Easy-to-sing recommended songs by back number [for karaoke song selection]
With their uniquely striking perspectives, Iyori-san’s distinctive style, universal messages, and love songs—back number is a band that has released countless masterpieces that resonate with people’s hearts.
Many of you probably sing their songs at karaoke, or are thinking about giving them a try.
In this article, we’ll introduce selections from their catalog that are relatively easy, as well as songs that are approachable for singers of any gender.
Be sure to focus on the narrower vocal range and familiar melodies, and pick a song you can sing comfortably and enjoy.
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Singable Recommended Songs by back number [For Karaoke Song Selection] (21–30)
Sing of springback number
A track from back number’s first mini-album, released in February 2009.
Perhaps because it’s from their indie era, it has less of that polished “pro” feel compared to their current vocals, so even people who aren’t confident singers should find it easier to try.
There are parts where you’ll need to switch to falsetto, but if that’s tough, try lowering the karaoke key a bit.
More than singing perfectly, the most important point for making it sound good is to focus on conveying the song’s world and atmosphere.
Setagaya Love Storyback number
Setagaya Love Story, the closing track of their fourth album to date, Love Story.
Its lyrics—portraying a man who can’t quite take that final step—have resonated with many, and did you know a short film based on the song has also been produced? The familiar, easy-to-remember melody rides on an ensemble with a sense of depth, making it great for karaoke.
The vocal range isn’t wide, so even those who aren’t confident singers can pour their feelings into it.
It’s a bittersweet number that any man will likely be able to vividly picture as a story.
tenderback number
One song that lets you feel their early musical style, “tender.” This track encapsulates the early hallmarks of back number with its loud sound and arrangement.
Some listeners may feel put off by intense-sounding songs.
While it’s true that the track maintains a loud feel throughout, the vocal line itself is quite simple.
There aren’t drastic pitch jumps, so as long as you can hold your long tones, anyone can sing it.
If you want to sing it even better, raise the key by one or two steps so that a natural shout comes out in the higher range.
Happy Endingback number
The 16th single “Happy End,” chosen as the theme song for the film “My Tomorrow, Your Yesterday,” features lyrics brimming with the bittersweet emotion that could be called back number’s true essence, likely resonating deeply with many listeners.
While the key is high, the vocal range is narrow, so if you set a key that suits you at karaoke, you can sing it comfortably.
However, since a high falsetto appears toward the end, be sure to account for that when setting the key and take care not to go off pitch.
Supporting Actress Syndromeback number
The back number classic “Supporting Actress Syndrome,” notable for its downer mood.
While back number has many heartwarming songs, this one is arranged with a somewhat downbeat, decadent atmosphere.
Even so, it’s also an easy song to sing.
There’s a single falsetto part in the chorus, but it’s not very long, so it’s by no means difficult.
However, since the song features many long notes, be sure to use diaphragmatic breathing so you can take in enough air between phrases.
Sundayback number
The 5th single “Sunday,” used as the theme song for the TV drama Soup Curry starring TEAM NACS—well-known for all being from Hokkaido—features an arrangement highlighting strings and lyrics that warm the heart by depicting the love found in everyday moments.
While the melody generally stays within a narrow range, be mindful of the leaps in pitch in the chorus, where falsetto comes into play.
With its friendly, accessible melody, it’s a song that feels great to sing at karaoke and offers healing through its emotional message.
thenback number
The hidden gem “then” by back number.
These days, back number tends to focus on warm, ballad-centric songs, but at the time this track was released, their sound was put together with a louder, rock-oriented taste.
This song is no exception, finished with a somewhat rough-edged feel.
With a rougher arrangement, the vocalist’s timbre becomes important; at the same time, since this style can more easily disguise imperfections, there’s no need to match pitch with extreme precision.
If anything, prioritizing the vibe and weaving in effective shouts will likely make it sound better.