Karaoke songs recommended for college students that are easy to sing even for people who are tone-deaf
When it comes to college students, drinking parties and karaoke for the after-party are classics for having fun.
However, many of the songs popular in Japan nowadays are heavily influenced by K-pop and R&B, which makes them difficult to sing.
To help with that, we’ve picked out songs that are easy to sing even for college students who aren’t confident in their singing.
We also explain vocal techniques, so this is recommended for those who struggle with their voice.
In addition to timeless classics, we introduce the latest tracks as well, so be sure to read through to the end and use this as a thorough reference!
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Karaoke Songs Recommended for College Students That Are Easy to Sing Even for the Tone-Deaf (21–30)
Lemon piemakaroni enpitsu
With a tempo of 102, Macaroni Enpitsu’s “Lemon Pie” is characterized by being easy to catch the rhythm—not too fast and not too slow.
The overall vocal range of the song is D3 to A#3, which is relatively narrow for a male song.
The verses (A-melo to B-melo) are sung in a conversational style, so you don’t need to worry too much about precise pitch.
The beginning of the second verse is rap-like, and as long as your words lock into the rhythm there, it shouldn’t be a problem either.
If you keep humming the chorus over and over, you’ll likely find it very singable.
For the chorus, try practicing with humming.
The key is to hum lightly without engaging your throat too much.
KANPAI FUNKWada Akiko
Akiko Wada, a female singer who defined an era with her powerful vocals.
Even if you don’t know her as a singer, many university students may know her as a TV personality.
Her new song, “KANPAI FUNK,” is a funky track that maintains a groovy feel throughout.
Because of that, it’s hard to make it a good performance without a solid sense of rhythm.
On the other hand, there are fewer long sustained notes, so overall it can be considered a relatively easy song to sing.
Suzume feat. ToakaRADWIMPS
The song “Suzume feat.
Toaka,” released as the theme for the film Suzume, is a grand and beautiful piece that emphasizes its worldbuilding.
Even in 2023, it continues to enjoy enduring popularity, and the key point of this track is, above all, the pitch.
Compared to typical pop music, the arrangement is extremely restrained.
As a result, even slight pitch deviations can ruin it.
However, since techniques like vibrato or ad-libs aren’t used, you could say the difficulty of the vocal line itself is relatively low.
Sorry for Being Cute feat. ChuutanHayami Saori
The song “Kawaikute Gomen feat.
Chuutan,” which has been getting attention for being “calculatedly cute,” is one you hear almost daily on YouTube and TikTok.
It’s very easy to sing even for people who are tone-deaf, as it’s composed with a relatively narrow vocal range.
If anything, the “chu” part is the tricky bit.
That’s the highest note, but it’s better to sing it with playful, over-the-top charm and passion rather than worrying about pitch.
It’s a song that gets big reactions—for better or worse—so if you’re a female college student, definitely practice it and try it at karaoke.
You As You Are (Prod. @thekontrabandz)Centipede & Rhyme Man
Rappers Inman and Mukade are making big waves in the MC battle scene.
If you like battles, you definitely know these artists.
Their track “Kimi no Mama (Prod.
thekontrabandz)” is their new song, and it became a huge hit in 2023.
Musically, it’s classic hip-hop that paints a picture of youth, with a soft, wistful vibe throughout.
As for the rap flow, it’s not particularly complex, so even those who aren’t good at firing off fast, tightly rhymed lines should find it easy to perform.
SeventeenYOASOBI
YOASOBI is a duo that has gained popularity for their electro-pop-centered sound—a unit every college student is familiar with.
Their new song, Seventeen, is a fresh release from them.
Unlike their usual style, this track has a gothic atmosphere.
The overall tone leans more toward Vocaloid, but it’s not as complex as typical Vocaloid songs, so even college students who aren’t confident singers should find it easy to sing.
If you can’t produce a clear, pure tone, be careful not to get overly influenced by Ikuta Lila’s voice.
Overdosenatori
Overdose, Nat(s)ori’s signature song with an impressive languid vibe.
The piece maintains a downer mood throughout, so the high parts are intentionally kept restrained.
Falsetto does appear, but it’s not used because the notes are high; it’s a deliberate stylistic choice.
So if you’re not comfortable with falsetto, singing those parts in chest voice is totally fine.
Whispery vocals sound cool on this track, but overdoing it can come off as narcissistic, so keep that in mind when you sing (lol).