A collection of Western songs with titles that start with “V”
In this article, I’ll be introducing a bunch of Western songs with titles that start with “V”!
There are plenty of English words beginning with “V” that sound like song titles, such as “Victory,” “Vision,” “Vampire,” and “Village.”
You might not usually listen to songs that all start with the same letter, but that’s exactly why you might discover tracks you didn’t know before or make new discoveries.
So, let’s dive in and see what new songs we might encounter!
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- Victory songs of Western music: world-famous classics and popular hits.
Compilation of Western songs with titles starting with "V" (201–210)
VIOLET SKIESSnoh Aalegra
Snow Allegra is one of Sweden’s leading R&B singers.
For newcomers, Black music can sometimes seem a bit hard to approach.
While Snow Allegra’s songs are rooted in Black music, they avoid that barrier—each track incorporates pop elements, making them very easy to listen to.
Her new song, “VIOLET SKIES,” is no exception: it’s crafted as a highly accessible piece of soul music.
If you’re just starting to explore Black music, be sure to give it a listen.
VIP BusinessSolardo & Joshwa
British music producer Joshua, together with fellow UK-based producer Soraado, created “VIP Business.” Inspired by ’90s dance music, it carries a somewhat nostalgic vibe.
At the same time, by weaving in their own distinctive elements, they also evoke a near-futuristic feel.
First, experience this uniquely intriguing sound for yourself.
Viva ForeverSpice Girls
A track released in 1998 by the British girl group Spice Girls.
It entered the Top 10 on charts around the world and was certified platinum in three countries.
In the stop-motion animated music video, the members appear as fairies.
ValerieSteve Winwood
Included on the 1982 album “Talking Back to the Night.” Born in 1948.
A musician from Birmingham and a member of Blind Faith.
It’s an easy-to-listen-to, heartwarming number with a pop melody, an upbeat, breezy rhythm, and keyboard tones that are pleasing to the ear.
His high-pitched vocals are great, too.
VooDoo ChileStevie Ray Vaughan
A masterful cover by blues guitarist extraordinaire Stevie Ray Vaughan of a song by his idol, Jimi Hendrix.
It’s included on the classic album Texas Flood, released in 1984 under the name Stevie Ray Vaughan & Double Trouble.
Many guitarists have taken on Hendrix’s songs, but Stevie—arguably a true successor—delivers a performance that’s nothing short of breathtaking.
His fiery Strat-driven guitar solo really comes alive in live footage, where its intensity comes across even more than in the studio recording.
Voodoo Child (Slight Return)Stevie Ray Vaughan
Stevie Ray Vaughan was a legendary blues-rock guitarist born in Dallas, Texas, in 1954, who tragically died in an accident in 1990 at the young age of 35.
Belonging to the generation that inherited the blues-rock movement that erupted in the 1960s, Stevie had been active as a guitarist from a young age.
In 1983, he gained worldwide recognition by playing guitar on David Bowie’s iconic ’80s hit “Let’s Dance.” Now let me introduce his second album, “Couldn’t Stand the Weather,” released in 1984 by this extraordinarily talented young guitar virtuoso.
Also known in Japan by the title “Texas Hurricane,” the album strengthens its rock elements while keeping blues—their roots—at its core, resulting in a blues-rock masterpiece where Stevie’s hurricane-force guitar truly explodes.
In particular, his cover of Jimi Hendrix’s “Voodoo Child” delivers a searing, almost fearsome performance that stands as one of Stevie’s signature tracks.
Collection of Western songs with titles starting with “V” (211–220)
Voodoo Child (Slight Return)Stevie Ray Vaughan & Double Trouble
Stevie Ray Vaughan, a master of blues-rock, released his second studio album, Couldn’t Stand the Weather, in 1984.
It’s a definitive blues-rock masterpiece where Vaughan’s sharp guitar solos blend perfectly with the powerful rhythms of Double Trouble.
The cover of Jimi Hendrix’s “Voodoo Chile (Slight Return)” is a must-hear track, showcasing Vaughan’s overwhelming musicianship to the fullest.
The album peaked at No.
31 on the Billboard 200 and earned double platinum certification.
Highly recommended for modern blues fans and rock lovers alike.