[For 5-year-olds] A curated selection of recommended pieces for a piano recital!
Five-year-olds are starting to do more on their own and are becoming interested in reading and writing letters and numbers.
I usually teach piano and also work with children in the senior kindergarten class who are turning five.
They often get curious about the titles of different pieces, and after recitals they’ll share their impressions of their friends’ performances, saying things like, “〇〇-chan’s piece was so cool!”
This time, I’ve picked out pieces that are perfect for a five-year-old’s piano recital.
To match each child’s preferences, I’ll introduce a variety of recommended works with different moods—lively pieces, brilliant showpieces, and gentle, lyrical selections.
Please use these ideas as a reference for your next recital.
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[For 5-year-olds] A selection of recommended pieces for piano recitals (41–50)
Something good might happen!Yuyama Akira
This bright and upbeat piano piece exudes a unique charm, blending elements of jazz and pop with a foundation in classical music.
Included in “The Teacher’s Choice: Piano Recital Masterpieces 4,” published by Yamaha Music Media, it is distinguished by its lively rhythm and accessible melodic lines.
Reflecting the signature style of Mr.
Yuyama, who won the Grand Prize at the Agency for Cultural Affairs Arts Festival in 1970, the piece is thoughtfully crafted to nurture children’s imagination.
With a playing level around that of the Sonatina Album, it’s an ideal choice for a recital performance.
If you bring out its energetic spirit, you’re sure to deliver a captivating stage experience for the audience.
Minuet in G major, K. 1 (K6 1e), from the Nannerl NotebookWolfgang Amadeus Mozart
An elegant minuet that the young Mozart wrote for his sister, Maria Anna Mozart.
In G major and triple meter, this piece is characterized by its straightforward melody.
Structured in an ABA ternary form with 8-bar repeats, it’s an approachable work free of stiffness.
Composed in Salzburg between December 1761 and January 1762, it displays a level of musical construction and expressiveness that seems remarkable for a five-year-old.
With its simple yet beautiful melody and clear structure, it’s recommended for beginners at the piano or those looking to try Mozart’s music.
Its unpretentious atmosphere and rhythmic charm make it an ideal piece for taking a first step into classical music.
Burgmüller 25 Études Op. 100 No. 11 “The Wagtail”Johann Burgmüller
This piece in 2/4 time is characterized by a light, charming melody reminiscent of a little bird.
A rhythmic motif of “ta-ta-tan,” effectively using staccato and sixteenth notes, vividly evokes birdsong and adorable movements.
Published in Paris in 1851, the work lasts only about 30 seconds, yet captivates with a beautiful melody woven from right-hand scales and left-hand accompaniment.
By focusing on supple wrist motion and precise fingertip control, you can bring out the piece’s elegance even more.
Even beginners will find it enjoyable to tackle thanks to its lively rhythm and friendly, accessible melody.
Brave Rider from ‘Album for Children’Robert Schumann
This celebrated piece, distinguished by its exhilarating cascade of sounds and powerful rhythm, is included in the album “Album for the Young.” Composed in 1848 as a birthday present for his eldest daughter Marie, it lasts barely a minute yet displays remarkable musical richness and artistic sophistication.
Its energetic, staccato-driven phrases blend perfectly with the tension created by the key of A minor, vividly conjuring the image of a knight galloping on horseback.
Despite its simple structure, the work is highly expressive, making it ideal for those who want to captivate listeners in a short performance or who enjoy a robust, vigorous character.
It has also been selected as a set piece for international piano examinations and is beloved around the world.
Carnival BallWilliam Gillock
This piece is a brilliant, rhythmic work inspired by Brazil’s Carnival, featuring striking samba rhythms and melodies.
Its left-hand syncopation and lively right-hand phrases are captivating, vividly expressing the dynamism of Latin music.
Published in 1969, it conveys a passionate atmosphere despite its simplicity and has an addictive quality that makes both performers and listeners instinctively start to move.
With an energetic, cool character that’s perfect for boys, it’s sure to energize the venue when performed at a piano recital.
Combining a natural flow that masks its technical demands with strong stage appeal that enchants audiences, it’s a superb piece.
Third movement from Sonatina, Op. 36 No. 1Muzio Clementi
Movement No.
3, which begins with a light touch and features a bright, vibrant melody, is a refined piece that adds brilliance to any piano recital.
Technically approachable for practice and rich in opportunities for lively expression, it has been loved by many pianists since its publication in 1797.
Its logical flow—from exposition to development and recapitulation—also makes it suitable for learning the basic forms of classical music.
It is a work I highly recommend to those aiming for a brisk, energetic performance.
By improving finger independence and mastering fast passages, you will truly experience the joy of playing.
Howl’s Moving Castle ‘Merry-Go-Round of Life’Hisaishi Joe
The waltz-style piece that serves as the main theme of Studio Ghibli’s masterpiece film Howl’s Moving Castle captivates with the orchestra’s rich harmonies and a dreamlike atmosphere.
Its elegant 3/4-time melody splendidly captures the world of the film, which was released in November 2004.
Beginning with a piano introduction, the work weaves beautiful lines from the oboe and strings, resulting in a refined character that reflects the influence of European classical music.
In 2021, singer Kumiko covered the piece and released it as a single.
It’s a highly recommended piece for boys who want to perform at a recital, combining both brilliance and strength that will enthrall the audience.