Carefully selected recommendations of Kenshi Yonezu’s songs and unforgettable masterpieces

BOW AND ARROWYonezu Kenshi

Kenshi Yonezu – BOW AND ARROW / Yuzuru Hanyu Short Program ver.

Kenshi Yonezu, who first gained popularity online under the name “Hachi” and debuted as a solo artist in 2012, continues to captivate a wide range of listeners with music that freely traverses genres such as pop, rock, and electronica.

Since his debut with the album “diorama,” he has released a succession of works with a distinctive worldview, including “YANKEE” and “Bremen.” He has also created theme songs for TV dramas and films, and his album “BOOTLEG,” which won the Japan Record Awards’ Best Album, stands as a masterpiece proving his talent.

His songs, woven from abstract lyrics and a unique voice imbued with deep emotion, leave a lingering resonance that sinks into the heart.

Highly recommended for those who want to experience the voice of an artist with delicate sensibility and original expressive power.

garakuta – junkYonezu Kenshi

Kenshi Yonezu – Junk

Kenshi Yonezu, known for his smash hits “Lemon” and “KICK BACK,” is making waves with a new song chosen as the theme for the August 2024 film Last Mile.

The track centers on feelings of childhood loneliness and memories of not fitting in, carrying a message that “it’s okay to be broken.” It blends pop and alternative with experimental, electronic elements.

The music video, which resonates with the film’s story, has also been highly praised and leaves a strong impression on viewers.

It’s a recommended song for anyone seeking the courage to accept their imperfections and keep moving forward.

Panda HeroYonezu Kenshi

Hachi MV “Panda Hero” HACHI / Panda Hero

This is one of the Vocaloid songs that Kenshi Yonezu posted on a video-sharing site back when he was still using the name “Hachi.” It’s also one of his million-hit tracks, and although it predates his major-label debut, there’s no doubt it shook the Vocaloid scene.

Yonezu Kenshi

[LADY/Kenshi Yonezu] I tried my best to do a perfect impersonation.

Kenshi Yonezu skyrocketed to the ranks of top artists with the massive hit “Lemon.” He’s an unconventional artist who also works as the Vocaloid producer “Hachi.” His unique lyrical worldview and the soundscapes he crafts are captivating, drawing in many listeners.

The distinctive way he sings—his pronunciation and vocal technique—makes him especially fun to imitate.

Since each song features different sounds, try finding a track that feels approachable to tackle!

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Hamada Takuya

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NeighbourhoodYonezu Kenshi

Kenshi Yonezu – Neighbourhood

Let me introduce a guitar-centered song, “Neighbourhood.” It’s the B-side to “Peace Sign.” It’s said to be based on Kenshi Yonezu’s childhood experiences, depicting a child’s boredom, dissatisfaction, and anxieties about the future, alongside the grown-up child speaking to their younger self.

The lyrics are especially appealing to music fans, featuring references to musical proper nouns.

Overall, it’s slow with a blues-like vibe, so you can take your time and sing it without rushing.

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yamamoto

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RED OUTYonezu Kenshi

Kenshi Yonezu – RED OUT

Kenshi Yonezu’s new song “RED OUT.” He used to release a lot of downer-leaning tracks, but lately he’s been putting out more classic pop songs like “Lemon.” This piece isn’t one of those; it’s crafted with a recent downer vibe.

Because of that mood, the vocal line is of course calm, and the range is set relatively narrow.

For teenage males who can’t comfortably hit low notes, try raising the key by one or two steps to match your own range.

Since the overall range of this song is narrow, anyone can sing it as long as the key is properly adjusted.

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Ryo

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TEENAGE RIOTYonezu Kenshi

Kenshi Yonezu – TEENAGE RIOT / Kenshi Yonezu

The major 9th single “TEENAGE RIOT,” released as a double A-side with “Flamingo.” Chosen as the theme song for Mandom’s GATSBY commercial series “GATSBY COP,” the track is striking for its contrast between a cool rock ensemble and lyrics that evoke a sense of restlessness.

The melody itself has no big leaps in pitch and is easy to sing, but since the intensity shifts sharply in the chorus, be careful to switch gears smoothly when singing karaoke.

The key isn’t high either, making it an approachable number even for those who aren’t very confident singers.

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Hoshino Takashi

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