The golden age of Japanese comic bands: A historical journey to enjoy the masterpieces once more.
A Japanese comic band where music and comedy are exquisitely harmonized.
From Hachiji Hana and the Crazy Cats, through Frankie Sakai & The City Slickers, to The Drifters, the golden era captivated many with solid musicianship and skillful gags.
A history of comic bands that expanded their stage from vaudeville and variety halls to television and the record market, achieving a unique evolution.
Alongside nostalgic classics, we invite you into a special world woven from laughter and music.
- A Compilation of Hilariously Silly Songs [Humor]
- [Representative Comic Songs] Hilarious! Recommended Songs That Will Give You Energy
- [Gag Songs] Laugh-Out-Loud! A Roundup of Japanese Comic Songs
- Hilarious: Funny songs. Tracks that kill at karaoke and put a smile on your face.
- [Ska Punk / Ska Core] A Roundup of Japanese Ska Bands
- Popular female vocal band [2026]
- Band songs that get the crowd going by genre
- Charm overload! A roundup of Japanese three-piece bands (perfect for cover bands, too!)
- A melancholic “yami” song that was a hit in the 2000s. A bittersweet track.
- A song with a bright vibe but heartbreaking lyrics—a moving track that really hits you with its contrast.
- Get the Laughs! Funny Karaoke Songs That Hype Up the Crowd
- The Drifters’ Popular Songs Ranking [2026]
- A special feature on classic and hit songs by bands that were active in the 1980s
Japan’s golden age of comedy bands: A historical journey to enjoy the masterpieces once more (21–30)
Dancing good-for-nothingKinniku Shoujo Tai
Formed around vocalist Kenji Ohtsuki and bassist Yuichiro Uchida, they made their major-label debut in 1988.
Alongside highly literary lyrics, they also released gag-style songs, elevating them to a popular band.
Incidentally, the chorus of this song is a parody of the theme song from the anime “Dame Oyaji.”
Goodbye, Humanitytama
They appeared on “Ika-ten” in 1989, and their distinctive musical style quickly became a hot topic both inside and outside the industry, a phenomenon dubbed the “Tama phenomenon.” After making their major-label debut in 1990 with “Sayonara Jinrui” (Goodbye, Humanity), member Yoichiro Yanagihara left at the end of 1995, and the group sadly disbanded in 2003.
Even ugly people have their own way of living.marichanzu
A three-person group active in the mid-1970s during the folk song boom.
Their songs mainly dealt with underground themes that, for ethical reasons at the time, couldn’t be broadcast.
Two of the members later formed Fujioka Fujimaki, who released “Ponyo on the Cliff by the Sea” in 2008.
Japanese rice is the best in the world.Uchikubi Gokumon Doukoukai
A three-piece rock band that captivates many music fans with a style blending distinctive humor and a heavy sound.
Formed in 2004, Uchikubi Gokumon Doukoukai features an unusual lineup with a male guitar-vocalist and a female rhythm section, exploring a wide range of styles including rock, punk, and metal.
Since releasing their nationwide album Shominha Bakudan-san in 2009, they’ve become known for songs themed around everyday happenings and food, and in 2018 they successfully headlined a solo show at the Nippon Budokan.
Eschewing a major-label debut and remaining independent, they’ve gained broad support with their powerful sound built on 7-string guitar and 5-string bass, paired with approachable lyrics.
They also actively engage with fans through content on YouTube and other channels.
Mr. Bear in the Forest, THE ALFEE VersionPokasukajan
A three-man boys group (a comedy music unit) belonging to WAHHAHA-Hompo.
In this video, they perform a “Merry Ann”-style version of “The Bear in the Forest” in front of THE ALFEE’s Konosuke Sakazaki, a known fan of comic songs.
The audience—and even Sakazaki himself—burst into laughter.
New Obake no Q-TaroModan Choki Chokizu
They made their major debut in 1992.
A funk band that gained popularity with festival-like performances full of comic elements, spanning everything from Showa-era kayōkyoku to anime songs.
Commonly known as “Modachoki.” The vocalist, Mari Hamada, is currently active as an actress and narrator.
Company Song of Drill King, 2001Denki Gurūvu
Although now active on a global scale, when Denki Groove made their major-label debut in 1991, what drew attention were their gag-filled performances and provocative lyrics.
Among their work, their self-run “Drill King” label, launched in 1994, was the most extreme example.
The video is a 2001 promo for a new release.