Revival among the youth? Japanese dance music that was a hit in the 1980s. Showa-era dance tracks.
Due to American influence, in the 1980s Japan also saw dance music that heavily used drum machines and synthesizers become popular as it was incorporated into pop and other genres.
Behind the scenes, a wealth of superb, funky disco tracks were produced in large numbers, many of which remain timeless classics still talked about today.
In this era of retro revival, why not listen to the dance music that was in vogue in the ’80s?
For those who spent their youth back then, it will sound nostalgic; for generations who didn’t experience the era, it will sound fresh and new!
In this article, we’ve selected recommended dance tracks from that time.
Enjoy!
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Revival among the youth? Japanese dance music hits from the 1980s: Showa-era dance tracks (31–40)
HeartbeatFujiwara Miho
This track fuses energetic synth-pop with funk.
Released by Miho Fujiwara in 1986, it portrays a sophisticated, urban woman and expresses the passion of romance.
The pounding of the heart and the sway of emotions amid the city’s bustle are conveyed through powerful vocals.
It was also used as the ending theme for the anime “California Crisis,” marking a turning point in Fujiwara’s career.
It’s a perfect song for anyone who wants to feel the thrill of love and the vibe of urban life.
FriendsRebekka
This song features an uptempo dance-rock sound with heavy use of synthesizers and the captivating, transparent vocals of NOKKO.
Written based on bittersweet heartbreak experienced in adolescence, it boasts a distinctive, dynamic melody that makes it highly addictive.
Released as a single in 1985, it was used as the ending theme for the Nippon TV drama “Half Potato na Oretachi,” reaching No.
3 on the Oricon weekly chart.
In the late 1990s, a new remix version was produced as the theme song for the Fuji TV drama “Lipstick,” winning overwhelming support from a younger generation.
It’s perfect for nighttime drives or moments when you want to reminisce about youthful memories, and its positive message, which blows away feelings of heartache, is deeply moving.
Flashy!!!Nagayama Miho
This track layers Miho Nakayama’s powerful vocals over an uptempo dance tune woven from synthesizers and drum machines.
Released as a single in July 1987, it became a hit, peaking at No.
3 on the Oricon Weekly Singles Chart.
With lyrics by Yasushi Akimoto, music by Tsugutoshi Goto, and arrangement by Motoki Funayama, it brilliantly fuses ’80s synth-pop with glamorous dance music.
Although it had no commercial tie-ins, its captivating performance and vibrant sound won over many fans.
Featuring an energetic melody and positive lyrics, it’s perfect for dance parties or driving.
It’s a great pick both for those who spent their youth in the ’80s and for listeners who want to enjoy a fresh take on a retro sound.
MasqueradeShonentai
Beginning with an innovative 5/4-time intro, this song portrays the true emotions lurking behind human relationships through the scene of a masquerade ball.
The repeated English phrases give it a powerful drive that awakens inner passion.
Released in December 1985, it marked the group’s first appearance at the 37th NHK Kōhaku Uta Gassen the following year.
The staging on the TV program “The Best Ten” also drew attention, proving the high caliber of the performance.
It’s a track distinguished by Shonentai’s sharp dance and acrobatic moves.
Into The NightNarita Masaru
This is a classic disco track by Masaru Narita.
Released in April 1987, it was also used in a Sea Breeze commercial.
The lyrics, which capture the sparkle of the bubble-era ’80s and the fun of nighttime, leave a strong impression.
It features a light, upbeat rhythm and a catchy melody, incorporating elements of Eurobeat.
For those who experienced the disco culture of the time, this song is sure to evoke nostalgia.
The Eurobeat vibe will have you moving before you know it.
It’s also recommended for anyone interested in ’80s music.
Revival among the youth? Japanese dance music hits from the 1980s. Showa-era dance tracks (41–50)
The heart won’t come back.Hayami Yū
The song from Yū Hayami’s fifth year after her debut is striking for its strength in trying to overcome the pain of a breakup.
It’s a kayōkyoku track infused with synth-pop elements that brightened Japan’s late-1980s music scene.
Released in March 1987, it also drew attention on the TBS music program “The Best Ten.” It’s a cover of a German female singer’s song, packed with the unique cosmopolitan charm that defines Yū Hayami.
With a rhythm and beat that make you want to dance, its performance aspect is also captivating.
It’s a warm song that gently encourages those trying to face forward while carrying the pain of heartbreak.
Love is Do!Tahara Toshihiko
Among Toshihiko Tahara’s songs from the early ’80s, this might be the one whose dancing made the biggest impact.
He performs with a dance group called Japanese in the back, and the sharpness—including theirs—is excellent.
In this song, there’s also one member in charge of a puppet, which became quite a talking point.