Songs whose titles start with “Do” – Solo Karaoke / Song-Title Shiritori
There are lots of words that start with “do,” like “Don’t,” “Dream,” “doko” (where), and “drama.” In particular, there are many English words, and quite a few are used in song titles.
In this article, I’ll be introducing a bunch of songs with titles that start with “do”! I hope it’ll be useful as hints for “song-title shiritori” or “shiritori karaoke,” or for making playlists of “songs that start with ___.”
- A compilation of Vocaloid songs with titles that start with “Do”
- Songs with titles starting with “To.” A selection from popular tracks across generations!
- A compilation of Vocaloid songs with titles that start with “To”
- Songs with titles that start with 'de'. Perfect as hints for karaoke or shiritori!
- A compilation of Vocaloid songs with titles starting with 'A'
- A roundup of songs with titles starting with 'Da' (Dai-〇〇, Diamond, etc.)
- Cool If You Can Sing! Popular Karaoke Songs Recommended for Women
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- Easy-to-sing Disney songs. Songs that let you slip into a world of love, dreams, and magic.
- A roundup of songs with titles starting with “zu” (rare!)
- A compilation of Vocaloid songs with titles starting with 'Da'
- Songs with titles that start with “Su.” A collection of tracks useful for shiritori.
- Songs with titles starting with “No” (Perfect for karaoke and shiritori!)
Songs whose titles start with “Do” – Solo Karaoke / Title Shiritori (31–40)
Do Re Mi So La Si DoHinatazaka46

Hinatazaka46’s song “Doremisolasido” is a track that even beginners can perfectly copy.
Because it’s performed by a large group, the focus is on formations and movement, and the choreography itself mainly uses hand motions.
In the memorable “Do-Re-Mi” part of the chorus, the moves are simple—raising and lowering the shoulders alternately—and the emphasis is on rhythm-keeping, which is fundamental to dance.
Also, the step at the beginning of the chorus is the Charleston, a basic step that’s taught early on when learning dance, so once beginners pick it up, they’re sure to have fun dancing it!
Dragon SmasherEvan Call

An instrumental track brimming with exhilaration, like when a formidable foe appears.
Within its brief 1 minute 58 seconds, it packs a driving rhythm and melodies from flutes and strings, making you feel as if courage is welling up as you listen.
Included on the album “TV Anime ‘Frieren: Beyond Journey’s End’ Original Soundtrack,” released in April 2024, this piece was used as part of the score for the TV anime “Frieren: Beyond Journey’s End.” A live version was also released in 2025.
Composed by Evan Call, the work blends weighty orchestration with elements of Celtic music, enhancing immersion in another world.
It’s a perfect track for facing challenges or when you want to psych yourself up.
Monologue to LamentationTakahashi Yoko

This song captivates with its profound themes that delve deep into the world of Evangelion and its overwhelming sense of scale.
Written by Neko Oikawa and composed by Toshiyuki Omori, it conveys complex emotions such as deep love and a prayer for salvation.
Combined with Yoko Takahashi’s powerful vocals, it feels as if you’re witnessing a scene from the story itself.
It was released as Yoko Takahashi’s single in April 2010.
Selected as the theme song for the pachislot game “Neon Genesis Evangelion: The Path to the Soul,” it’s cherished by fans as a number that bridges the series’ history.
It’s perfect for delivering a dramatic performance at karaoke, so be sure to give it a try!
Complete Map of GermanyEgokoro Jinpachi (CV. Kamiya Hiroshi), Mikakasa Anri (CV. Yukimura Eri)

A related song from the TV anime Blue Lock, performed by Hiroshi Kamiya as Jinpachi Ego and Eri Yukimura as Anri Teieri.
It’s included on the fifth installment of the character song CD series, released in September 2024.
This work is a rare duet crafted from the perspectives of the project’s chief director, who pursues egoism, and the assistant who supports him on the operational side.
The lyrics—both ruthless and exhilarating, as if shattering common sense to forge a new order—unfold over an electronic sound.
Recommended for those who want to experience the characters’ fanatical ideals and the atmosphere of the people who drive things on the ground.
Do Me MoreAmuro Namie

With an exhilarating electro-pop sound, it was one of the staple songs that fired up the crowd at live shows.
Visually, it featured outfits and makeup that emphasized the allure of a mature woman, and as a fantasy piece themed around “super sexy.” For Amuro’s catalog, it’s rare in that it runs over five minutes.
The song itself has a calm, almost matter-of-fact vocal delivery, and there aren’t many parts that go too high in range.
Since there’s a rapid-fire section in the latter half, it’s best to be mindful of the opening and avoid letting the performance run on autopilot.
Compilation of Songs Whose Titles Start with “Do” [Solo Karaoke · Song-Title Shiritori] (41–50)
Driving All NightOzaki Yutaka

A rock number released on October 21, 1985.
In live recordings, the intense shouts right from the intro are distinctive, and you can feel Ozaki’s madness as a live artist.
The overall vocal range is E3 to F#4, so for the average male, the chorus might feel a bit high.
It’s a groove-driven song, so if you sing while feeling the drums and moving your whole body, your voice should come out more easily.
Also, since it builds up a lot toward the end, be careful not to push too hard.
Using your body to sing helps you stay relaxed, so try singing while stepping or swaying side to side.
DorasSuda Masaki

This is a track included on the second album “LOVE,” for which Suda himself wrote both the lyrics and music.
While aligning with the album’s concept of “love,” it reflects Suda’s inner self, and it’s well-loved on music streaming services and in karaoke.
It’s basically a high-energy song, so imagine projecting your voice far and sing with high energy.
Since there are parts that are slightly fast-paced, rather than enunciating every word crisply, if you put the accent at the beginning, you’ll catch the flow better.
Instead of forcing each word, make sure to ride the melody firmly.


