A collection of Western songs with titles starting with 'T'
In this article, I’ll be introducing a bunch of Western songs with titles that start with “T”! When it comes to English words beginning with “T,” there are lots—like “To,” “Top,” and “Tender,” to name a few.
Many of these are actually used in song titles, and if you’re a fan of Western music, you might already have a few tracks in mind.
You might not usually search for songs that start with the same initial, but doing so could lead you to new music or fresh discoveries.
Let’s dive into the article and see what songs are out there!
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Compilation of Western songs with titles starting with 'T' (321–330)
Touch Me Like a GangsterJessie Murph
American singer-songwriter Jessie Murph was born into a musical family and has a knack for seamlessly blending diverse genres like country, pop, and hip-hop.
Her 2024 debut album, “That Ain’t No Man That’s The Devil,” proved her mettle, peaking at No.
24 on the Billboard 200.
Released in June 2025, this track serves as the lead single from her forthcoming second album, “Sex Hysteria,” slated for July of the same year.
Its sound—where R&B and hip-hop beats interlace exquisitely with a country flair—is quintessentially her.
With a husky vocal tone and dramatic strings, she delivers a striking anthem about women’s sexual autonomy and liberation.
Her first live performance of the song at the Sports Illustrated Swimsuit Show in May 2025 also drew major attention.
It’s a must-listen for anyone seeking genre-defying musical expression and a powerful, resonant message.
Compilation of Western songs with titles starting with “T” (331–340)
The ProblemJuicyJ x Logic
A standout track that brings two talents from different backgrounds into electrifying collision was released in June 2025.
It’s a cut from the collaborative album “Live And In Color” by Juicy J—Memphis-based member of Three 6 Mafia and winner of the 2006 Academy Award for Best Original Song—and Logic, who hails from Maryland.
The song interweaves Juicy J’s hard-hitting rap with meticulously crafted beats fully produced by Logic, deepening the album’s overarching narrative and delivering a compelling listen.
It’s an ideal pick for anyone seeking a rich sonic experience that hints at new possibilities in hip-hop.
Type DangerousMariah Carey
Mariah Carey, the world-renowned songstress from the United States who has continued to shine on the music scene for many years.
Her voice is truly synonymous with a pop diva.
Her long-awaited new single, released in June 2025, features a playful sound rooted in hip-hop soul and R&B, highlighted by bold sampling.
In the lyrics, she confidently sings about being drawn to someone with a dangerous allure, and just listening is enough to lift your spirits.
This release, her first since the 2018 album “Caution,” is a lead single from her 16th studio album.
Her debut performance of the song at the BET Awards and her “Ultimate Icon” honor are still fresh in our minds.
It’s a track not only for longtime fans but also for anyone eager to experience her latest venture—perfect for enjoying on a drive.
The Last HeroOMNIUM GATHERUM
Hailing from Finland, Omnium Gatherum—a melodic death metal band that has pursued a fusion of “beauty” and “intensity” since their formation in 1996—unveiled a stunning new track in June 2025.
As guitarist Markus Vanhala puts it, the song adds an extra dose of “power and groove” to traditional melodic death metal, resulting in a straight, aggressive piece that still boasts catchy hooks.
Its lyrics present an allegorical tale that deepens the song’s appeal, portraying the light and shadow of a hero with an indomitable spirit, and the tunnel vision born of his blind struggle.
Released as the lead single from their 2025 album May The Bridges We Burn Light The Way, the track showcases a high-level fusion of the band’s hallmark lyricism and aggression—sure to impress many metal fans.
The Contracttwenty one pilots
Twenty One Pilots, a duo from Ohio, USA, deftly fuse a wide range of musical genres.
Their work released in June 2025 boasts an experimental sound that boldly incorporates elements of electropop, hip-hop, and even nu metal, resulting in a truly captivating finish.
The lyrics portray inner conflict and anxiety, as well as a sense of constraint brought on by a “contract,” weaving a narrative that invites listeners into deep introspection.
This track is a lead single from the album “Breach,” released in September 2025, marking a crucial chapter in a long-running storyline.
It’s also intriguing that the music video was filmed right after their performance in May 2025.
It’s a song I’d recommend not only to fans of the grand narrative, but also to those seeking a stimulating sonic experience.
TATTOOS & Uiann dior
Puerto Rico-born and Texas-raised iann dior—who traverses a wide range of genres rooted in emo rap and holds an eight-week run at No.
1 on the U.S.
charts with his collaboration “Mood” with 24kGoldn—released a track from his album CYCLES in June 2025.
The song hits home with a theme that candidly expresses memories etched like tattoos, personal transformation, and unfiltered emotion.
Produced in part by John Feldmann, known for his work with blink-182, it blends alternative rock and hip-hop into a sound that prioritizes raw feeling.
The music video, capturing everyday life in New York and scenes of getting tattooed, further highlights the song’s unvarnished appeal and leaves a strong impression.
It’s a track that seems perfect for stirring your emotions and facing yourself head-on.
The Dominant PlagueAllan Holdsworth
Allan Holdsworth, the British maverick who pursued the guitar’s possibilities to their absolute limit.
He’s renowned for his innovative playing not only in jazz fusion but also in the realm of progressive rock.
This track appears on his 1986 album Atavachron and is distinguished by its cutting-edge use of the SynthAxe at the time.
Its sound world—where Afrocentric rhythms intertwine with complex harmonies—combines a certain coolness with passion, and some even interpret its depth as hinting at social issues of the era.
The classic album Atavachron, which includes this piece, is a perfect showcase of Holdsworth’s singular artistry that transcends the boundaries of fusion.
It’s a work I especially recommend to those who want to enjoy an intellectual and thrilling exploration of sound.