A collection of Western songs with titles that start with “W”
When it comes to songs with titles that start with “W,” do any come to mind?
We don’t usually pay attention to the first letter of a song title, so it might be hard to think of examples right away.
That said, when it comes to English words starting with “W,” there are interrogatives like “What,” “Where,” and “Who,” and just from those alone, there must be plenty of songs!
There are also words like “Walk,” “Wonder,” and “Word,” which all sound like they could appear in song titles.
In this article, I’ll introduce lots of songs with titles that start with “W.”
By searching for music from a perspective you might not have considered before, you may discover new tracks.
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Compilation of Western songs with titles starting with “W” (51–60)
w-w-w-w-wHemlocke Springs
Hemlock Springs, known for her unique background with a master’s degree in medical informatics, began creating original pop music in a DIY style after a breakout on TikTok.
Her new track is an advance single from her debut album, “the apple tree under the sea,” set for release in February 2026.
It’s a highly addictive song that blends 80s-style tones with contemporary beats.
Her debut EP was selected among Rolling Stone’s Best Songs in September 2023, earning her strong acclaim.
This release, too, explores themes of breaking from conventions and self-discovery, wrapped in colorful soundscapes.
It’s a work I recommend to those who enjoy music that seems pop on the surface yet harbors something oddly eerie and unsettling.
WhateverOasis
At moments celebrating a new chapter in life, grand-scale songs can be especially moving.
Oasis—the legendary British rock band that miraculously reunited in 2024 and sparked a social phenomenon with shows in Japan the following year—released the single “Whatever” in December 1994, a track brimming with hope for a free future.
Its beautiful string arrangements blend seamlessly with a powerful rock sound, creating a warmly resonant effect.
The song carries an affirmative message about singing one’s own free will, giving listeners a strong push forward.
In Japan, it has long been beloved, having been featured in Asahi Beer commercials, among others.
Why not choose it as farewell party BGM to blow away the sadness of parting and send off your friends with a smile?
World’s Smallest ViolinAJR
A poppy, upbeat sound.
It seems like it would be simple and fun to hype up the room at karaoke.
However, if you’re aiming for a high score, you’ll need to manage the excitement in the latter half so you don’t rush.
Try to stay energized yet somewhat calm.
Since the rhythm is brisk from the A verse, it’s good if you can lock into the finer subdivisions.
I recommend mimicking a chopping motion with your hand—like cutting with a kitchen knife—tap-tap-tap; it helps you keep a steady, detailed pulse.
Also, relax your body.
Moving like this naturally helps you loosen up, so try to keep your body as relaxed and floppy as possible!
WHODUNNITCal Chuchesta x Yuno Miles
Cal Chuchesta, who has built a unique meme-driven following with the persona of being Anthony Fantano’s “fictional roommate,” has teamed up this time with rapper Yuno Miles, known for his intentionally off-beat flow and high-pitched delivery.
Their new track is WHODUNNIT, a chaotic collision of their shared strengths: surreal humor and addictive catchiness.
Released on January 2, 2026, the song runs just about two minutes but leaves a powerful impression—an irresistible collaboration for when you want to turn your brain off and laugh, or when you’re in the mood for deep-cut, internet-bred music jokes.
We Were Never The SameConverge
Formed in Massachusetts and known as pioneers of the metalcore genre, Converge have continued to lead the scene with overwhelming aggression and artistry, epitomized by their 2001 classic Jane Doe.
Now, as they prepare to release Love Is Not Enough—their first album as a four-piece in about nine years—they’ve unveiled the lead single, We Were Never The Same.
Centered on themes of loss and the lack of empathy in modern society, the track is quintessentially Converge: a taut collision of Kurt Ballou’s razor-sharp riffs and Jacob Bannon’s harrowing screams.
It’s also a crucial song that closes the album, and a must for anyone eager to immerse themselves in visceral, heart-rending intensity.