For rock fans too! Popular big beat groups and artists
Slogans like “a fusion of rock and techno” are nothing unusual, and modern rock and pop almost always incorporate some electronic elements.
The style I’m introducing today, Big Beat, is a subgenre of techno music that sparked a boom from the late ’90s to the early ’00s.
Rather than rock bands adopting techno elements, it’s characterized by a sound that, from the techno side, boldly weaves in rock-like dynamism—think heavy breakbeats layered with loud guitars.
Take this opportunity to check out the key artists and groups in Big Beat—many of whom have achieved major global recognition!
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For rock fans too! Popular big beat groups and artists (11–20)
Born too slowThe Crystal Method
Big beat is essentially a movement centered around musicians from the UK, where the genre originated, but The Crystal Method, the act featured in this article, is a unit based in Los Angeles, USA.
Formed in 1993 by Scott Kirkland and Ken Jordan, who were inspired by The Chemical Brothers, they raised their profile with the 1996 release of the hard-hitting big beat anthem “Keep Hope Alive,” which became a smash hit.
The track was later included on the soundtrack of the film The Replacement Killers.
Their debut album Vegas, released the following year in 1997, was also a hit, cementing their recognition as pioneering figures of American big beat.
Their explosive sound—melding the dynamism of loud rock, aggressive electro beats, and hip-hop-forged grooves with flavors of funk and acid house—is sure to resonate with rock listeners as well!
Bentley’s Gonna Sort You OutBENTLEY RHYTHM ACE
Bentley Rhythm Ace—a band featuring Richard March, the former bassist of the pioneering group Pop Will Eat Itself, which fused electro beats with punk and rap—is an essential name when talking about big beat.
They released their debut album, Bentley Rhythm Ace, in 1997, scoring a smash hit as a forerunner of the big beat boom by reaching No.
13 on the UK charts.
Their second album, For Your Ears Only, released in 2000, did not achieve much commercial success, and the band effectively went on hiatus, but they reunited for live performances in 2010.
Their sound puts the sheer, no-questions-asked fun of dance music front and center, with samples freely drawn from every genre flying in all directions—perfect for anyone who just wants to dance without overthinking.
Their live shows incorporate live instruments like bass and drums, packing in solid rock dynamism as well.
This is precisely the kind of sound you can proudly call “big beat”—be sure to experience it!
I See You BabyGroove Armada
Groove Armada are a quintessential Big Beat act and a stalwart of the UK dance music scene who remain active well into the 2020s.
Often mentioned alongside heavyweights like Fatboy Slim, The Chemical Brothers, and Basement Jaxx, the duo formed in 1994 and have been known from the start for performing live with a full band rather than DJ sets.
Their sound—epitomized by the 1999 smash hit “I See You Baby”—deftly fuses rock’s kinetic energy with dance music’s beats, showcasing Big Beat at its best.
That said, they were quick to pursue a hybrid musical approach that blended a wide range of genres, presenting dance music in the broadest sense and maintaining a top position in the scene for many years.
If you want to hear them in their Big Beat mode, start with their second album, Vertigo (1999).
Then check out Goodbye Country (Hello Nightclub) from 2001—featuring the massive hit “Superstylin’”—where they evolved into deeper territory by incorporating elements of reggae and dub.
We Have ExplosiveThe Future Sound of London
It’s quite a bold group name, but it’s a project formed in 1988 by Brian Dougans and Garry Cobain—who studied electronic engineering at the University of Manchester—and they’ve continued to create cutting-edge sounds worthy of that name.
More than 30 years after their formation, they’re still very active, releasing work under countless aliases.
Their style is experimental, and it’s notable that their sound shifts from release to release, ranging from trance and techno to ambient and breakbeats.
It’s not easy to grasp their entire output, but since this is an article about big beat, why not start with the early breakbeat masterpiece single Papua New Guinea, the 1994 hit album Lifeforms that reached the top 10 on the charts, and Dead Cities (1996), which includes the classic We Have Explosive that was also featured in the 1995 film Mortal Kombat?
Destroy 2000 Years Of CultureAtari Teenage Riot
It may be misleading to discuss this band in the context of big beat, but I’d like to introduce Atari Teenage Riot from Germany, who have a devoted following here in Japan as a group that fuses eardrum-shredding digital beats, the aggression of hardcore, and vocals that agitate with radical messages.
Formed in Berlin in 1992 around their charismatic frontman Alec Empire, they released three albums before halting activity in 2001 due to the sudden death of a member.
Since their 2010 restart, they’ve put out new material and returned to Japan for shows.
As mentioned at the outset, their musical style is extremely intense, characterized by a wall of sound that has led them to be hailed as pioneers of digital hardcore.
Because their initial run overlapped with the big beat boom, they enjoyed strong popularity in Japan even among music fans who loved so-called “digirock.” Of course, learning about their ideology deepens the appreciation, but I also recommend them simply to anyone who wants to hear digital beats even more extreme than The Prodigy’s!