A compilation of Western songs with titles that start with 'S'
When it comes to songs with titles that start with “S,” do any come to mind?
We don’t usually pay attention to the first letter of a song title, so it might not be easy to think of examples right away.
However, there are plenty of English words that start with “S,” like “Start,” “Shake,” “Season,” and “Save.”
In this article, I’ll introduce many songs with titles beginning with “S,” regardless of era or genre.
You might discover something new by grouping songs in a way you haven’t considered before!
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Compilation of Western songs with titles starting with “S” (111–120)
Soft Spotkeshi
Keshi, a Vietnamese American singer-songwriter, first rose to prominence through releasing music on SoundCloud.
While working as a nurse, he continued producing music and officially launched his career in 2017.
His 2018 EP The Reaper features the track “like i need u,” which has surpassed 100 million streams, and he later released his debut album Gabriel in 2022.
His style blends elements of lo-fi hip-hop and alternative, characterized by soft falsetto vocals and soothing guitar tones.
He’s also known for his versatility, handling everything from songwriting to production on his own.
K-pop artists like BTS and NCT 127 are fans of his work, and his music enjoys cross-genre appeal.
If you’re into modern sonics paired with sweet, wistful love lyrics, he’s an artist you should definitely check out.
Collection of Western songs with titles starting with 'S' (121–130)
So Easy (To Fall In Love)Olivia Dean
Olivia Dean is a singer-songwriter from London.
Blending elements of neo-soul, R&B, and pop with a touch of jazz, she has garnered attention, and her 2023 debut album “Messy” received high praise, including a nomination for the Mercury Prize.
Her second album, “The Art of Loving,” released in September 2025, is a work that portrays the comfort of falling in love and the kind of love that naturally weaves into everyday life.
The track included here is characterized by a retro yet sophisticated sound reminiscent of Fleetwood Mac and Burt Bacharach.
Its understated, intimate lyrics and straightforward, natural depiction of romance gently accompany a calm, overcast mood.
Somebody I Used to KnowGotye
This work portrays, in dialogue form, the mismatch between a man’s and a woman’s memories and accounts after a relationship ends.
It begins from the perspective of the man who initiated the breakup, and then New Zealand–born Kimbra interjects with the woman’s rebuttal.
The structure is superb, and the minimal sound and understated melody highlight the emotional disconnect.
Released as a single from the 2011 album “Making Mirrors,” it went on to win major categories including Record of the Year at the 2013 Grammy Awards.
The music video—where bodies and background merge through body paint—is also striking, and in sign-language covers the dialogic structure stands out even more visually, making the futility of the breakup all the more affecting.
SunflowerPost Malone and Swae Lee
Released in 2018 as the lead single for the film Spider-Man: Into the Spider-Verse, this song is a superb collaboration between Post Malone and Swae Lee.
Its sound blends dream pop and hip-hop, mirroring the coming-of-age story of the film’s protagonist, Miles, and conveying the heartfelt emotions of someone who, while on the verge of losing themselves, longs for a bond with someone important.
In 2019, it reached No.
1 on the U.S.
charts and spent an impressive 33 weeks in the Top 10.
When expressed in sign language, the delicate emotional shifts come through even more vividly.
Soon We’ll Be FoundSia
Here’s a piece I’d love you to pay attention to as it opens up a new way to enjoy music.
Released in 2008 from the album “Some People Have Real Problems,” it’s a ballad where orchestral strings and piano intertwine with Sia’s soaring vocals.
The lyrics, themed around reunion and connection, poignantly measure the emotional distance between people.
Most notable is the music video directed by Claire Carré, which features Sia singing while expressing the lyrics in American Sign Language.
Combined with shadow play and fluorescent body paint, the visuals elevate the beauty of sign language into visual poetry, and the video was selected as a free download on the iTunes Store in November 2008.
It delicately portrays a state of loneliness that still refuses to give up hope, and is recommended for anyone who wants to experience a new kind of emotion born from the fusion of sign language and music.
She Won’t Be HomeErasure
This is a Christmas song by Erasure, the synth-pop duo of Vince Clarke and Andy Bell.
Included on their 1988 EP “Crackers International,” the track reached No.
2 on the UK charts.
Set against shimmering synthesizers, it poignantly expresses the sadness and loneliness of spending Christmas alone.
On a winter night without your loved one, the imagery—like quietly falling snow—will seep into your heart.
It’s a perfect song for when you want to feel a Christmas tinged not only with sparkle but with a touch of bittersweetness.
A redux version is also included on their 2013 album “Snow Globe,” offering a more refined soundscape.
SplintersANNISOKAY
Annisokay are a post-hardcore band from Germany.
Since forming in 2007, they’ve secured a solid foothold in the European metal scene with an aggressive sound that interweaves clean vocals and shouts.
This track is the lead single from their album “Abyss – The Final Chapter,” slated for release in November 2025.
Created as the closing piece of the Abyss series that has continued since 2023, it explores themes of emotional rifts and inner conflict through razor-sharp lyrics, expressed with a massive sound that fuses heavy guitar riffs and electronic elements.
With a track record that includes reaching No.
26 on the German charts with their previous work “Arms,” this song stands as a culmination for the band.
The alternation between ferocious breakdowns and delicate melodies is breathtaking.
A must-listen for fans of modern metalcore.