Carefully selected recommendations of Kenshi Yonezu’s songs and unforgettable masterpieces

caribouYonezu Kenshi

Kenshi Yonezu 1st Album 'diorama' Crossfade

I also recommend “caribou,” which unfolds in a wonderfully mysterious worldview.

It’s a track included on Kenshi Yonezu’s album diorama.

At first glance, it’s a lively song with a pop sound, but the lyrics depict conflict between people.

Another distinctive feature is the use of fictional characters and a story-style presentation.

Although the song is somewhat fast-paced, it stays in a low register throughout with minimal inflection, so it seems approachable even for those who struggle with pitch.

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yamamoto

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Rainy LadyYonezu Kenshi

[With Solo Acoustic Chords] Rainy Lady / Kenshi Yonezu [Full Lyrics]

Although it lasts only about three minutes, Ameguri Fujin unfolds a profoundly rich world.

This song centers on a woman whose going out causes it to rain.

The rain seems to symbolize sorrow, and the lyrics suggest that the woman has experienced heartbreak and is filled with emptiness.

The sharply rising and falling sound also seems to express the turmoil in her heart.

Incidentally, from a karaoke perspective, while the high pitch and fast tempo may make it seem difficult to sing, the key remains constant, so it can also be considered approachable.

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yamamoto

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Kaiju MarchYonezu Kenshi

Kaijuu no March – Kenshi Yonezu | Kenshi Yonezu – Kaiju's March

Kaiju no March, included on the major third album BOOTLEG—where every track serves as an homage to something—features lyrical lines that quote part of Ryoko Moriyama’s Today Is Our Farewell.

These lyrical, evocative words interlink with a nostalgic ensemble to create its unique world.

The overall vocal range is narrow, but the distinctive chorus melody, which uses semitone steps, is easy to go off-pitch on, so take care when singing.

Though it’s not simple, as the melody within a single breath rises and falls considerably in pitch, it’s a number you’ll likely find enjoyable once you’ve mastered it.

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Hoshino Takashi

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junkYonezu Kenshi

Kenshi Yonezu – Junk

Kenshi Yonezu’s new song “Garakuta.” Recently, Yonezu has released a lot of downer-leaning tracks, but now he’s put out a song closer to his roots, reminiscent of “Lemon.” This piece is shaped around a classic J-pop melody.

It isn’t simply a straightforward high-note showcase, but the repeated switches between falsetto and chest voice in the chorus are breathtaking.

It’s delivered so smoothly that it feels excellent to listen to.

Definitely give it a try.

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Ryo

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Dream-Eating GirlYonezu Kenshi

[Lyrics_Subbed] Yume Kui Shoujo – Kenshi Yonezu

Yumekui Shoujo is a self-cover of a song originally released under the name Hachi as a Vocaloid track.

It’s included on the 7th single Peace Sign, while the original, titled Sajo no Yumekui Shoujo, appears on Hachi’s second album OFFICIAL ORANGE.

Overall, the key is low and the vocal range is narrow, but because the chorus features melodic leaps, karaoke performance requires both accurate pitching and careful control of volume.

With its relaxed beat and emotional melody, it’s a hidden gem that feels especially satisfying to listen to.

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Hoshino Takashi

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Cinderella GrayYonezu Kenshi

[Lyrics_Subbed] Cinderella Gray – Kenshi Yonezu

Cinderella Gray, which captivates listeners with its dark atmosphere, is also highly recommended.

It’s a track included on the album Bremen.

The title is a coined word that combines “Cinderella” with “gray.” In the song, while drawing parallels to the Cinderella story, it portrays the pent-up feelings of a woman who can’t be honest with her true emotions.

Although the vibe is dark, the Latin-style, rhythmic sound makes it energizing.

Another plus is that many of the same lyrics repeat, making it easy to sing along.

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yamamoto

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paprikaYonezu Kenshi

Kenshi Yonezu – Paprika

A self-cover of “Paprika,” which was originally provided to Foorin, a music unit formed by elementary and junior high school students, and went on to become a massive hit.

Compared to Foorin’s version, the subtly altered melody and the somewhat wistful, ennui-tinged atmosphere leave a strong impression.

The key is lower and easier to sing, and since it’s a well-known song, it’s easy to remember and a crowd-pleaser at karaoke.

However, because the key and chord progression differ, if you’re used to the Foorin version, make sure to practice in advance so you won’t get confused by the ensemble when performing in front of others.

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Hoshino Takashi

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