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[Nostalgic Hits] Popular Japanese dance music songs that were hits in the 1990s

The 1990s saw music genres become even more fragmented than in the ’80s.

Singer-songwriters, rock bands, idols, R&B musicians—there are so many that you almost run out of fingers just listing the ones that come to mind.

Perhaps for that reason, it was around then that calling people active in the music scene “artists” really became standard.

Amid all that, as computers advanced, so-called programmed (electronic) sounds also grew steadily more prominent.

With that in mind, let’s listen to some slightly nostalgic Japanese dance music!

[Natsumero] Popular Japanese Dance Music Hits from the 1990s (21–30)

TimingBurakku Bisukettsu

Released in 1998 as Black Biscuits’ second single.

Black Biscuits is a unit formed on the NTV show “Ucchan Nanchan no Urinari!!”, and the single became a million-seller, marking their highest sales.

Incidentally, in member Vivian Hsu’s home country of Taiwan, it was released under the title “Timing” (Chinese: 時機).

Longing, poignancy, and strength of heartShinohara Ryoko with t.komuro

Ryoko Shinohara with T. Komuro / It’s Love, It’s Sorrow, It’s Strength (2023 Music Video)
Longing, poignancy, and strength of heartShinohara Ryoko with t.komuro

Released in 1994, this song was chosen as the theme for the popular animated film Street Fighter II: The Movie.

Its lyrics, which straightforwardly express “hope” and “trust” for a loved one, blend beautifully with a melody that resonates deeply.

Tetsuya Komuro’s outstanding production and Ryoko Shinohara’s powerful yet delicate vocals make for a superb collaboration.

Upon release, the song sparked a major response and reached No.

1 on the Oricon charts, becoming one of Shinohara’s signature tracks beloved across generations.

It’s an ideal pick not only for those who remember that era, but also for anyone who enjoys powerful dance music.

[Nostalgic Oldies] Popular Japanese Dance Music Hits from the 1990s (31–40)

Festival Ninjaninja

Ninja – Festival Ninja [Good Audio]
Festival Ninjaninja

Released in 1990 as Ninja’s debut single.

The song incorporates parts of Hibari Misora’s 1952 release “Omatsuri Mambo,” adding a new melody and lyrics.

It won the Best New Artist Award at the 32nd Japan Record Awards and also the Best New Artist Award at the 19th FNS Music Festival, becoming one of Ninja’s signature tracks.

Bloom proudly, oh my beloved feelingsWink

It was released in 1993 as Wink’s 19th single.

The song was used in a Shiseido “Premier” commercial featuring the duo themselves, and, as of now, it is the last Wink single to reach the Top 10 on the Oricon charts.

The lyrics were written by Maki Ohguro and the music composed by Tetsuro Oda, who later recorded a self-cover.

YELLOW YELLOW HAPPYPocket Biscuits

Released in 1996 as Pocket Biscuits’ second single.

Although it never reached the top three on the weekly Oricon chart, it enjoyed a long run, sold over a million copies, and became Pocket Biscuits’ biggest hit.

AS TIME GOES BYhiro

hiro – AS TIME GOES BY -LIVE- Summit Music Fest
AS TIME GOES BYhiro

Hiroko Shimabukuro, who made headlines when she debuted in elementary school as a member of the Okinawa-born dance and vocal group SPEED, began her music career under the name hiro after the group disbanded.

“AS TIME GOES BY” is a cover of a song by the girls’ unit HIM-egg, released in 1999 as her first solo single.

It was also used as the theme song for the TV Asahi drama “Heaven’s Kiss,” in which she appeared, and became her biggest solo hit.

Her vocal prowess stood out during her time with SPEED, but this song overflows with the even more evolved charm she developed as a solo artist—be sure to give it a listen!

DEPARTURESglobe

globe / 'DEPARTURES' (Starring: Ayaka Miyoshi)
DEPARTURESglobe

The fourth single by globe, released in 1996.

The lyrics evoke a snowy landscape and a world colored by memories of a lover who’s no longer here, and KEIKO’s clear, beautiful high notes only heighten the sense of yearning.

Listening now, it makes me feel like I could slip back to those days—carrying fragile dreams and pain while imagining an endlessly beautiful future.

In the ’90s, when the internet wasn’t yet commonplace and uncertainties were many, everyone fell for Komuro’s songs with their sky-piercing high melodies—and I think I finally understand why.