![[Wamono] A roundup of popular 1970s Japanese dance songs and disco kayō](https://i.ytimg.com/vi/_SOD0mDNmtE/sddefault.jpg)
Speaking of the 1970s, it was also an era overseas when danceable music like funky soul and disco rose to prominence, giving birth to many history-making hits.
In Japan, too, many who spent their youth in those days probably have memories of hitting the dance floor night after night to the big hits.
This time, we’re focusing on Japanese music from the ’70s that reflects the influence of soul and disco—introducing both smash hits and hidden gems that later became known as “Wamono” and gained popularity among DJs.
Young music fans interested in city pop and disco kayō, be sure to check these out!
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[Wamono] Popular 70s Japanese Dance Songs and Disco Kayō Summary (1–10)
YOUNG MAN (Y.M.C.A.)Saijō Hideki
Hideki Saijo covered the Village People’s classic that sparked the disco boom from the late ’70s to the ’80s.
Released in February 1979, this song topped the Oricon Singles Chart for five consecutive weeks and became a huge hit, selling 1.808 million copies.
Its message—“Cheer up” and “When you’re young, you can do anything”—surely resonated with the youth of the time.
The choreography was distinctive too, with a performance that used the whole body to form the letters Y, M, C, and A, drawing the audience in.
It’s a recommended track not only for disco fans but also for anyone interested in ’70s music.
Sing it at karaoke and it’s guaranteed to get people of all ages excited!
Sexual Violet No. 1Kuwana Masahiro
Selected as the campaign song for Kanebo Cosmetics and created by two of the era’s leading hitmakers—lyrics by Takashi Matsumoto and music by Kyohei Tsutsumi—this track showcases Masahiro Kuwana’s captivating husky voice and soaring high notes.
The lyrics convey a passionate, sensual image and are notable for their use of color.
Through expressions like “the red of passion” and “the blue of melancholy,” they skillfully portray the complexities of love and desire.
It became a major talking point when it beat out Godiego’s “Galaxy Express 999,” which had held the top spot on The Best Ten for eight consecutive weeks, to take number one.
It’s also a great pick for anyone looking to heat up the dance floor.
bulldogfoorību su
Even Johnny & Associates, now a major talent agency with many popular stars, began with the four-member group Four Leaves as its starting point.
As a sing-and-dance male idol group, Four Leaves enjoyed overwhelming support from young women.
The late 1970s was a period when, moving on from the folk-song era, dance-music-style idols gradually became accepted.
Bulldog’s dance, which used rubber bands, was groundbreaking.
Casablanca Dandysawada kenji
Although Kenji Sawada, a defining artist of the 1970s, still has a catalog full of great songs, this piece is one of his most popular.
With a title that evokes the film Casablanca and a star-studded team—lyrics by Yū Aku and composition/arrangement by Katsuo Ōno—it was released in February 1979 and stirred up the music scene, even hitting No.
1 on The Best Ten.
The lyrics, which convey the complexities of relationships between men and women and a nostalgia for bygone days, gain even more allure through Sawada’s delicate yet passionate vocals.
Blending dandyism with chic, this track is perfect when you want to create a sophisticated mood.
Sing it at karaoke, and you might just transform into a dandy in an instant!
Sexy Bus StopAsano Yūko
A song sung by Yuko Asano that strongly reflects the influence of 70s soul and disco.
Set at a bus stop filled with memories of her lover, it portrays a woman’s aching emotions as she mourns a lost love.
Released in April 1976, it peaked at No.
12 on the Oricon singles chart.
It was even treated as a Western-style track, earning spots on domestic programs that ranked Western music, a testament to its popularity.
Created by the powerhouse duo of Kyohei Tsutsumi and Jun Hashimoto, the song boasts a sophisticated sound that transcends the boundaries of idol pop.
Many listeners will likely relate to the image of a woman looking back on the past as the city lights fade, listening to music drifting from a jukebox.
A highly recommended track for young music fans interested in Japanese “wa-mono,” too!
Disco galAsahina Maria
Asahina Maria’s debut single, released in 1979 at the height of the disco boom.
Its rhythmic sound, which fuses disco and soul, is captivating.
With striking synthesizers and a groovy bassline, the track embodies the spirit of youth culture at the time and a longing for free self-expression.
Featuring lyrics by Michio Yamagami, composition by Koichi Sugiyama, and arrangement by Harvey Mason, it boasts a stellar creative team.
The B-side includes “Kirisame no Ato de,” arranged by Ryuichi Sakamoto, showcasing a wide musical range.
A recommended listen for anyone wanting to experience ’70s disco culture, as well as younger music fans interested in city pop.
Cutie HoneyMaekawa Yōko
Sung by Yoko Maekawa, this song is a classic anime track that gained popularity alongside its lively dance.
Its sexy vocals and striking opening line leave a strong impression, and the unforgettable melody sticks with you after just one listen.
Used as the opening theme for a TV anime broadcast starting in 1973, it was loved by a wide audience beyond the realm of girls’ anime.
The piece reflects the protagonist’s free-spirited and brave nature, capturing the fresh emotions of youth.
Released in April 2008, this version has been featured across various media, including anime remakes and live-action films.
Many people still remember the nostalgic choreography, making it a guaranteed hit at dance parties and wedding performances.