A compilation of Western songs with titles that start with 'S'
When it comes to songs with titles that start with “S,” do any come to mind?
We don’t usually pay attention to the first letter of a song title, so it might not be easy to think of examples right away.
However, there are plenty of English words that start with “S,” like “Start,” “Shake,” “Season,” and “Save.”
In this article, I’ll introduce many songs with titles beginning with “S,” regardless of era or genre.
You might discover something new by grouping songs in a way you haven’t considered before!
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Compilation of Western songs with titles starting with “S” (191–200)
SaharaHensonn

Hensonn is a producer from Ukraine.
His electronic style, centered on phonk, has gained massive support on the internet.
His signature work, released in November 2021, also made headlines for receiving RIAA Gold certification.
Built on an aggressive, high-velocity sound known as Drift Phonk, the track balances a tense, adrenaline-pumping intensity with a liberating sense of release.
On YouTube Shorts, it’s frequently used for car-action clips and game highlight videos.
Be sure to check it out.
She ReadyKey Glock

Key Glock, the rapper leading the Memphis hip-hop scene.
He’s the cousin of the late Young Dolph and a central figure on his label.
This track, included on his album “Glockaveli,” his first release since signing to a major label in May 2025, is a fitting kickoff to a new chapter.
The lyrics portray a powerful figure who’s fully prepared and unshakable, reading like a declaration of his determination to succeed.
Layering Barbara Mason’s soulful vocals as a sample over a heavyweight trap beat adds a mellow hue to the tough soundscape—an inspired touch.
It’s the perfect song to start your day with confidence or to elevate the vibe on a drive.
Smile In Your SleepSilverstein

The contrast between beautifully painful melodies and screams that feel like an explosion of emotion—that’s the true essence of 2000s screamo.
And few embody that appeal better than the Canadian band Silverstein.
This work can be interpreted as portraying the turmoil of love and hatred in a protagonist who has discovered the betrayal hidden behind a peaceful sleeping face.
The moment the vocals shift from pristine cleans to impassioned screams is truly spine-tingling, shaking the listener to the core.
The album that features this track, their breakout release Discovering the Waterfront, came out in August 2005 and reached No.
34 on the U.S.
charts.
It’s perfect for those who want both strong melodies and intensity.
Give it a listen when you want to channel the pain of heartbreak or the anger of betrayal into something cathartic.
Squier TalkVIANOVA

Vienova are a Berlin four-piece drawing attention with a hybrid sound that vaults over the confines of metalcore, swallowing elements of rap and the textures of ’80s synths.
This track opens their surprise debut album HIT IT!, released in September 2025, and serves as a perfect calling card for the band.
It embodies their self-styled “angry dance music,” where hard-edged guitar riffs collide with a funky groove that makes your body bounce.
The lyrics, brimming with biting satire about the realities of the music industry, are excellent, showcasing their cool sense of playfulness to exhilarating effect.
For anyone who finds conventional heavy music lacking, this is a thrilling, irresistible listen.
Compilation of Western songs with titles starting with “S” (201–210)
SPIDERSLola Young

Laura Young, a London-born singer-songwriter who shot to prominence after earning her first UK No.
1 with “Messy” in 2024, is a BRIT-nominated talent whose emotionally rich voice—shaped by her multicultural background—captivates listeners.
In September 2025, she released a work that stands as a powerful ballad striking at the core of her album I’m Only F**king Myself.
The song tells a piercing story of self-acceptance in the face of self-destructive impulses.
Its urgent emotions—reaching out to touch the very symbols of fear in an effort to transcend vulnerability—hit home over a soundscape reminiscent of ’90s grunge.
It’s a track that will surely give you strength when you want to confront your own weaknesses.
Seven YearsSaosin

Saosin is a post-hardcore band that has wielded two charismatic frontmen—its original vocalist and his successor—and has had a major impact on the scene.
This track, included on their landmark debut EP “Translating the Name,” released in June 2003, is a song that can truly be called their origin point.
Bearing the weight of “seven years,” its searing emotions—torn between regret and self-justification—are rendered through the contrast of Anthony Green’s beautiful clean vocals and his impassioned screams.
From the delicate guitar arpeggios to the avalanche of cathartic intensity that follows, the song is nothing short of breathtaking.
The frenzy when this piece was performed on the 2014 tour marking the original vocalist’s return is still the stuff of legend.
It’s a killer tune that distills the lyricism and destructive energy at the heart of screamo.
Spoonful BluesCharley Patton

Charlie Patton, one of the world’s great bluesmen known as the “Father of the Delta Blues,” possessed a raw, formidable voice.
The blues he spun from that voice and his slide guitar would go on to profoundly shape what we now call rock.
Among Patton’s recordings, a must-listen is this track cut in June 1929.
Centered on the idea that a person will do anything for just one drink, it explores fundamental human desire and thirst; his gravelly voice renders that urgency with visceral immediacy.
The masterpiece that includes this track, Screamin’ and Hollerin’ the Blues, won three Grammy Awards in 2003.
It’s highly recommended for anyone who wants to experience the unvarnished emotions at the source of the blues.


