A compilation of Western songs with titles that start with 'S'
When it comes to songs with titles that start with “S,” do any come to mind?
We don’t usually pay attention to the first letter of a song title, so it might not be easy to think of examples right away.
However, there are plenty of English words that start with “S,” like “Start,” “Shake,” “Season,” and “Save.”
In this article, I’ll introduce many songs with titles beginning with “S,” regardless of era or genre.
You might discover something new by grouping songs in a way you haven’t considered before!
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A roundup of Western songs with titles starting with “S” (321–330)
Smile In Your SleepSilverstein

The contrast between beautifully painful melodies and screams that feel like an explosion of emotion—that’s the true essence of 2000s screamo.
And few embody that appeal better than the Canadian band Silverstein.
This work can be interpreted as portraying the turmoil of love and hatred in a protagonist who has discovered the betrayal hidden behind a peaceful sleeping face.
The moment the vocals shift from pristine cleans to impassioned screams is truly spine-tingling, shaking the listener to the core.
The album that features this track, their breakout release Discovering the Waterfront, came out in August 2005 and reached No.
34 on the U.S.
charts.
It’s perfect for those who want both strong melodies and intensity.
Give it a listen when you want to channel the pain of heartbreak or the anger of betrayal into something cathartic.
A roundup of Western songs with titles starting with “S” (331–340)
Squier TalkVIANOVA

Vienova are a Berlin four-piece drawing attention with a hybrid sound that vaults over the confines of metalcore, swallowing elements of rap and the textures of ’80s synths.
This track opens their surprise debut album HIT IT!, released in September 2025, and serves as a perfect calling card for the band.
It embodies their self-styled “angry dance music,” where hard-edged guitar riffs collide with a funky groove that makes your body bounce.
The lyrics, brimming with biting satire about the realities of the music industry, are excellent, showcasing their cool sense of playfulness to exhilarating effect.
For anyone who finds conventional heavy music lacking, this is a thrilling, irresistible listen.
SPIDERSLola Young

Laura Young, a London-born singer-songwriter who shot to prominence after earning her first UK No.
1 with “Messy” in 2024, is a BRIT-nominated talent whose emotionally rich voice—shaped by her multicultural background—captivates listeners.
In September 2025, she released a work that stands as a powerful ballad striking at the core of her album I’m Only F**king Myself.
The song tells a piercing story of self-acceptance in the face of self-destructive impulses.
Its urgent emotions—reaching out to touch the very symbols of fear in an effort to transcend vulnerability—hit home over a soundscape reminiscent of ’90s grunge.
It’s a track that will surely give you strength when you want to confront your own weaknesses.
Seven YearsSaosin

Saosin is a post-hardcore band that has wielded two charismatic frontmen—its original vocalist and his successor—and has had a major impact on the scene.
This track, included on their landmark debut EP “Translating the Name,” released in June 2003, is a song that can truly be called their origin point.
Bearing the weight of “seven years,” its searing emotions—torn between regret and self-justification—are rendered through the contrast of Anthony Green’s beautiful clean vocals and his impassioned screams.
From the delicate guitar arpeggios to the avalanche of cathartic intensity that follows, the song is nothing short of breathtaking.
The frenzy when this piece was performed on the 2014 tour marking the original vocalist’s return is still the stuff of legend.
It’s a killer tune that distills the lyricism and destructive energy at the heart of screamo.
Spoonful BluesCharley Patton

Charlie Patton, one of the world’s great bluesmen known as the “Father of the Delta Blues,” possessed a raw, formidable voice.
The blues he spun from that voice and his slide guitar would go on to profoundly shape what we now call rock.
Among Patton’s recordings, a must-listen is this track cut in June 1929.
Centered on the idea that a person will do anything for just one drink, it explores fundamental human desire and thirst; his gravelly voice renders that urgency with visceral immediacy.
The masterpiece that includes this track, Screamin’ and Hollerin’ the Blues, won three Grammy Awards in 2003.
It’s highly recommended for anyone who wants to experience the unvarnished emotions at the source of the blues.
Shameevelyn champagne king

Evelyn “Champagne” King is a female singer born into a musical family, with a well-known story of having her vocal talent discovered by a producer.
Among the works she released during the peak of the disco era, her debut single—which launched her career—is essential listening.
It captures the delicate emotion of feeling “embarrassed” by the bewilderment of falling in love and the frustrating inability to stop thinking about the other person, all sung over a vibrant, propulsive sound.
The track is a dazzling disco tune, distinguished by a groovy bassline and a brilliant horn section.
Released in September 1977, it reached No.
9 on the U.S.
charts despite being a debut.
It was included on the album Smooth Talk and was also featured in the game Grand Theft Auto: Vice City.
Shake ‘Em on DownMississippi Fred McDowell

Mississippi Fred McDowell, known as a defining artist of North Mississippi hill country blues, was a late-blooming bluesman who kept making music while farming and drew attention with field recordings in 1959.
This piece is one of his most acclaimed songs, showcasing a hypnotic, repeating guitar riff and a moaning slide style.
It has a powerful charm that pulls listeners into a trance-like groove.
Originally a classic by Bukka White, in McDowell’s hands it transforms into a more earthy, kinetic dance number.
The most famous version opens his masterpiece Live in New York, compiled as his final album in the spring of 1972, just before his death.
It’s perfect for anyone who wants to feel not only the depth of the blues but also the primal impulse that leads into rock.

