RAG MusicBand
A wonderful Japanese music band

CreepHyp’s greatest and most popular songs

Let me introduce some songs by CreepHyp, known for their characteristically feminine-sounding vocals.

Their high-pitched voice may be a matter of taste, but I feel their real appeal lies in their unique worldview.

In particular, the lead guitar riffs are incredibly beautiful and instantly pull you into CreepHyp’s world.

As for the origin of the name of their vocalist/guitarist, Seikaikan Ozaki: people used to say everywhere that “this band has a great worldview,” and because he disliked how vague the word “worldview” was, he decided to make it his own name so people would stop saying it.

Even so, I still think CreepHyp’s songs have that distinctly CreepHyp worldview, and it’s wonderful.

CreepHyp’s classic and popular songs (71–80)

kneading (bread dough); ‘ne’ (kneading) + ‘gaeri’ (turning over) — a bread-making technique of folding and turning the dough while kneadingkuriipuhaipe

This is a song included as the B-side to the fourth single, “Neguse” (Bedhead).

It’s a relaxed ballad with strikingly mature lyrics that evokes a bittersweet feeling.

There’s something about it that makes you want to perform it solo with just voice and instrument.

This is a cover video by a woman with an emotive singing voice.

forgotten itemkuriipuhaipe

Creephype “Wasuremono” Music Video
forgotten itemkuriipuhaipe

Created as the theme song for the film “Watashitachi no Haa Haa,” this track is a rock tune that feels like reclaiming something forgotten from our youth.

Unlike the more adult songs that are rare for CreepHyp, it’s a coming-of-age anthem that captures the transition from adolescence to adulthood.

blame the gray mankuriipuhaipe

[Mainan] Blame it on the Gray Man (CreepHyp) [Acoustic/solo rendition]
blame the gray mankuriipuhaipe

A song written, composed, and even sung by Kaonashi, the bassist.

On each album, there’s one track with Kaonashi on vocals.

The first time I listened, I didn’t notice the vocalist had changed because their voice tone is similar.

It’s a fan favorite.

CreepHyp’s classic and popular songs (81–90)

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Creephyp Radio Acoustic Cover [Tokyo Tyrol]
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This is a track from the sixth single, “Hyaku Hachi-en no Koi” (A 108-Yen Love).

Even among CreepHyp’s songs with intense lyrics, this one uses gentler expressions with less bite.

It’s a straightforward song that rides a laid-back sound to convey vocalist Seikaihan Ozaki’s love for radio.

This is a soft, female-cover version.

answerkuriipuhaipe

These are tracks from the indie album “When I was~.” Apparently, for this recording, the members were different except for Mr.

Ozaki.

Since the lineup was different, the sound has a distinct flavor as well.

The lyrics, where a couple speaks to each other in a quiz-like format, are particularly memorable.

faceless ghost (Noppera-bō)kuriipuhaipe

This is a track from the third album, “If We Can’t Be One, Then Let’s At Least Be Just Two.” The lyrics and composition were done by the bassist, Kaonashi Hasegawa.

It’s a song marked by a loneliness that evokes the feeling of dusk.

This is a lovely male cover video that slips right into your ears.

A brutally frank aquariumkuriipuhaipe

CreepHyp “A Matter-of-Fact Fish Tank (Live at Akasaka BLITZ, 2012/6/9)”
A brutally frank aquariumkuriipuhaipe

Creephyp is a four-piece rock band that has gained popularity with lyrics written from a unique angle and melodies with catchy hooks.

“Mimo Futamo Nai Suisou” (“A Tank With No Body or Lid”), included on their major-label debut album I Thought I’d Be Loved For the Rest of My Life Until I Die, leaves a powerful impression with its memorable guitar riff and poetry reading.

Many listeners will likely relate to the depiction of recalling past anger while trapped in a confined space.

It’s a rock tune with an invigorating, energetic ensemble that gives voice to pent-up, directionless rage.