Party,” in August 2025 on her new label, Post Atlantic.

In November, she made public one track that had previously been exclusive to the physical edition of the album.

The lyrics, in which the exhilaration of seeking attention on a strobe-lit club floor intersects with introspection that questions whether the moment is staged or genuine, mirror her own trajectory of redefining herself within the glittering world of show business.

Vocoder-treated choruses and a synth-driven, new wave–style arrangement deftly fuse the heat of the dance floor with rock’s forward thrust.

Immediately following its release, she also revealed plans for a 2026 tour—making this track a glimpse of her commitment to moving into a new phase.

Still Don’t CareMeghan Trainor

Meghan Trainor – Still Don’t Care (Official Music Video)
Still Don't CareMeghan Trainor

Megan Trainor has a remarkable talent for turning the theme of self-esteem into pop.

Released in November 2025, this new single was created as a snappy response to online body criticism and body shaming.

As she herself said, it felt like “exposure therapy,” embodying a resolve to move past hurtful experiences and reclaim her true self.

Its sound—an ’80s-style synth paired with tight rhythms—is catchy yet powerful, and the addition of her family on backing vocals adds warmth.

As the lead track from her album “Toy With Me,” slated for release in April 2026, it’s also set to be performed on her North American tour starting in June of the same year.

Singing about the importance of freeing yourself from others’ gaze and loving who you are, this song is a rallying cry for every listener who hopes to regain confidence at different turning points in life.

SharonYellow Days

Yellow Days – Sharon (Official Music Video)
SharonYellow Days

Yellow Days, the standard-bearer of indie soul-pop from Surrey, England.

This solo project by George van den Broek, born in 1999, has been turning heads since his teens with its lo-fi textures and a mature, raspy voice.

The advance single from his album Rock And A Hard Place, slated for release in February 2026, features a striking brass arrangement inspired by Sly & The Family Stone and Ray Charles, and expresses gratitude to a friend who was a source of support during a period of personal uncertainty.

Sung with soulful conviction, the track captures the feeling of teetering on self-destructive impulses yet holding on thanks to someone’s belief in you—a seamless blend of vintage funk’s celebratory spirit and introspective storytelling.

StepsCecil Taylor

Cecil Taylor’s Unit Structures, still hailed as one of the most important works of 1960s free jazz, is a landmark album released by Blue Note Records in 1966.

Known for his distinctive, percussive approach to the piano, Taylor took on this project with a seven-piece ensemble—trumpet, two alto saxophones, two bassists, and drums.

The result is an ambitious work that largely abandons conventional chord progressions and song forms, instead realizing his unique concept of constructing structure by combining units of sound.

The layered low-end space woven by the two basses and the complex textures created by the horn section evoke the feel of meticulously assembled chamber music, even as the music remains atonal.

Moments that may first sound chaotic are, in fact, guided by a rigorous blueprint.

I recommend setting aside preconceptions and immersing yourself fully in this powerful sonic world.