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Lovely classics

Disney classics to enjoy in a classical arrangement: recommended popular songs

Disney animations, beloved by a wide range of ages from children to adults, give dreams and hope to everyone who watches them.

The music is no exception; it invites listeners into a world of dreams and captivates all who hear it.

Many of these classic songs from Disney animations and resorts have been arranged by numerous orchestras, pianists, and guitarists.

Here, along with the brilliance of the original pieces, we invite you on a musical journey through Disney’s masterpieces in fresh and varied arrangements.

Please enjoy until the very end.

Disney classics to enjoy in a classical arrangement: Recommended popular songs (11–20)

Alice in WondlerlandMasamura Megumi

Alice in Wonderland — Rachmaninoff-style Arrangement
Alice in WondlerlandMasamura Megumi

As the title suggests, this is the theme song from Alice in Wonderland.

Many songs appear throughout the film, but this might be the only one in the work that’s easy to listen to as a gentle, classical piece.

That Alice in Wonderland is

Tokyo Disneyland Electrical Parade DreamlightsTōkyō Firuhāmonī Kōkyō Gakudan/nebārando ōkesutora

This is a piece performed by the Tokyo Philharmonic Symphony Orchestra’s special ensemble, the Neverland Orchestra, used in Tokyo Disneyland’s night parade.

Released in 2001, it has seen many remakes and arrangements.

Rooted in classical music, it effectively incorporates synthesizers and electronic sounds, resulting in a grand and fantastical composition.

It expresses Disney’s magical worldview through music, characterized by a soundscape that fuses orchestra and electronic music.

This work appeals not only to Disney fans but also to music enthusiasts and orchestra lovers, and it is regarded as an iconic presence of Tokyo Disneyland.

Disney’s Fantillusion!Tokyo Disneyland

Disney’s Fantillusion.Tokyo Kosei Wind Orchestra.
Disney's Fantillusion!Tokyo Disneyland

We present a concert band arrangement of the theme song from Tokyo Disneyland’s nighttime parade “Fantillusion!” While “Electrical Parade” is now the standard when it comes to night parades, this former regular parade tune is still performed by many orchestras.

Its structure—divided into good and evil—and the instrumentation tailored to each section remain intact even in wind band arrangements.

This delightful piece is great fun to play, and performance scores were published in “New Sounds in Brass (NSB) Vol.

24.” It’s frequently performed by many school bands and community wind ensembles, so many of you have likely played it in concert or heard it live.

As Disney classics are presented one after another, if you can name them all, you can call yourself a certified Disney fanatic!

‘The Second Star to the Right’ from Peter PanMurakami Yuki

The Second Star from the Right: Beautifully Resonant Piano Solo – Disney Masterpieces Collection (Advanced) The Second Star to the Right / Peter Pan – Disney (piano cover)
‘The Second Star to the Right’ from Peter PanMurakami Yuki

This is the opening theme of Peter Pan, “The Second Star to the Right.” Peter Pan tells the story of the Darling siblings as they set their sights on Neverland, and here we present “The Second Star to the Right” as a beautifully resonant piano solo.

It would be wonderful to listen to such classical-style piano while gazing at the stars at night.

It appears in the collection “Beautifully Resonant Piano Solos: Disney Masterpieces (Advanced),” so if you play the piano, you might enjoy performing it and getting lost in the music.

Let’s spend a special moment together.

Heigh Ho! (in the style of Mozart)Eugenia Zukerman&Shanghai Quartet

Snow White and the Seven Dwarfs: Heigh Ho! (in the style of Mozart)
Heigh Ho! (in the style of Mozart)Eugenia Zukerman&Shanghai Quartet

This piece is included on the album “Heigh-Ho! Mozart,” which features Disney classics arranged in the styles of great classical composers.

It is performed by flutist Eugenia Zukerman and the Shanghai Quartet, and was released in June 1995.

Reimagining music from Snow White in a Mozart-like manner, the work beautifully fuses Disney’s magic with classical elegance.

Characterized by a lively, classical approach for flute and string quartet, it maintains the cheerful atmosphere depicting the dwarfs’ joy in work and rest, while adding refined musical expression.

It’s a recommended track not only for Disney fans but also for lovers of classical music.

Can You Feel the Love Tonight (in the style of Tchaikovsky)Paul Barritt&English Chamber Orchestra

This piece is an arrangement of a classic song from Disney’s The Lion King in the style of Tchaikovsky.

Performed by Paul Barrett and the English Chamber Orchestra, it was released in 1995.

While preserving the warmth of Elton John’s original, it brilliantly fuses Tchaikovsky’s grand, sweeping atmosphere.

Elegant string melodies and sumptuous orchestration recreate the story’s emotion from a fresh perspective.

It’s recommended not only for classical music fans, but also for those who want to enjoy beloved film and Disney songs from a different angle.

Included on the album Heigh-Ho! Mozart, this track serves as a bridge between pop and classical music.

April Rain by BambiMiyagawa Akira & Tōkyō Firuhāmonī Kōkyō Gakudan / Nebārando Ōkesutora

April Showers from Disney’s Bambi is performed by orchestra.

In the film, it underscores an important scene that symbolizes the arrival of spring, musically capturing the rhythm of falling rain.

The delicate motions of nature and the raindrops are visualized through music, as if the rain itself has been transformed into sound.

It has been highly praised by both Disney fans and classical music enthusiasts, making it a perfect piece for anyone who wants to feel the season of spring and the breath of nature.

The arrangement and conducting in the video are by Akira Miyagawa, the composer behind works such as Matsuken Samba II.

The performance is by the Tokyo Philharmonic Orchestra, a traditional ensemble with over 100 years of history that has also handled Disney’s orchestral concerts.

Beauty and the Beast — Debussy-style ArrangementMurakami Yuki

A famous song from Beauty and the Beast, a film that produced many classics, appears here in the style of the French Impressionist composer Debussy! Although Beauty and the Beast is set in France, choosing a French composer’s style makes it feel as if you’re gazing at a framed landscape painting.

It opens with a dreamlike phrase, resulting in a fresh arrangement that feels like newly reborn underscore from the film.

Beauty and the Beast was the first animated feature ever nominated for the Academy Award for Best Picture, and it also won Best Original Score and Best Original Song.

Both the melody and lyrics are exquisitely beautiful; close your eyes, and the iconic ballroom scene of Belle and the Beast comes vividly to mind.

ReflectionHirohashi Makiko

Disney Instrumental ǀ Makiko Hirohashi – Reflection
ReflectionHirohashi Makiko

The theme song from Mulan.

In the film’s ending, the version sung by Christina Aguilera—who was a global superstar among female singers at the time—was featured.

While the film portrays a strong woman, this song expresses Mulan’s inner conflict as she suppresses her true feelings as a woman.

The beautifully clear flute tone conveys femininity, which in turn heightens the sense of poignancy.

This time, we present a piano solo arrangement.

The bittersweet song becomes even more heartrending—yet soothing—to listen to.

He Is a Pirate – Beethoven-style ArrangementMasamura Megumi

This piece brilliantly achieves a fusion of classical and film music.

Arranged by Megumi Masamura, it reconstructs the theme from the film Pirates of the Caribbean in the style of Beethoven.

While preserving the grandeur of the original, it features powerful piano writing reminiscent of Beethoven’s symphonies.

Although set at an advanced difficulty level for piano, it is an appealing work for both classical music fans and film music enthusiasts.

Available from Yamaha’s “Print Sheet Music” (PuriNto Gakufu), the score is arranged for solo piano, and when performing it, the key is to convey both the film’s world and the beauty of classical music.