RAG MusicPiano
A web magazine to help you enjoy the piano even more

It’s so cool if you can play these on the piano! A selection of irresistibly charming masterpieces.

When you think of piano pieces, many people probably picture classical works, right?

But nowadays, not only classical music—J-POP, anime songs, and all kinds of tracks—are performed on the piano, and “I tried playing it” videos are gaining attention on social media and video platforms.

Some of you might be enjoying watching these videos every day, surprised to find, “Wow, this song actually goes really well with the piano!”

So this time, we’ve picked out songs that would look seriously cool if you could play them on the piano!

Alongside timeless classical masterpieces, we’ll also introduce the latest hit songs that sound great on piano.

If you’re thinking, “I want to wow everyone with my piano performance!”, be sure to use this as a reference!

It’s so cool if you can play these on the piano! A selection of irresistibly charming masterpieces (61–70)

Rhapsody on a Theme of Paganini in A minor, Op. 43, Variation 18Sergei Rachmaninov

S. Rachmaninoff (arr. Jojiro Hirai) / Rhapsody on a Theme of Paganini, Variation 18: Andante Cantabile / Hiromi Arisaki (Pf.) [OPUS Vol. 03]
Rhapsody on a Theme of Paganini in A minor, Op. 43, Variation 18Sergei Rachmaninov

One of Sergei Rachmaninoff’s signature works, Rhapsody on a Theme of Paganini, is a set of variations on the theme from Caprice No.

24 by the legendary Italian violinist-composer Niccolò Paganini.

Comprising the theme and 24 variations, the piece’s 18th variation is often performed on its own and is frequently used as background music in films.

Although it is quite a difficult work, you’re sure to be captivated by its wistful, sweetly lyrical melodies from the very first stages of practice.

Give it a try!

Hungarian Rhapsody No. 2Franz Liszt

Liszt – Hungarian Rhapsody No.2 -Piano- CANACANA
Hungarian Rhapsody No. 2Franz Liszt

Hungarian Rhapsody No.

2 by Franz Liszt—the piano wizard who composed numerous fiendishly difficult pieces requiring transcendental technique—is no exception in its level of difficulty, and even professional pianists often struggle to perform it.

Beginning with a weighty atmosphere and gradually growing more brilliant, it is truly breathtaking.

Its bright, beautiful melodies and powerful rhythms have captivated piano students and enthusiasts for many years.

Mastering it demands considerable practice, but by all means, enjoy its dramatic world as you take on the challenge!

Midnight Fire FestivalHirayoshi Takeshu

[Rehearsal] Jeans Hall just before the recital (Takekuni Hirayoshi: The Midnight Fire Festival) [Kojima Civic Exchange Center]
Midnight Fire FestivalHirayoshi Takeshu

This is a solo piano piece by the passionate Japanese composer Tokiyuki Hirayoshi, evoking scenes of blazing flames.

Its dynamic, intense sonorities and meticulously crafted articulation are beautifully balanced, depicting sparks of fire soaring into the night sky.

The unique irregular meters create a compelling sense of motion, while rhythm patterns reminiscent of Spanish dance elevate the listener’s spirit.

Selected as a required piece for the 2024 PTNA Piano Competition, it is increasingly recognized as a work that supports technical development for piano learners.

Though cast in a minor key, it conveys a vigorous energy without darkness, offering a refreshing exhilaration—like a dance of the heart—when heard on a hot summer night.

Champion CynthiaMasuda Junichi

[Piano] I tried playing Cynthia’s battle theme from Pokémon Diamond and Pearl [Pokemon Shirona Battle]
Champion CynthiaMasuda Junichi

A powerful piano melody rings out, unfolding into a grand piece brimming with tension and exhilaration.

The work’s melody carries a fierce sense of speed that symbolizes strength and dignity, stirring the hearts of listeners.

Released in 2006, it has remained deeply etched in many people’s memories as music that heightens the intensity of heated battles.

It is favored in a variety of events and scenes, and is even used as wedding background music.

While it demands dazzling, impactful performance technique, it also allows for rich expressiveness.

As a piece that fully showcases the piano’s charm, it is an excellent choice for recitals and concerts.

Piano Sonata No. 8 “Pathétique,” Second MovementLudwig van Beethoven

Piano Sonata No. 8 “Pathétique” Second Movement – Beethoven — Beethoven – Pathétique Piano Sonata No. 8 Op. 13-2 – Classical Piano – CANACANA
Piano Sonata No. 8 “Pathétique,” Second MovementLudwig van Beethoven

Characterized by a gentle, song-like melody, this piece unfolds at a relaxed tempo in A-flat major and 2/4 time.

Structured in ternary form, it draws out a lyrical charm through the recurring, simple yet emotionally rich main theme.

Beyond its evocative use in the film “Immortal Beloved,” its melody is also quoted in Billy Joel’s “This Night,” reflecting a crossover with pop music.

While expressive and richly nuanced, the work is not overly demanding technically, making it suitable even for upper elementary school recital programs.

Its calm atmosphere belies its musical depth, making it an ideal choice for those who wish to study music earnestly.

Songs Without Words, Book V, Op. 62, No. 6, Spring SongFelix Mendelssohn

Spring Song (Mendelssohn) – Lieder ohne Worte, Op. 62, No. 6 in A major – Spring Song
Songs Without Words, Book V, Op. 62, No. 6, Spring SongFelix Mendelssohn

Felix Mendelssohn’s masterpiece, “Songs Without Words, Book 5, Op.

62, No.

6, Spring Song.” The charm of this work lies in its exquisitely refined, beautiful melody and the left-hand arpeggios that evoke a warm spring breeze.

While the overall difficulty is not particularly high, it is by no means easy to play the melody smoothly while accurately catching the leaping notes in the left hand.

Don’t just line up the notes—practice with an eye toward the delicate beauty characteristic of Mendelssohn’s works.

From Eight Concert Etudes: No. 8 “Finale”Nikolai Kapustin

This classical piano piece skillfully incorporates elements of jazz, resulting in a highly effective work brimming with power and energy.

A forceful first theme grounded in eighth notes intertwines beautifully with a softer second theme, all framed in a brilliant sonata form.

Composed in 1984, the piece features complex rhythmic structures and rapid passages that demand advanced technique, yet it also conveys the lightness and freedom characteristic of jazz.

Combining classical virtuosity with jazz-like rhythmic sensibility, it is sure to captivate audiences in a recital.

While it requires substantial practice time, it is an ideal choice for advanced players who wish to present a dazzling, audience-pleasing work.