RAG MusicPiano
A web magazine to help you enjoy the piano even more

It’s so cool if you can play these on the piano! A selection of irresistibly charming masterpieces.

When you think of piano pieces, many people probably picture classical works, right?

But nowadays, not only classical music—J-POP, anime songs, and all kinds of tracks—are performed on the piano, and “I tried playing it” videos are gaining attention on social media and video platforms.

Some of you might be enjoying watching these videos every day, surprised to find, “Wow, this song actually goes really well with the piano!”

So this time, we’ve picked out songs that would look seriously cool if you could play them on the piano!

Alongside timeless classical masterpieces, we’ll also introduce the latest hit songs that sound great on piano.

If you’re thinking, “I want to wow everyone with my piano performance!”, be sure to use this as a reference!

Cool if you can play them on piano! A pick of irresistibly charming masterpieces (21–30)

Piano Sonata No. 0 “Sōmei”Kakuno Hayato

Piano Sonata No. 0 “Sōmei (Resonance)”
Piano Sonata No. 0 “Sōmei”Kakuno Hayato

Hayato Sumino, a pianist attracting attention as part of a new generation, captivates many music fans with works that fuse classical technique with a contemporary sensibility.

This piece, while employing sonata form, is an ambitious work that incorporates improvisational elements and free expression.

Its grand sonorities, reminiscent of Rachmaninoff, blend beautifully with a fresh approach informed by jazz.

Released in December 2020, the piece encapsulates Sumino’s spirit of musical exploration and rich sensibility.

It is a work we highly recommend to those interested in new musical expressions that transcend the boundaries of classical music.

threadNakajima Miyuki

Tears falling in streams...!! When I gave my all performing the Japanese classic “Ito” [Thread]... [Miyuki Nakajima] [Street Piano]
threadNakajima Miyuki

A masterpiece by Miyuki Nakajima released in 1998.

It has enjoyed immense popularity, having been covered by many artists including Bank Band, and even inspiring the film Ito.

Its gentle melody, which seems to express two people supporting each other, has earned it widespread support, making it a wedding staple today.

Since the original sound is built around a tender piano tone, you can enjoy performing it entirely on the piano—including the vocal lines—while preserving the original atmosphere.

It’d be so cool to play on the piano! A selection of irresistibly charming masterpieces (31–40)

Etude Op. 10 No. 3 “Farewell”Frederic Chopin

Best 100 Classics Extreme: Hikaru Suzuki “Chopin: Farewell Waltz” MV
Etude Op. 10 No. 3 “Farewell”Frederic Chopin

Etude Op.

10 No.

3 by Frédéric Chopin, known as the “Farewell” (Tristesse) Etude.

Chopin composed 27 piano etudes that, in addition to technical elements, possess a high degree of artistry, and among them this piece is considered one of the most popular for its beautiful melody and approachable character.

Although it is relatively less difficult compared to other Chopin etudes, careful practice of fine techniques is essential.

At the same time, to avoid a mechanical performance that fixates solely on finger movement, it is advisable to focus on the smoothness of the melody and on conveying the shifts in character in the middle section.

Fantasy Pieces, Op. 3 No. 2: Prelude “The Bell”Sergei Rachmaninov

Piano 300th Anniversary — Hironao Suzuki: Rachmaninoff / Prelude “The Bells”
Fantasy Pieces, Op. 3 No. 2: Prelude “The Bell”Sergei Rachmaninov

Sergei Rachmaninoff’s celebrated piece Prelude “The Bells,” No.

2 from Fantaisie-Tableaux Op.

3, became widely known beyond classical music fans when figure skater Mao Asada used it for her free program in the 2009–2010 season.

Many listeners were likely captivated by its beautiful melody, which expresses deep sorrow and suffering with a sparing number of notes.

The contrast between the opening, shrouded in profound darkness, and the middle section—still in a minor key yet full of vitality—also contributes to its dramatic character.

To achieve a performance with real depth, it’s important not only to shape dynamics but to strongly imagine infusing the tone color itself with emotion.

Piano Sonata No. 14 “Moonlight,” First MovementLudwig van Beethoven

Moonlight Sonata 1st Movement Piano Sonata / Beethoven / Moonlight Sonata (1st Movement) / Classic Piano / Classical / CANACANA
Piano Sonata No. 14 “Moonlight,” First MovementLudwig van Beethoven

Beethoven’s Piano Sonata No.

14, known as the “Moonlight” Sonata, is one of his three great piano sonatas and a work that captivates many.

The first movement in particular is a famous piece that even people outside classical music circles often encounter.

From the delicate arpeggios of the introduction to the melody that tugs at the heartstrings, the opening has a power that draws listeners in.

While savoring the beauty of the shifting harmonies, perform with care, as if preserving the silence throughout.

Baby, God Bless YouSeizuka Shinya

Shinya Kiyozuka – Baby, God Bless You (New Arrangement ver.) (TBS Friday Drama “Kounodori” Main Theme)
Baby, God Bless YouSeizuka Shinya

Shinya Kiyozuka, a pianist known for his unique and approachable personality, is also active on television.

He drew attention at the 2020 NHK Kohaku Uta Gassen when he accompanied Aya Shimazu.

“Baby, God Bless You” was released in 2015 as the main theme for the TBS Friday drama “Kounodori.” Though it has no lyrics and consists solely of piano performance, it’s a heartwarming piece that moves people deeply.

It suits any scene, making it a great recommendation for performances at weddings and similar occasions.

Ode to Joy (arranged by Liszt)Ludwig van Beethoven

[Symphony No. 9, 4th Movement “Ode to Joy” Piano] Beethoven / Arr. Liszt
Ode to Joy (arranged by Liszt)Ludwig van Beethoven

This work is Franz Liszt’s solo piano arrangement of the final movement of Symphony No.

9, beloved as a year-end tradition.

Published in 1865 by Breitkopf & Härtel, the arrangement is an ambitious attempt to recreate the grandeur of orchestra and chorus on a single piano.

The original themes—imbued with ideals of humanism and universal brotherhood—are conveyed more intimately through the piano’s delicate timbres, offering both enveloping power and introspective depth.

Demanding a fusion of transcendental technique and spiritual insight, this piece showcases the piano’s expressive range; performed at a year-end house party or salon concert, it is sure to leave listeners deeply moved.