[Low End] A Collection of Japanese Songs Featuring Standout Bass Solos [2026]
“I love bass that resonates in my ears and body.” If you’ve found your way to this article, that’s probably you.
Once you get hooked on bass, its charm is impossible to escape.
It supports the whole track, yet sometimes steps forward to nail the moment—welcome to the mesmerizing world of low end.
In this article, we’ve gathered a rich selection of Japanese songs—from the latest releases to timeless classics—where bass takes the spotlight, including tracks that feature bass solos and tunes where the bass holds the key throughout.
Take your time and savor the allure of bass.
And if you play bass yourself, this is the perfect chance to try covering these songs!
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[Bass] A Compilation of Japanese Songs Featuring Standout Bass Solos [2026] (51–60)
ROCK’N’ROLL SWINDLEGLAY

A song by GLAY, a band that has set countless milestones in Japan’s rock scene within J-POP and continues to be highly active today.
The title carries the meaning, “Maybe we were fooled by rock ’n’ roll, but we love it, so we’ll keep doing it,” and it’s a full-on GLAY rock tune that moves from a hysterical guitar intro into a brisk, exhilarating arrangement.
The bass solo, woven with powerful sound, serves to propel the guitar solo that follows.
It’s a track that showcases GLAY at their core, where the surging bass and catchy melodies intertwine to superb effect.
LET IT DIEMY FIRST STORY

A dynamic and dramatic hard rock track that opens with a punchy bass slap.
It’s a song by the popular band MY FIRST STORY, known for hits like “I’m a mess.”, and it’s included on their first mini-album “ALL LEAD TRACKS,” released in 2017.
The earnest lyrics—depicting a farewell to someone precious—leave a strong impression, creating a striking contrast with the powerful sound.
It feels like overflowing emotions have been directly transformed into music.
Born to benano

This is the fourth single by nano, a singer-songwriter who originally lived in the United States and came to Japan aiming to become an anisong singer after being inspired by the TV anime Fullmetal Alchemist.
The track was used as the ending theme for the TV anime Magical Warfare, and its contrast between cool rap over a heavy rock sound and a fast, catchy chorus really amps up the energy.
The hard-edged slap sound heard in the intro and interlude, as well as the melodic solo backed only by bass with no other instruments, showcase the wide expressive range of the bass guitar.
It’s a number that reaffirms the appeal of the bass—holding its own even within an ensemble that features vocals and guitar.
New WorldL’Arc〜en〜Ciel

TETSUYA, the leader of L’Arc-en-Ciel, has influenced many musicians with his innovative playing that defies conventional bass norms.
If you think of the bass primarily as a rhythm instrument, TETSUYA’s bass playing will be nothing short of astonishing.
He has produced numerous outstanding bass solos, and the piece featured here is the 26th single, “New World,” released in 2005.
With lyrics by yukihiro and music co-written with Hyde, the song is notable for its soaring, exhilarating chorus, and in the middle you can enjoy a quintessential TETSUYA-style bass solo that makes masterful use of high positions.
maximum the hormoneMakishimamu Za Horumon

With a high degree of musical freedom unconstrained by conventional rock ensembles and a heavy band sound that electrifies audiences live, Maximum the Hormone’s tracks stand out.
This song, included on their 9th single “Greatest the Hits 2011–2011,” bears the band’s self-titled name.
The bass solo woven into the whirlwind of shifting arrangements functions both as an interlude and as backing within the complex song structure.
Even while packing a variety of elements into a single track, it’s quintessential Maximum the Hormone—an apt work to carry the self-titled banner.



